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READ THE SENSATIONAL BLOCKBUSTER THAT STARTED IT ALL! Take it from the top in # 1 New York Times bestselling author Sue Grafton’s knockout thriller that introduced detective Kinsey Millhone—and a hot new attitude—to crime fiction… A IS FOR AVENGER A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. A twice-divorced loner with few personal possessions and fewer personal attachments, she’s got a soft spot for underdogs and lost causes. A IS FOR ACCUSED That’s why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she’s out on parole and needs Kinsey’s help to find the real killer. But after all this time, clearing Nikki’s bad name won’t be easy. A IS FOR ALIBI If there’s one thing that makes Kinsey Millhone feel alive, it’s playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer—and sharper—than she imagined.
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Although business has been slow lately for P.I. Kinsey Millhone, she’s reluctant to take on the case of locating Beverly Danziger’s sister Elaine Boldt. It’s a small matter that Beverly should be able to handle herself. So why is she enlisting Kinsey’s services? Beverly claims she needs Elaine’s signature on some documents so that she can collect a small inheritance. But the whole affair doesn’t sit well with Kinsey. And if there’s something she’s learned in her line of work, it’s to always follow your instincts… Kinsey’s hunch proves true when she begins her inquiries into Elaine’s whereabouts and discovers that the attractive widow was last seen in a flashy lynx coat boarding a plane for Boca Raton. But the more Kinsey searches for Elaine the more questions she encounters. Is Elaine’s disappearance tied in to the brutal murder several months ago of one of her bridge partners? And what happened to Elaine’s Persian cat who seems to have also vanished? Things take a turn for the worse when a stranger vandalizes the home of one of Elaine’s neighbors and another neighbor turns up murdered. With her reputation and career on the line, Kinsey risks all to find a missing woman and a killer who’s waiting in the shadows to strike again…
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Kinsey meets him in the local gym. Bobby Callahan is a scarred young man struggling back to life after a car forced his Porsche over the edge of a canyon, battering his body and muddling his memory. All he remembers is that someone, for some reason, tried to kill him. Desperate for clues about his own past life and certain he is being stalked, he asks Kinsey to protect him. Kinsey can't resist the brave kid - and neither can the killers. Three days late Bobby is dead. Kinsey Millhone never welshed on a deal. She'd been hired to stop a killing. Now she'd find the killer.
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When Alvin Limardo walks into P.I. Kinsey Millhone’s office, she smells bad news. He wants Kinsey to deliver $25,000. The recipient: A fifteen-year-old boy. It’s a simple matter. So simple that Kinsey wonders why he doesn’t deliver the money himself. She’s almost certain something is off. But with rent due, Kinsey accepts Limardo’s retainer against her better judgment… When Limardo’s check bounces, Kinsey discovers she’s been had big time. Alvin Limardo is really John Daggett—an ex-con with a drinking problem, two wives to boot, and a slew of people who would like to see him dead. Now Kinsey is out four hundred dollars and in hot pursuit of Daggett. When Daggett’s corpse shows up floating in the Santa Teresa surf, the cops rule the death an accident. Kinsey thinks it’s murder. But seeking justice for a man who everyone seemed to despise is going to be a lot tougher than she bargained for—and what awaits her at the end of the road is much more disturbing than she could’ve ever imagined…
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Being a twice-divorced, happily independent loner has worked like a charm for P.I. Kinsey Millhone—until holiday weekends like this one roll around. What she needs is a little diversion to ward off the blues. She gets her much-needed distraction with a case that places her career on the line. And if that isn’t enough to keep her busy, her ex-husband, who walked out on her eight years ago, pops back on the radar... It all begins with a $5,000 deposit made into Kinsey’s bank account. Problem is she’s not the one who deposited the money. But when she’s accused of being on the take in an industrial arson case, Kinsey realizes someone is framing her… Now Kinsey’s working for herself. But with new evidence—and corpses—surfacing around her, she’s going to have to act quickly to clear her name before she loses her career, her reputation—and quite possibly her life…
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When Kinsey Millhone first arrives in Floral Beach, California, it’s hard for her to picture the idyllic coastal town as the setting of a brutal murder. Seventeen years ago, the body of Jean Timberlake—a troubled teen who had a reputation with the boys—was found on the beach. Her boyfriend Bailey Fowler was convicted of her murder and imprisoned, but he escaped. After all this time, Bailey’s finally been captured. Believing in his son’s innocence, Bailey’s father wants Kinsey to find Jean’s real killer. But most of the residents in this tight-knit community are convinced Bailey strangled Jean. So why are they so reluctant to answer Kinsey’s questions? If there’s one thing Kinsey’s got plenty of it’s persistence. And that’s exactly what it’s going to take to crack the lid on this case. As Kinsey gets closer to solving Jean’s murder, the more dirty little secrets she uncovers in a town where everyone has something to hide—and a killer will kill again to keep the past buried...
