Books

Follows you (block)

Requested to follow you (accept | block)

Blocked (unblock)

tristantrakand

tristantrakand

has 41 followers and is following 41 people

I'm very lucky in the sense that my job requires me to read books, and that often those books I can get for free. The downside is that I barely have time to read most of the books I get unless there's a deadline to be met.

I also maintain a book blog: http://ronreads.com
  • Manila, Na, Philippines
  • member since August 11, 2007

Reviews

  • Sort by:
 
1 2  | Next »
Displaying 1-10 of 13 reviews
  • The Woman in Black
    • Rated 3 stars

    “The Woman In Black” starts out moodily enough, setting the tension early on by starting during a happy Christmas celebration Kipps is having with his family. As joyous as the occasion is, there is a foreboding hanging over the ceremony, and as a reader I appreciated how Hill wasn’t going for the obvious and gory scare from the get go.

    And as the novel progresses, we get all the staples you’d expect — the prickly populace, the suspicious rich gentleman, the mysterious things that go bump in the night at Eel Marsh House. There is a lot of atmosphere in this book, and you certainly can’t accuse Susan Hill of being unable to set a scene.

    The final confrontation between Kipps and the woman in black is also wrenching to read, if not exactly unexpected. The way with which Kipps ends his tale — with a compact series of sentences that drive home how much the woman has scarred him — is also done very effectively.

    But it didn’t really scare me. I felt a lot of things while reading it — nostalgia for the days I spent in the provinces, curiosity at what the final outcome would be, and mounting excitement and trepidation as the book came to a close — but scared was not one of them.

    It isn’t really any of Susan Hill’s fault, but more of me just being an unimaginative doorknob. Everything was already set up for me! The locked rooms, the oppressive atmosphere, the noises in the middle of the night, Susan Hill didn’t pull any punches. It’s just that it’s really hard for me to bring scary scenes to life in my head, especially when it comes to sounds.

    “The Woman In Black” is a great read, and I would recommend it to anyone without any reservations. I may not have ended up being unable to sleep after reading it, but that’s more of a problem on my part than anything else.

    tristantrakand wrote this review 5 hours ago. ( reply | permalink )
  • The Fault in Our Stars
    • Rated 5 stars

    John Green’s “The Fault In Our Stars” tells the story of Hazel Grace Lancaster and Augustus Waters, two teenagers with cancer who meet at a support group meeting.

    There is an immediate attraction between the two, but Hazel is hesitant to start a relationship with Augustus because of the state of her health. While a wonder drug has bought her some time, her diagnosis, as the book’s blurb states, has always been terminal.

    Augustus, however, is nothing if not persistent. Will he succeed in spite of Hazel’s trepidation? Or has Augustus come into Hazel’s life much too late to make any difference?

    Because of its premise — two cancer-stricken teenagers falling in love- — it’s easy to expect “The Fault In Our Stars” to be nothing more but a collection of maudlin scenes and trite observations about the fragility of life and the wisdom of the dying. And while it does talk about those things and more, the treatment of it is far from being maudlin or trite.

    And it doesn’t take John Green half the novel to do it either. Just two paragraphs into the work, and he immediately wallops the readers with such an insightful observation delivered in such an unsentimental way that it’s hard not to shake your head in admiration.

    Green maintains that subtle, intimate tone throughout the book, even if he has every opportunity to turn on the bombast and press at the most obvious emotional buttons. There are all these small scenes in backyards and hospital beds that you wouldn’t think could be so dramatic and yet you end up bawling over them anyway.

    Hazel and Augustus aren’t your conventional “love team” either. Aside from the fact that they’re not in the pink of health, Hazel and Augustus actually display the scars that cancer has left on their bodies. Hazel, for instance, has to travel with an oxygen tank, while one of Augustus’ legs had to be amputated because of his osteosarcoma.

    And yet, despite going through some things that some of us healthy people will probably never understand, they are far more relatable than some of the pairings being foisted upon us in the YA romances glutting the bookshelves right now. The slow build of their relationship, their banter, the complications that they go through, all of it is so simple and yet so real that it’s hard not to feel for them.

