Books

Request Friendship
Send Request Cancel

LiteraryVenturesFund

LiteraryVenturesFund

The Literary Ventures Fund a first-of-its-kind, not-for-profit private foundation, serves as a "partner-in-risk" providing supplementary support to literary authors and publishers. It does so by offering them our foundation's personal publishing ties to bookstores, media outlets, and publicity assistance, as well as innovative marketing and... more »
  • Boston / New York, MA, US
  • member since August 29 2007

Reviews

  • Sort by:
 
Displaying 1-10 of 12 reviews
  • The World We Want: New Dimensions in Philanthropy and Social Change
    • Rated 5 stars

    In The World We Want, Peter Karoff, founder of The Philanthropic Initiative, shows how citizen engagement and open-source solutions can tip the scale toward a better world. In The World We Want, Peter Karoff presents a collective vision of an ideal world. The book weaves together multi-sector, multidiscipline strategies, but—in large part—it is about the power of human connection and self-awareness, reinforced by personal stories of motivation and the human capacity for caring. Without ignoring the institutional and cultural obstacles and the courage needed to face down the dark side of human behavior, Karoff shows how citizen engagement and open-source solutions can tip the scale toward a better world. Reviews "A must-read for all of us aiming to use philanthopy to build a better world." —Former U.S. Senator Bill Bradley "Peter Karoff is a poet as well as a visionary, so it comes as no surprise that The World We Want is a lyrical and uplifting book whose conversations with great leaders and change agents can inspire us all to make a difference in the world. Savor this wonderful, positive book." —Rosabeth Moss Kanter, professor, Harvard Business School, and bestselling author of Confidence: How Winning Streaks and Losing Streaks Begin and End "In The World We Want, Peter Karoff teaches us to connect dream to deed, and through his heroes we learn about the limits, passion, and power of philanthropy. —Peter Goldmark, director, Environmental Defense and past president, the Rockefeller Foundation "The World We Want is a wonderful book for anyone wishing to make a difference and find inspiration from fellow travelers. Peter Karoff and Jane Maddox have listened well to a wonderful collection of engaged citizens. In the process, they have also redefined what it means to be a philanthropist—be ready to discover it's in everything you do!" —Kathy Bushkin, executive vice president and chief operating officer, the United Nations Foundation

    LiteraryVenturesFund wrote this review Sunday, May 11 2008. ( reply | permalink )
  • Gate of the Sun

    by Elias Khoury
    • Rated 5 stars

    One of the Arabic world's most highly regarded authors, Elias Khoury was vaulted on the international stage when Gate of the Sun became a sensation throughout Europe, Israel, and the Middle East. Now available for the first time in the US, Gate of the Sun is a compassionate, groundbreaking epic of the Palestine exodus. After their country is torn apart by the big bang of 1948, two men remain alone in a deserted hospital in the Shatila camp, and the reader enters a vast world of displacement, fear, a storied leader of the Palestinian resistance who has mysteriously slipped into a coma. As Khalil attempts to revive Yunes, he begins a story, which branches into many, of the people expelled from their villages in Galilee. Gate of the Sun is a Palestinian Odyssey. Beautifully weaving together haunting stories of survival and loss, love and devastation, memory and dream, Khoury humanizes the complex Palestinian struggle as he brings to life the story of an entire people. The New York Times called Gate of the Sun "an imposingly rich and realistic novel, a genuine masterwork."