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"G" is for guilt and guile, greed and grief, and the grim reaper in this adventure about wise-cracking Millhone. 2 cassettes.
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Kinsey Millhone, the irreverent, wise-cracking P.I. with a style reminiscent of Philip Marlowe, is back in an all-new, high-stakes adventure... His name was Parnell Perkins and until shortly after midnight, he'd been a claims adjuster for California Fidelity. Then someone had come along and ended his career ... permanently. To the cops, his death looked like a robbery gone sour; to Kinsey Millhone, it looked strangely suspicious. Particularly when Bibianna Diaz's name surfaced in one of Perkins' files. It seems she had pulled an insurance scare, with California Fidelity as her mark. Now, Kinsey was after her. But so, too, was her spurned suitor, Raymond Maldonado. He had a rap sheet as long as his arm and an inability to take "no" for an answer. Could Kinsey get to Bibianna first and solve the mystery of Perkins' murder? Or would she find that once you crossed Raymond Maldonado, you didn't live to tell the tale?
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"One of Kinsey's most electryfing adventures to date...Another irresistible installment of Ms. Grafton's series." THE BALTIMORE SUN Fired by the insurance agency for whom she investigates, Kinsey is forced to take on a last-minute murder investigation in which the ex-husband of a murdered artist claims that David Barney, her current husband, is guilty as sin. Barney gets to Kinsey and insists he's innocent. But if he is, who's guilty? In trying to learn who's been getting away with murder, Kinsey may be courting her own....
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"Ms. Grafton writes a smart story and wraps it up with a wry twist." THE NEW YORK TIMES BOOK REVIEW Wendell Jaffe has been dead for five years--until his former insurance agent spots him in a dusty resort bar. Now California Fidelity wants Kinsey Millhone to track down the dead man. Just two months before, his widow collected on Jaffe's $500,000 life insurance policy--her only legacy since Jaffe went overboard, bankrupt and about to be indicted for his fraudulent real estate schemes. As Kinsey pushes deeper into the mystery surrounding Wendell Jaffe's pseudocide, she explores her own past, discovering that in family matters, as in crime, sometimes it's better to reserve judgment.... A MAIN SELECTION OF THE LITERARY GUILD
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When Kinsey Millhone answers her office door late one night, she lets in more darkness than she realizes. Janice Kepler is a grieving mother who can't let the death of her beautiful daughter Lorna alone. The police agree that Lorna was murdered, but a suspect was never apprehended and the trail is now ten months cold. Kinsey pieces together Lorna's young life: a dull day job a the local water treatment plant spiced by sidelines in prostitution and pornography. She tangles with Lorna's friends: a local late-night DJ; a sweet, funny teenaged hooker; Lorna's sloppy landlord and his exotic wife. But to find out which one, if any, turned killer, Kinsey will have to inhabit a netherworld from which she may never return.
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"THIS IS ONE OF GRAFTON'S MOST FUN-TO-READ BOOKS. . . . One of <Kinsey Millhone's> wildest adventures yet." --San Francisco Examiner When Kinsey Millhone agrees to do a favor for Henry Pitts, her lovable octogenarian landlord, she literally gets taken for the ride of her life. The family of a recently deceased WWII veteran wants her to find out why the military has no record of his service. All Kinsey has to do, she thinks, is cut through some government red tape. But when the dead man's house is ransacked and his old army buddy is beaten up, she quickly realizes he was not all he seemed. Before long Kinsey is trailing crooks halfway across the country, impersonating a hotel maid, tangling with a baseball bat-wielding grandmother, and running from one very dangerous character. With her money almost gone and her nerves frayed, Kinsey's got to solve a decades-old crime and make it back home in time for Henry's wedding . . . if she can make it back at all. . . .
