“When this biography of Harper Lee arrived in my shipment of new books this spring, I couldn’t wait to read it. Lee’s To Kill A Mockingbird was one of my favorite books as a teenager, and I have enjoyed watching the film many times. As a result, my expectations of this book may have been unrealistically high.
I Am Scout is an adaptation (for younger readers) of Charles Shields’s adult biography, Mockingbird: A Portrait of Harper Lee. The youth edition contains fascinating glimpses into the life of the notoriously reclusive Lee. Considered a bully as a child, Lee bonded with frail neighbor Truman Capote, who described the pair as “apart people.” Lee’s separateness from her peers continued in high school and college, where her swearing, pipe smoking, and aversion to fashion made her social poison. Yet her just-folks, down-home demeanor helped open doors when she and Capote traveled to Kansas in December 1959 to investigate the murders described in Capote’s blockbuster In Cold Blood.
Teen readers will relate to Lee’s independence, rebellion against social conventions, and competitive friendship with Capote. But they may struggle with some unexplained references to people and places of decades past, such as Shields’s description of producer Alan Pakula as “dressed like a 1960s IBM salesman.”
In addition, sloppy editing – including numerous typos, inconsistencies, and gaps – suggest that Shields’s adaptation was a rush job. For example, throughout the book’s first 50 pages, Shields refers to his subject as Nelle Lee. Only on page 51 is she introduced as Nelle Harper Lee, but with no explanation of the source for the middle name by which she became known around the world.
Shields relies without skepticism on Capote as a frequent source, despite acknowledging that “he was prone to telling lies.” Toward the end of the book, Shields refers to an infamous 1978 appearance by Capote on the Stanley Siegel television show in New York City, but incorrectly describes the forum as a radio program.
The book even delivers a slight to Brock Peters, the African American actor who portrayed Tom Robinson in the film. Shields includes several anecdotes about Peters, including a moving story about him promoting racial tolerance on the set. Yet while photographs of the film’s white producer, star, and child actors appear in the book, no images of Peters (or any other African American for that matter) are included, an ironic oversight indeed in the biography of an author whose book has been a symbol of civil rights for nearly 50 years.
Teen readers interested in the basic facts of Lee’s life will find value here, but they may not be satisfied by the reading experience.”