    LiteraryVenturesFund wrote this review Sunday, May 11 2008. ( reply | permalink )
  • American Genius: A Comedy
    • Rated 5 stars

    This is what we'd get if Jane Austen were writing in 21st century America—a book that expands the possibilities of the national novel and of the female protagonist. Tillman brings into being a microcosm of American democracy, a scholarly colony functioning like Melville's Pequod, in which competing values—rationality and irrationality, generosity and selfishness, love and lust, shame and honor—compete with one another through a hilarious narrative, cycling through skin disease, chair design, Manifest Destiny—folded into the narrator's memories and emotional life, culminating, in Wagnerian fashion, in a séance, offering escape, transcendence, or perhaps nothing... "Magnificently, Lynne Tillman makes skin do what Herman Melville made boats do—contain multitudes. American Genius, though less macho, belongs in the same class as Moby-Dick and Gravity's Rainbow: encyclopedic novels about America and the world. Grand and minute, elegiac and hilarious, this book will also contradict anything anyone can say about it." —Matthew Sharpe, author of The Sleeping Father "American Genius is a masterpiece. The intricate sentences, which include the alternative or opposite possibilities raised by every topic and event, provide bewitching experiences of the ambiguities of experience, always as clear as crystal, even as they shatter the crystal into luminous shards. The book is also preposterously humane, since even the most unencouraging characters finally settle into their places in Tillman's microcosm and become objects of something like nostalgia, the way unsympathetic people known years ago become warming icons of lost times. The central character is herself a wonder of indeterminate openness even as she keeps shutting things down, a paradigm of human warmth and doubt. As I read the book, I waited for things to happen that never did and was delighted with their not happening, with being obliged to stick to the "eternal" round of predetermined but never predictable days; and often the most serious impudences in the story made me laugh out loud. American Genius is utterly original, utterly enthralling." —Harry Mathews "American Genius is written in cadences both sharp and mesmeric. It is concerned with the drama of obsession and neurosis as a lone woman in an alien environment muses on illness and the lure of cats, on her parents and her friends, on the strangeness of the known world. She studies the figures around her, unsure of herself but certain about many other matters. She has an interesting mind and a large store of fact and anecdote and observation. This is a new sort of novel, all the more interesting and engrossing for that." —Colm Toibin "Lynne Tillman has always been a hero of mine—not because I 'admire' her writing, (although I do, very, very much), but because I feel it. Imagine driving alone at night. You turn on the radio and hear a song that seems to say it all. That's how I feel..." —Jonathan Safran Foer "Bracing, absurd, argumentative, and luminous..." —Jonathan Lethem "One of America's most challenging and adventurous writers." —Guardian "To describe Tillman as a postmodern cross between Henry James and Hegel fails to do her justice." —Stewart Home, Bookforum "To encounter a writer of Tillman's acute intelligence writing as well as this is a cause for real celebration." —Independent "Lynne Tillman writes with such elan, such spirited delight and comic intelligence that it is difficult to take anything but pleasure." —Douglas Glover, Washington Post Book World "What impresses me most about Cast in Doubt is the great and powerful subtlety with which it peers out of itself —Tillman's intelligence and sophistication have led her toward a quality I can only call grace. Like Stein, Ashbery, and James, this book could be read over and over, each time with deepening delight and appreciation." —Peter Straub "Like an acupuncturist, Lynne Tillman knows the precise points in which to sink her delicate probes. One of the biggest problems in composing fiction is understanding what to leave out; no one is more severe, more elegant, more shocking in her reticences than Tillman." —Edmund White "A private eye in the public sphere, she refuses no assignment and distils the finest wit, intelligence and hard evidence from some of the world's most transient artifacts and allegories. This is a truly memorable book." —Andrew Ross "A firsthand account of one woman's European journey and a riveting investigation of the troublesome notion of 'national identity,' Motion Sickness has true intellectual originality, a gorgeously sly dry irony, and a rich cast of thinkers and drinkers and eccentrics and hoods." —Patrick McGrath

    LiteraryVenturesFund wrote this review Sunday, May 11 2008. ( reply | permalink )
  • Because a Fire Was in My Head (Flyover Fiction)
    • Rated 5 stars