    Hazel and Augustus aren’t perfectly-suffering paragons of virtue either. Their is no stoic courage in the face of certain death here — there is desperation, their is ugliness, their is a descent into some of the physical horrors that cancer inflicts on its victims. But what makes Hazel and Augustus likable in spite of all that is the fact that Green never presents it as Hazel and Augustus being weak — it’s just them being human.

    That patient and steady building of character and relationships makes it especially easy for Green to twist the knife when it comes to the book’s climax. Green has made Hazel and Augustus so endearing that even if the end isn’t exactly surprising, readers will still probably end up heartbroken.

    Even cancer, for all the pain it has caused so many people, gets an even treatment in this book. What is it, after all, but just your cells evolving in a way that is harmful to your own body. It wants to survive just as much as you do. When even the “villain” in this piece gets his say, you know that Green went above and beyond in ensuring that the experiences of those afflicted with this disease are treated with respect.

    Respectful, painful in its honesty and simplicity, and possessed with a dry wit and humor that only heightens the poignancy of Hazel and Augustus’ experiences, “The Fault In Our Stars” is a triumph for John Green. As prominent as it is in this book, cancer isn’t really what Green is concerned with — he’s much more concerned with what goes on in our hearts.

    tristantrakand wrote this review 5 days ago. ( reply | permalink )
  • The Girl with the Dragon Tattoo
    • Rated 4 stars

    I’ll be the first to admit that I haven’t read a lot of crime novels. But from those that I’ve read, the formula has always been that the first chapter is where you reveal the dramatic event that will power the mystery that runs throughout the book.

    It was kind of refreshing to find “The Girl with the Dragon Tattoo” straying from the formula right from the very beginning of the book. Rather than a dramatic kidnapping or a gruesome murder, what we get is a quiet scene between two old men pondering the mystery of a flower.

    This quiet lingers on throughout the novel, with very little happening for about 3/4 of the book other than Blomkvist and Salander doing a lot of research and rifling through photographs. It’s a good thing that I’m fascinated with family histories and Larsson’s snide remarks about Swedish journalism because I can clearly see how some people may find this boring.

    Those that dismiss this book because of that particular style, however, are sure to miss out. When Larsson starts things moving, it’s hard for him and the reader to stop, making the last few hundred pages definite page-turners. Now you realize the skill behind those pages and pages of history and research — it’s like snow that’s quietly piled up, easy to ignore, but before you know it it’s descending on you as an unstoppable avalance.

    It also helps that Lisbeth Salander is such a fascinating character. There is something very primal and feral about her, especially when Larsson first introduces her in the books — as if she’s been raised by wolves and knows only the laws of the jungle. It’s amazing how she bounces back from some of the things that happen to her in the book, and how adamant she is about standing up for herself and other women.

    The effect that Blomkvist’s article had on his nemesis was especially thrilling to read as well, especially if you also work in the same industry. It’s any writer’s dream after all — to see their story become bigger than they are and actually see it change something.

    It was also interesting to see Blomkvist grapple with the ethical dilemmas brought about by his investigation, especially as it relates to his job as a journalist. It’s refreshing to read a crime novel that looks beyond just the capture or death of the killer and ruminates on the victims and their families.

    It’s not a perfect book, by any means. I thought it was stretching things a little bit to have Blomkvist have as active a sex life as he did, as much as it introduced a red herring into the story. And maybe it’s just the translation, but I felt the prose was a little on the “basic” side, if that makes any sense.

    However, all those little things did not detract from my enjoyment of the story at all, and hasn’t discouraged me from reading the other two books in the trilogy. it’s easy to see why so many people have been recommending this book to me — and it’s doubly easier to slap myself up the head for not picking it up immediately.

    tristantrakand wrote this review 2 weeks ago. ( reply | permalink )
  • The Scorpio Races
    • Rated 5 stars

    If any of Stiefvater’s readers had any worries about “The Scorpio Races” not living up to their experience of reading “The Wolves of Mercy Falls” series, then they should definitely put those to rest as “The Scorpio Races” not only has the same strengths that the earlier series had, it also builds and improves upon them to become something better.

    The skill with which Stiefvater concocts atmosphere, used to such great effect in “The Wolves of Mercy Falls”, just ramps up to another level in this book. In Stiefvater’s capable hands, Thisby is more than just a backdrop for her characters – it is a living thing whose presence creeps into the readers’ minds and stays there like a heavy mist.