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"M" is for money. Lots of it. "M" is for Malek Construction, the $40 million company that grew out of modest soil to become one of the big three in California and, uniquely, remains in family hands. Eighteen years ago, one of the sons of the family went missing. Now "M" is for Millhone, hired to trace that missing black sheep. Though Kinsey Millhone succeeds in her search, this prodical son will find no welcome at his family's table. And, in the all-too-common outcome of familial hate "M" winds up standing for murder.
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"N" Is for Noose is the fourteenth in Sue Grafton's "Alphabet" series of mystery novels. It features Kinsey Millhone, a private detective from Santa Teresa, California. It was a New York Times best-seller.
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Through fourteen books, fans have been fed short rations when it comes to Kinsey Millhone's past: a morsel here, a dollop there. We know of the aunt who raised her, the second husband who left her, the long-lost family up the California coast. But husband number one remained a blip on the screen until now. The call comes on a Monday morning from a guy who scavenges defaulted storage units at auction. Last week he bought a stack. They had stuff in them--Kinsey stuff. For thirty bucks, he'll sell her the lot. Kinsey's never been one for personal possessions, but curiosity wins out and she hands over a twenty (she may be curious but she loves a bargain). What she finds amid childhood memorabilia is an old undelivered letter. It will force her to reexamine her beliefs about the breakup of that first marriage, about the honor of that first husband, about an old unsolved murder. It will put her life in the gravest peril."O" Is for Outlaw: Kinsey's fifteenth adventure into the dark side of human nature.
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Dr. Dowan Purcell had been missing for nine weeks when Kinsey got a call asking her to take on the case. A specialist in geriatric medicine, Purcell was a prominent member of the Santa Theresa medical community, and the police had done a thorough job. Purcell had no known enemies and seemed content with his life. At the time of his disappearance, he was running a nursing care facility where both the staff and the patients loved him. He adored his second wife, Crystal, and doted on their two-year-old son. It wasn’t Crystal who called Kinsey. It was Purcell’s ex-wife, Fiona. Everything about their meeting made Kinsey uneasy. Fiona’s manner was high-handed and her expectations unrealistic. Kinsey’s instincts told her to refuse the job, yet she ended up saying, “I’ll do what I can, but I make no promises.” It was a decision she’d live to regret. Pursuing the mysterious disappearance of Purcell, Kinsey crashes into a wall of speculation. It seems everyone has a theory. The cops think he went on a bender and is too ashamed to come home. Fiona is sure he ran off to get away from Crystal, and Crystal is just as sure he’s dead. The staff at the nursing home is convinced he’s been kidnapped, and one of his daughters, having consulted a psychic, is certain that he’s trapped in a dark place, though she doesn’t know where. Kinsey is awash in explanations and sorely lacking in facts. Then pure chance leads her in another direction, and she soon finds herself in a dangerous shadow land, where duplicity and double-dealing are the reality and, with the truth glinting elusively out of reach, she must stake her life on a thin thread of intuition. P Is for Peril : Kinsey Millhone’s latest venture into the darker side of the human soul.
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A Kinsey Millhone mystery. . . She was a "Jane Doe," an unidentified white female whose decomposed body was discovered near a quarry off California's Highway 1. The case fell to the Santa Teresa County Sheriff's Department, but the detectives had little to go on. The woman was young, her hands were bound with a length of wire, there were mulitple stab wounds, and her throat had been slashed. After months of investigation, the case remained unsolved. That was eighteen years ago. Now, the two men who found the body, both nearing the end of long careers in law enforcement, want one last shot at the case. Old and ill, they need someone to do the legwork for them, and they turn to Kinsey Millhone. They will, they tell her, find closure if they can just identify the victim. Kinsey is intrigued by the challenge and agrees to work with them. But revisiting the past can be a dangerous business, and what beings with the pursuit of Jane Doe's real identity ends in a high-risk hunt for her killer.