    Kate Riley is an unusual heroine, a beautiful, ambitious woman who rejects the conventional roles of women in her 1950s rural community. The premature death of her beloved father, coupled with a corrosive relationship with her mother, prompts Kate to flee her hometown in desperate search of happiness and approval. Set against the backdrop of the sweeping social and economic changes that followed World War II, the story takes us from the plains of rural Saskatchewan to the bustling cities of Vancouver, Seattle, and San Francisco—through a succession of lovers, and of children born and abandoned, Kate's story is one of desperation and remarkable invention, a strangely American tale, brilliantly narrated by one of our most original writers. Lynn Stegner is the author of four novels, including Undertow and Fata Morgana, both of which were nominated for the National Book Award, and Pipers at the Gates of Dawn, which was awarded the Faulkner Society's Gold Medal for Best Novella. The manuscript for Because a Fire Was in My Head won the William Faulkner-William Wisdom Award for Best Novel of 2005. Stegner currently directs the Santa Fe Writers' Workshop and lives in Santa Fe with her husband, the writer Page Stegner, and their daughter, Allison. A Book Sense Pick, May 2007 "Stunning...The poetic detail of Stegner's sentences—not to mention her wanton protagonist—is reminiscent of the novels of John Updike....Because a Fire Was in My Head, her most ambitious novel so far, ought to attract for Stegner the wider audience she so richly deserves." —Julia Scheeres, New York Times Book Review, "Editor's Choice" "A brilliant book, more solid than the ground we stand on. This novel does honor to the best in the tradition of storytelling, even though you occasionally want to shove the heroine off the highest possible cliff. In other words, you are drawn into the story, and when you have finished you have added amplitude to your knowledge of the human condition." —Jim Harrison, author of Legends of the Fall "A novel fully realized on every level, Because a Fire Was in My Head is a provocative literary work of weight and luster. A risky, intermittently melodramatic tale, it casts light both on the timeless mysteries of the human psyche and on the paradoxes of a notoriously contrary epoch, namely, post-World War II North America....[A] bold and stunning novel." —Donna Seaman, Los Angeles Times Book Review "With bracing prose, Stegner turns a potential monster into a character both fascinating and pitiable; you may hate Kate, but you won't want to leave her." —Leah Greenblatt, Entertainment Weekly "Stegner follows the tragic arc of Kate Riley, whose lifetime of self-destructive behavior takes her from rural Canada to a seaside cottage in northern California with plenty of gloomy pit stops along the way....Kate's downward spiral is undoubtedly grim, but Stegner punctuates it with muted hints of redemption; the result is uncommonly satisfying." —Publishers Weekly "Brave and old-fashioned, Stegner's supple use of language and precise evocation of period and place bring a literary intuitiveness to this inventive portrait of a scheming temptress, rendering with disarming psychological acuity Kate's warring self-serving and self-destructive tendencies. Kate is too egocentric to be a sympathetic heroine, yet through Stegner's masterful treatment, she does become a forceful, persuasive, and wholly mesmerizing character." —Booklist "Sometimes a character comes along that creates a confusion of feelings within the reader. Beautiful, ambitious, and self-centered young Kate Riley, the protagonist of this latest novel from Stegner is one of those characters....Unfortunately, there is very little to like about Kate, a woman who rejects anything that might provide emotional stability, instead gravitating toward bad choices and worse situations (reminding one of that classic heroine we love to hate, Madame Bovary). Who can say what made Kate the way she is—her upbringing, the repressive culture, depression?—but that's what makes this complex and emotional literary novel a compelling yet troubling experience." —Library Journal "Since the novel's anti-heroine is unabashedly self-absorbed and unsympathetic, convincing a reader to care for her is a true accomplishment. Four-time novelist Lynn Stegner pulls it off with panache." —Bookmarks Magazine "Lynn Stegner's portrait of a lost lady is as authentically compassionate as it is unsparing, a rare feat in fiction—and in life, for that matter. Accomplished from the outset of her career, Stegner has achieved here a level of mastery that places her in an elite group of those writing serious literature in America." —Frederick Turner, author of Redemption "It's hard to care about [Kate], which could prompt some readers to give up on the character, and the book. This would be a shame, as Stegner's meaty, eloquent prose, and the book's satisfying conclusion, make Kate's story ultimately worthy of seeing through to the end." —Quill and Quire "A strikingly rendered, dark and troubling novel about one woman's confused journey toward what she believes may very well be herself. With exquisite precision, Lynn Stegner has captured Kate Riley's life in all its shadows and specters. A harrowing book, beautifully told." —Bret Lott, author of Jewel