    Stiefvater’s version of the capaill uisce – mythological creatures found in the stories of Scotland and Ireland – are also an inspired creation. They are an insidious and primal presence in the story, always keeping the reader on their toes even if they mostly stay in the background.

    Her main characters, Sean and Puck, are also fascinating to follow. Both are prickly persons, either shut off or defensive when interacting with the people around them. In the hands of a lesser writer, these characters would have ended up incredibly off-putting for readers. However, Stiefvater has so clearly defined her characters and their motivations that it is remarkably easy to empathize with them and follow them on their journey.

    Sean Kendrick, in particular, is a brooding, enigmatic, and completely compelling character that readers will surely be drawn to. Stiefvater succeeds in imbuing Sean with a danger that does not cross the line towards sleazy, something that other writers in the young adult genre don’t often have a clear grasp on.

    Stiefvater also shows great skill at making her characters interact with each other. How the relationship between Sean and Puck progresses throughout the novel is also written so organically that it is hard to imagine them acting and reacting in any other way than they do. Their relationship seems like one that would bloom exactly under the circumstances Stiefvater describes in the book.

    To top it all off, Stiefvater also manages to ask some pretty tough questions about tourism as an industry and what it is that we like to think of as home. In as much as the Scorpio Races bring tourists and their money to the island of Thisby, it has also become a burden for some of the Thisby residents who only associate the races with heartbreak and death. For some of these residents, the only option is to leave the island. Is abandoning one’s “home” and “culture” necessarily a bad thing, especially when that home and culture no longer means the same for that person?

    Moody, atmospheric, poignant, and yet ultimately hopeful, Maggie Stiefvater’s “The Scorpio Races” is a new triumph for the author. For readers still undecided what to get themselves this holiday season, “The Scorpio Races” is a sure bet.

    tristantrakand wrote this review 3 weeks ago. ( reply | permalink )
  • The Future of Us
    • Rated 3 stars

    Changing things in the present so as to have a better future is a trope that’s been around for a long time, popping up both in literature and in film. It’s been used in Charles Dickens’ “A Christmas Carol” and all the way to the “Back to the Future” movies. Anyone who’s read enough books and seen enough movies can accurately predict the twists and turns such a story takes.

    The authors Asher and Mackler were both probably aware of these conventions because the book doesn’t exactly bring anything new to the table when it comes to the concept of time travel. The only thing new about this most recent interpretation is how it utilizes Facebook as its method of “time travel”.

    Aside from being a tad predictable, Asher and Mackler also fail to utilize Facebook to its fullest effect. Being the only thing in the story that is “new”, one would have expected it be used much more inventively, but all it does is act as a glorified crystal ball. The novelty of it eventually wears off as the reader progresses through the story.

    Aside from that, the writing isn’t as snappy or as compelling as the previous works by Asher and Mackler. This may come as a slight disappointment to fans of the pair, who are behind such bestselling and controversial works such as “Thirteen Reasons Why” and “The Earth, my Butt, And Other Big Round Things”.

    But whatever “The Future of Us” lacks in inventiveness and originality, it makes up for with charm and a heavy dose of 90s nostalgia, sure to hook any reader within a certain age range. For some of us, the age of dial-up connections, nine planets in the solar system, and cassette tapes wasn’t so long ago, and reading about the characters’ curiosity about the state of Pluto is sure to elicit a laugh.

    Asher and Mackler also attempt to tackle the complicated relationship that we now have with Facebook and it’s omnipresence in our lives. While the pair aims a few pointed jabs at the Facebook generation – Emma and Josh wonder why people in the future are so obsessed about “lame vacation photos and trivial things” – they also acknowledge how dependent we have become on the site. Even Emma and Josh, despite their initial misgivings, find themselves hooked on Facebook.

    Emma and Josh are also greatly written characters, bound to easily win the sympathies of any teenage readers. The dynamic between Emma and Josh is also entertaining, at times hilarious and frustrating, and always interesting enough to make readers want to turn the pages and find out what happens next.