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Reba Lafferty was a daughter of privilege. Abandoned by her rebellious mother when she was an infant, she was the only child of a rich man already in his mid-fifties when she was born, and her adoring father thoroughly spoiled her. Now, at thirty-two, having had many scrapes with the law, she is about to be released on probation from the California Institution for Women, having served twenty-two months of a four-year sentence for embezzlement. Though Nord Lafferty could deny his daughter nothing, he wasn't there for her when she was brought up on this charge. Now he wants to be sure she stays straight, stays at home and away from the drugs, the booze, the gamblers. It seems a straightforward assignment for Kinsey: babysit Reba until she settles in, make sure she follows all the niceties of her parole. Maybe a week's work. Nothing untoward-the woman seems remorseful and friendly. And the money is good. But life is never that simple, and Reba is out of prison less than twenty- four hours when one of her old crowd comes circling round. R is for Ricochet . And R is for romance: love gone right, love gone wrong, and matters somewhere in between.
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Thirty-four years ago, Violet Sullivan put on her party finery and left for the annual Fourth of July fireworks display. She was never seen again. In the small California town of Serena Station, tongues wagged. Some said she'd run off with a lover. Some said she was murdered by her husband. But for the not-quite-seven-year-old daughter Daisy she left behind, Violet's absence has never been explained or forgotten. Now, thirty-four years later, she wants the solace of closure. In S is for Silence , Kinsey Millhone's nineteenth excursion into the world of suspense and misadventure, S is for surprises as Sue Grafton takes a whole new approach to telling the tale. And S is for superb: Kinsey and Grafton at their best.
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tres¥pass \'trespes\ n: a transgression of law involving one's obligations to God or to one's neighbor; a violation of moral law; an offense; a sin -Webster's New International Dictionary , Second Edition, Unabridged In what may be her most unsettling novel to date, Sue Grafton's T is for Trespass is also her most direct confrontation with the forces of evil. Beginning slowly with the day-to-day life of a private eye, Grafton suddenly shifts from the voice of Kinsey Millhone to that of Solana Rojas, introducing readers to a chilling sociopath. Rojas is not her birth name. It is an identity she cunningly stole, an identity that gives her access to private caregiving jobs. The true horror of the novel builds with excruciating tension as the reader foresees the awfulness that lies ahead. The suspense lies in whether Millhone will realize what is happening in time to intervene. Though set in the late eighties, T is for Trespass could not be more topical: identity theft; elder abuse; betrayal of trust; the breakdown in the institutions charged with caring for the weak and the dependent. It reveals a terrifying but all-too-real rip in the social fabric. Once again, Grafton opens up new territory with startling results.
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C alling T is for Trespass “taut, terrifying, transfixing and terrific,” USA Today went on to ask, “What does it take to write twenty novels about the same character and manage to create a fresh, genre-bending novel every time?” It’s a question worth pondering. Through twenty excursions into the dark side of the human soul, Sue Grafton has never written the same book twice. And so it is with this, her twenty-first. Once again, she breaks genre formulas, giving us a twisting, complex, surprise-filled, and totally satisfying thriller. It’s April, 1988, a month before Kinsey Millhone’s thirty-eighth birthday, and she’s alone in her office doing paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he’d be carded if he tried to buy booze, but Michael Sutton is twenty-seven, an unemployed college dropout. Twenty-one years earlier, a four-year-old girl disappeared. A recent reference to her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial when he was six years old. He wants Kinsey’s help in locating the child’s remains and finding the men who killed her. It’s a long shot but he’s willing to pay cash up front, and Kinsey agrees to give him one day. As her investigation unfolds, she discovers Michael Sutton has an uneasy relationship with the truth. In essence, he’s the boy who cried wolf. Is his current story true or simply one more in a long line of fabrications? Grafton moves the narrative between the eighties and the sixties, changing points of view, building multiple subplots, and creating memorable characters. Gradually, we see how they all connect. But at the beating center of the novel is Kinsey Millhone, sharp-tongued, observant, a loner—“a heroine,” said The New York Times Book Review , “with foibles you can laugh at and faults you can forgive.”
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