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Books by African Authors or on Africa


There is a growing interest in the west to read stories about Africa, as told by indigenous authors or authors who understand Africa's rich historic past as well as its current challenges.
This is a group to promote books by African Authors as well as books on Africa.

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  • emmanuel o

    post modernism and the african writer: ben okri's infinite riches

    ben okri an african writer by no means but has lived "all" his life in UK., the argument is if he is a post modernist. for me, a writer's ability to transcend his miliue or environment defines his 'ism' in this instance post modernism. wat's your take?
    emmanuel o started this discussion 1 year ago. ( reply )

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  • peter b

    peter b 

    To me Okri owes more to his Nigerian predecessors than to European postmodernism. I love the way his "Famished Road" is a direct outgrowth of Wole Soyinka's play "The Road" and his early poem about an abiku (sorry, I'm forgetting the name of the poem). But most of all I love the way he takes you to the depth of Nigeria's contemporary tragedies--of political corruption, povery, and ethnic violence--yet ends the novel with a sort of anthem of hope and understanding. It's a truly beautiful accomplishment, and to me it transcends category.
    posted 1 year ago. ( reply )
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    • Geze2s

      Geze2s 

      Hi peter b,
      I have not read his book "famished road" would you recommend it,Or shall I read Soyinka first?.i've been reading his book of poems An African elegy it made me want to read his book"Famished road"
      posted 1 year ago. ( reply )
  • peter b

    peter b 

    Hi GEZE 2S,

    I think you can’t go wrong with either author. Soyinka, of course, won the Nobel Prize for literature in 1986. He’s mostly known for his plays and poetry, along with some spectacular political stunts, such as once holding up the dj at a Nigerian radio station at gunpoint so that he could play a tape he’d made satirizing the Nigerian head of state. He’s a challenging writer, because he uses language in such creative and unexpected ways. Of his plays, The Lion and the Jewel, an early play, is probably most accessible. It’s about a village chief who gets tricked by the beautiful young girl he wants to marry. Death and the King’s Horseman, once you get past the complex opening scenes, is a good read too. It’s about a man who has sworn to keep a contract with his people to die one month after the king dies, but fails to keep his word. My favorite work by Soyinka though is Ake, a memoir of Soyinka’s childhood, told through the naïve eyes of Soyinka himself as a child. It can be confusing, because he sticks to the point of view of a young child, with all his mistaken perceptions and fanciful projections, but it’s full of memorable characters and events (such as, for instance, a strike by the market women against a new tax on their produce, complete with a physical confrontation with the male power structure of the town). Ben Okri is a terrific writer too. The Famished Road is also a challenging book though. Again the narrator is a child, whose perceptions are confused and confusing at times. To complicate matters further, this child is an abiku—a spirit child whose head is half in the world of ancestor spirits and forest demons. He tells you what living people are up to, but also sees visions, right alongside them, of monsters, freaks, and devils that no one else can see. It can be really disorienting at times to be asked to believe in realistic events and fantastic events in the same scenes. Two great, great writers. You could really start with ether one.
    posted 1 year ago. ( reply )
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    • Geze2s

      Geze2s 

      Thanks a lot peter b.
      I will look for them you're right I've read death and the king's horseman and could not absorb them.And have to put it down to be read again in the future.And I will read them in the order you mentioned.
      posted 1 year ago. ( reply )
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