    LiteraryVenturesFund wrote this review Sunday, May 11 2008. ( reply | permalink )
  • The First Hurt: Stories
    • Rated 5 stars

    In this brilliantly original debut story collection, Rachel Sherman evokes the wonders and horrors of a young woman's life, from girl to teenager to adult, through crushes, sex, family, and the agonies and ecstasies of finding one's way. Sherman's beautifully direct and deceptively simple prose produces accessible, shockingly real narratives that combine a disarming sexual edge with great sensitivity and humor. From a high-school girl's crush on her female teacher, to a family's serenity threatened by a sexy Danish au pair, to a girl's sexually outrageous soldier penpal, all the way to a young couple's horrifying yet life-affirming experience of learning to love their brain-injured newborn twins, this collection wends its way around the deepest of struggles with unusual frankness and wisdom. The First Hurt heralds the arrival of a singularly fresh and remarkably assured new voice.

    * The First Hurt was short listed for The Frank O'Connor International Short Story Award and the Story Prize
    * The First Hurt was named one of 25 Books to Remember from 2006 by the New York Public Library.

    "Rachel Sherman's stories are real wonders—brave, dangerous fictions full of heart and wit. She gets to the creepy, despairing, hilarious core of adolescence like few writers I've read. This is an amazing debut."
    —Sam Lipsyte

    "Rachel Sherman writes stories like splinters: they get under your skin and stay with you long after you've closed the book. These haunting stories are both wonderfully, deeply weird and unsettlingly familiar."
    —Judy Budnitz

    "In this excellent first collection, the human body is a promise of future happiness and a source of present embarrassment. The prose is another matter: polished, poised, sure of itself. It's a very grown-up way of recording the queasy intimacies, the frighteningly raw perceptions, and the almost cosmic desolation of a suburban adolescence."
    —Benjamin Kunkel

    LiteraryVenturesFund wrote this review Sunday, May 11 2008. ( reply | permalink )
  • The Spirit of the Place
    • Rated 5 stars

    The Spirit of the Place is written with a large heart, a healing touch, wry and wise insight into the human condition. Worthy of the Best of Samuel Shem, which is worthy indeed.'
    James Carroll, National Book Award Winner and author of House of War

    Book Description

    Samuel Shem's first novel, The House of God, the classic novel of life and death in an American hospital, has sold more then two million copies and is required reading in medical schools throughout the world. Thirty years later Shem returns with The Spirit of the Place, his most ambitious work yet. It goes beyond a focus on young doctors-in-training to that of a world-traveled doctor called home in the early '80s to become the doctor to the small town he ran away from, to face his own history and that of the town itself. A novel of love and death, mothers and sons, ghosts and bullies, doctors and patients, illness and healing, The Spirit of the Place spins a tale of universal human experience and the changing life of a small town with genuine warmth and humor.

    After a divorce and a year of wandering the world with "Doctors Without Borders," Orville Rose has settled into a new love with a beautiful Italian spiritual teacher. A telegram informs him that his mother has died. He returns to Columbia, "a Hudson River town plagued by breakage," and the startling terms of his mother's will. She has left him an enormous sum of money and her historic home, but there's a catch: he must live in her house on the Courthouse Square continuously for a year and thirteen days before he can collect. But that's hardly what Orville had in mind. As he struggles with the decision and its aftermath an entire set of unimagined events and personal transformations—both hilarious and poignant—occur.

    Spirit shows Shem at his finest—compassionate, capacious, funny, full of big ideas and memorable personalities. It offers an authentic, unvarnished portrait of the medical profession and underscores the crucial link between the health of individuals and the health of communities at a pivotal period of American history.