    While “The Future of Us” isn’t going to be the Facebook novel, it is entertaining enough for readers to take a chance on. And if you’re a twentysomething looking for bite-sized bits of 90s nostalgia, then “The Future of Us” is as good a choice as any.

    tristantrakand wrote this review 3 weeks ago. ( reply | permalink )
  • Clockwork Prince
    • Rated 3 stars

    The one thing that readers grumble about with regards to “Clockwork Angel” was its shoddy and unimaginative rehashing of the group dynamics that made “The Mortal Instruments” such a hit. Here again was a love triangle between two Shadowhunters and a Downworlder, with the only difference being the Victoria-era setting of “The Infernal Devices”.

    Early on in “Clockwork Prince”, it looks as if Clare is trotting down that well-worn path once again. Will Herondale is agonizing over his feelings over Tessa Gray in much the same way that Jace Wayland did in “The Mortal Instruments”, and it's very tempting to just dismiss the book early on.

    Thankfully, Clare seems to have learned from previous mistakes as she scales down the interactions between Will and Tessa that so closely mirrored those of Jace and Clary in “The Mortal Instruments”. In “Clockwork Prince”, Clare brings to the fore other characters which give the book its own distinct character and personality.

    The bigger role that Jem plays in the narrative is a welcome development, as we get to see a different side to one of the more intriguing characters that Clare introduced in “Clockwork Angel”. In “Clockwork Prince” we see Jem's inner struggle and turmoil, something that Clare only hinted at in the previous book. Seeing how Jem affects the Will and Tessa relationship make for interesting reading, and will probably cause some spirited discussions among fans of the series.

    Clare also makes better use of her book's setting this time around, mining the gender and class tensions present at the time and further differentiating “The Infernal Devices” from “The Mortal Instruments”. It's such an obvious aspect of the era to take advantage of that one wonders why Clare didn't make use of it in the first book. It is the introduction of these new dynamics that make “Clockwork Prince” a lot more unpredictable than the book that came before it, and that can only be a good thing for an author that has been accused of mostly rehashing her previous work.

    If there's anything in “Clockwork Prince” to be disappointed about, it's the lackluster way with which Clare tries to work in the steampunk angle that she first introduced in “Clockwork Angel”. Mortmain's mechanical monstrosities are relagated to the background, and one can't help but wish that Clare had developed this idea as well as she had the other elements of the book.

    “Clockwork Prince” also doesn't bring anything new to the greater Shadowhunter universe that Clare has created. While it's entertaining to connect the dots between this series and “The Mortal Instruments”, none of the revelations here are particularly illuminating or exciting.

    While a definite step up from “Clockwork Angel”, “Clockwork Prince” isn't going to win Cassandra Clare any new fans. It may win back some of her old ones, and all things considered, that may not be so bad after all.

    tristantrakand wrote this review 3 weeks ago. ( reply | permalink )
  • The Night Watch
    • Rated 5 stars

    The book only gets interesting a quarter into the first story, but I must say that after that I was hooked.

    tristantrakand wrote this review Saturday, March 29, 2008. ( reply | permalink )
  • Orlando
    • Rated 5 stars

    This was the very first Virginia Woolf novel that I read, and I wouldn't even have known about it if it weren't for Orlando Bloom. Yes, Orlando Bloom. I heard this rumor that he was named after this charater, decided to check it out, and fell in love with Virginia Woolf instead.

    Most critics don't consider this her most important work -- a lot fo them dismiss it as a fancy on her part -- but it will always remain my sentimental favorite if only just for introducing me to Virginia Woolf.

    tristantrakand wrote this review Sunday, August 12, 2007. ( reply | permalink )
  • The Piano Teacher
    • Rated 5 stars

    A fantastic book, but it takes a lot of determination on the part of the reader to push through with it. There are certain graphic parts, but what will really challenge you is Erika Kohut's succumbing to Walter Klemmer's advances, and the consequences in the end.

    tristantrakand wrote this review Sunday, August 12, 2007. ( reply | permalink )
  • The End of the Affair
    0 of 1 members found this review helpful.
    • Rated 4 stars

    Simply heartbreaking, and the movie version with Julianne Moore and Ralph Fiennes is equally moving.

    tristantrakand wrote this review Sunday, August 12, 2007. ( reply | permalink )
1 2  | Next »
Displaying 1-10 of 13 reviews