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“Leland's book coincides with the fiftieth anniversary of the publication of On The Road (OTR) and the release of The Scroll Version of the same title--probably no accident. More analysis of OTR than biography, the book nonetheless explores both the character Sal Paradise and his author, typically conflated. Leland wisely avoids jumping to such conclusions no doubt thanks in part to his wide reading of Kerouac's works, letters and journals. The payoff is an informed and nuanced reading of OTR, especially of Kerouac's revisions of himself and the events that comprise the story. Similarly sure is Leland's reading of OTR as jazz performance, one that explores the same theme in different ways, cycles back on itself and engages the reader in the show. Less convincing is the parallel he draws between the Beats and the modern Christian movement. And Sal's Aunt as the book's O.G.? I don't buy it. However, despite these quibbles, I agree with his premise that Kerouac has been largely misinterpreted by his audience. That Kerouac participated in this misreading is touched on by Leland but not fully explored, a topic for future exploration.”
jeannes wrote this review Monday, September 3 2007.
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