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A sensation across Europe—millions of copies sold...
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Already, a nimbus of legend surrounds the story: In late 2004, Swedish journalist Stieg Larsson delivered to his publisher three finished manuscripts -- the opening salvos in a rumored 10-part suspense narrative. Like a latter-day Sjöwall-Wahlöö, the husband-and-wife detective novelists whose Martin Beck decology (1965-75) engaged Olof Palme-era political unrest, Larsson sought to explore and explode the moral deficits, irresponsible government and extremist movements that characterize postmillennial Europe. And, he admitted, he wanted to ensure a plush retirement.
Formally, at least, "The Girl Who Played With Fire" is a muscle car. But a European engine purrs beneath its hood. Sex trafficking interests Larsson as a symbolic evil, representing a vice insidious and entrenched: the exploitation of women in an ostensibly progressive nation. Consider Larsson's female characters: an American heiress whose husband plots her death; Salander's rainy-day lover, Miriam, taunted by a homophobic cop, her home violated in a state-sanctioned raid; an embattled detective contending with sexist colleagues and skeptical superiors; and Salander, who -- abused by her guardian, mistreated by her doctor -- is not simply the victim of men; she is the victim of men entrusted with her care.
Imagine that -- a thriller with moral freight.
Source: LA Times
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In the third volume in the explosive trilogy that has sold more than 20 million copies worldwide, Lisbeth Salander confronts political corruption from her hospital bed while a killer lurks next door
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