“If you need a bit of sugar-coated art history, this novel might be for you. It’s filled with accurate references to painters, artworks, the back room negotiations among dealers, and the staging of gallery openings. All of it is set against the backdrop of WWII and what is now called “The Rape of Europa” by the Nazis. Between the wars, Daniel Berenzon was one of the most successful gallery owners in Paris, numbering Picasso and Matisse among his clients. His son Max, is the victim of his father’s success. In 1939, the 19-year-old hopes to join his father in the business, but Daniel says no. The pampered youth, though knowledgeable, is not hungry enough, and he hires the beautiful young Rose Clement, a Louvre curator, as his latest apprentice. Max yearns for his father’s approval and Rose’s love, but to no avail. While the Berenzons, assimilated Jews, are being sheltered by a Protestant farmer in central France, she remains in Paris and strives heroically to offset the Germans’ looting by maintaining a registry of lost art. Houghteling has immersed herself in the history of the period, and her love of these paintings shines through. Back in liberated Paris in 1944, Max sets his heart on tracking down his father’s paintings, all lost; his hopes are constantly dashed, but his search is exciting and the author is finely attuned to the dealers’ folkways, their sophistication sometimes masking collaboration with the enemy and outright thievery. It is not only the paintings that have gone missing; so too have thousands of deported Jews. Max is sheltered by a friendly Hasid, an Auschwitz survivor, and they both try to track down loved ones until they come to terms with what they have lost.
Compiled from various reviews by K. Craver 10/2009”
NCSLibrary wrote this review Thursday, October 8 2009.
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