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~China Photojournalist Tom Carter~

~China Photojournalist Tom Carter~

In 2006, photojournalist Tom Carter embarked on a historic, 2-year journey that would take him throughout the 33 provinces of China, making him one of the first foreigners in China’s 5,000 year history to do so.
From the Yellow Sea to the Himalayas, Tom visited well over 200 cities and villages in a determination to understand, and... more »
  • Beijing, Be, China
  • member since November 29 2007

Reviews

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Displaying 11-15 of 15 reviews
  • The World of Suzie Wong

    by Paul and Mason, Richard Osborn
    • Rated 5 stars

    I read Richard Mason's Suzie Wong for the first time during my first trip to Hong Kong. I was less lucky in finding a hooker who wanted to be my girlfriend than the protagonist Robert Lomax, but the book nonetheless was a great trip down the seedy lanes of Hong Kong past. I even referred to it in a travel article I penned about today's Wan Chai girls:

    DAY 6: I give the Island another chance and take the night ferry across the harbor to the north end’s older and seedier nightspot, the infamous Wan Chai. Recall it is where Richard Mason penned his 1950’s tale of forbidden love, “The World Of Suzie Wong,” though a lot has changed since he wrote “take a minute’s stroll from the center and you won’t see a European.” The pick-up bars still line the road, yum-yum girls luring passersby into their neon-lit dens, but these are the illegitimate daughters of Suzie Wong, not of Chinese but Thai dissent, wearing not elegant silk cheongsams but cheap miniskirts raised to immodest heights. And unlike the kindly ladies of the Nam Kok Hotel, these modern-day working girls are vicious, mercenary, cold. When a group of obviously disappointed white boys emerge from one venue exclaiming, “In Thailand they take off ALL their clothes,” the brown-skinned door girl in plastic go-go boots is quick to shout back, “Then go to Thailand!” Further down Lockhart I follow a couple of older Europeans primed with drink and flirting heavily with a lovely bouquet of girls looking for generous company. After making their arrangements, one of the men leans on me and confides, “Wy mife, I mean my wife, thinks I’m *HICCUP* at a conference.” The remaining girls give this poor writer a cursory glance then quickly cross the street away from me.

    ~China Photojournalist Tom Carter~ wrote this review Thursday, June 26 2008. ( reply | permalink )
  • Candy
    • Rated 5 stars

    Mian Mian's Candy is a tale of the P.R.C.’s lost generation; those disaffected youth who grew up on the cusp of old and new China. One of those rare novels which speaks in poetically blunt truth, Candy was summarily banned by the Communist government as “spiritual pollution.” Candy is a highly recommended read for anyone longing for an extremely well-written glimpse into Chinese counterculture.

    ~China Photojournalist Tom Carter~ wrote this review Thursday, June 26 2008. ( reply | permalink )
  • The Good Earth
    • Rated 5 stars

    Of the thousands of good Chinese people I met and photographed across China, I was often struck by their similarities with Wang Lung and O-Lan, the heart-breaking protagonist couple of Pearl S. Buck's The Good Earth. Undoubtedly the author drew the same inspiration while she lived in China to write this timeless classic.

    ~China Photojournalist Tom Carter~ wrote this review Thursday, June 26 2008. ( reply | permalink )
  • The Journeyer
    • Rated 5 stars

    Not nearly as bloody or prurient as Gary Jenning's Aztec, toned-down Journeyer is still perhaps the most complete work on Marco Polo's travels next to Polo's own book. I read this mammoth novel TWICE during my 2-year backpacking adventure across China, and referred to it often for inspiration (I had less luck with the ladies than Polo). For anyone preparing for a long trip on the Silk Road, The Journeyer comes highly recommended.

    ~China Photojournalist Tom Carter~ wrote this review Thursday, June 26 2008. ( reply | permalink )
  • In China
    • Rated 5 stars

    From AsiaSociety.Org:

    In China, 1979 marked a period of easing toward the West. For the first time after almost a generation of secrecy, the Chinese government was taking its own people (and the outside world) into its confidence. The official organ, the Xinhua News Agency, was reporting basic information and statistics on employment, the national income, the budget, the harvest, industrial quotas, consumer goods, and much else that had been a mystery before. To get people moving, economic incentives were to replace ideology. The Chinese were taking a heavy gamble that they could become a world power by the year 2000. It was a time of openness that made my work a joy.

    It seemed to me that in China there was none of the monotonous gray conformity I had seen in Russia. Instead, there was uniformity, yet within it a startling diversity. I had expected every commune to be like every other commune, and every factory to be set up according to directives from a central plan. This was not so. Each unit solved its own problems in its own way and according to its own needs-although, granted, within the framework set up by the Communist Party. What constantly impressed me was the spirit of the people. China had just emerged from ten years of Cultural Revolution, of purge and counterpurge, of destruction of her past and violence to her future--and possessed a whole generation of young who had been the victims of upheaval. I was surprised on two scores: how far the Chinese had come in thirty years, and how far they still had to go to leave behind the backbreaking physical labor in which millions remain engaged. China considers herself both a Third World country (Mao Zedong's phrase) and a developing country. In Xishuang Banna a group of peasants said to me, Yes, ours is still the ancient way of toil: peasants still ride water buffalo to level the land, and plant the rice shoots by hand. But there have been enormous changes for us since Liberation. The rice paddies have been cleaned up; there are medical care, retirement pensions, old-age benefits, and education for our children. We are involved in building a better world for our children. Yes, said an old man:

    For our sons,
    For our sons' sons, and
    For ten thousand generations to come.

    -Eve Arnold

    --------------------------------------------------------------------------------

    EVE ARNOLD was born in Philadelphia to Russian immigrant parents. She began her career managing a photo-finishing plant. In 1948, she studied photography with Alexy Brodovich at the New School for Social Research in New York. She has won international recognition for her many photo essays on Asia, Africa, and the former Soviet Union, as well as for her portraits of personalities in the arts, politics, and cinema, including Mikhail Baryshnikov and Marilyn Monroe. Arnold became a member of Magnum Photos in 1951.

    ~China Photojournalist Tom Carter~ wrote this review Thursday, November 29 2007. ( reply | permalink )
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