    LiteraryVenturesFund wrote this review Saturday, May 10 2008. ( reply | permalink )
  • The Leper Compound
    • Rated 5 stars

    A stunning debut novel by a psychiatric nurse in which illness unleashes the uncanny and essential of human identity, featuring an American missionary's daughter who grows into womanhood amid the social and political conflict of 1980s southern Africa

    The setting of this extraordinary novel is Rhodesia in the throes of the conflict that will give birth to Zimbabwe, a transition that Nangle witnessed when she lived there. Colleen, motherless from the age of seven, is left alone with her father, an American ex pat coffee farmer, and her younger sister, whose mental illness removes her from the family. The Leper Compound is the record of Colleen's passage into adulthood across an Africa in transformation. Extending beyond the usual parameters of a "coming of age" story, it is, simultaneously, about the forging of personal and national identity.

    Paula Nangle was raised by missionaries in the US and southern Africa and now lives in Benton Harbor, Michigan, where she works as a psychiatric nurse. This is her first novel.

    LiteraryVenturesFund wrote this review Saturday, May 10 2008. ( reply | permalink )
  • The Fires
    • Rated 5 stars

    From acclaimed author Alan Cheuse "the voice of books for NPR" come two novellas of compelling intensity. In "The Fires", Gina Morgan makes a pilgrimage to Uzbekistan to carry out her husband's final wish only to discover that in this former Soviet republic things are not as they used to be. And in "The Exorcism," Tom Swanson retrieves his angry daughter from her exclusive New England college after her expulsion for setting fire to a grand piano. Publisher's Weekly has praised Cheuse's "impressive command of many voices," and The New York Times Book Review called his work "richly imagined." In The Fires, Alan Cheuse demonstrates once more the poetry and range of his literary gifts in these finely-honed portraits of hope and change.

    LiteraryVenturesFund wrote this review Friday, May 9 2008. ( reply | permalink )
  • Feather Man
    • Rated 5 stars

    Set in Brisbane, Australia, during the stultifying 1950s, and moving to the grubby London of the 1970s, Feather Man is about Sooky, who, ignored by her parents, is encouraged to make herself scarce and visit Lionel, the farmer next door—there, an incident will take place that will impact the rest of her life. Against the backdrop of rural Australia and the London art world, McMaster meticulously paints the landscapes of Sooky's internal and external worlds through a narrator that brings to mind Scout of To Kill a Mockingbird. Following Sooky from her neglected childhood to womanhood and her entry into the art world, the book combines comedy with emotional intensity. When Sooky's attraction to Redmond leads her to London, her past follows her into the future in a deadly confrontation.

    LiteraryVenturesFund wrote this review Friday, May 9 2008. ( reply | permalink )
  • Firmin: Adventures of a Metropolitan Lowlife
    2 of 2 members found this review helpful.
    • Rated 5 stars

    A darkly comic rat's tale of exile, unrequited love, and the redemptive power of literature. Unforgettable! Set in the 1960s, this richly allegorical story follows a literate rat through his life in Boston's Scollay Square during the last days of its famous bookstores and infamous burlesque houses. Born in a bookstore, Firmin's only nourishment comes from his nest of shredded books. Absorbing more than pulp and glue, he miraculously learns to read and soon begins to identify more with humans than rodents. Unlovely and unable to speak, Firmin's attempts to befriend people result in both comical and harrowing misunderstandings. Through a series of misadventures and against a backdrop of urban destruction, Firmin is led deep into his own imaginative soul—a place where Ginger Rogers holds him tight and tattered books, storied neighborhoods, and down-and-out rats alike can find people who adore them. Brimming with charm and a wistful nostalgia for a world that once treasured authors and their books, Firmin is a darkly comic fantasy for everyone who has been transformed—for better or for worse—by an early diet of great literature.

    LiteraryVenturesFund wrote this review Sunday, May 11 2008. ( reply | permalink )
Displaying 1-10 of 12 reviews

Missing a review?