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Rise


And just when you think you've thought of everything ... you forget the book sitting right there on the bedside table.
– Grégoire Bouillier


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  • Puerto Princesa
  • member since April 25 2008

Reviews

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Displaying 1-10 of 31 reviews
  • The Devil To Pay In the Backlands "The Devil in the Street in the Middle of the whirlwind"

    by Joao Guimaraes Rosa (Translated from the Portuguese By James L. Taylor and Harriet De Onis)
    • Rated 5 stars

    The Devil to Pay in the Backlands, the great Brazilian novel by João Guimarães Rosa, is long out of print. This book is a watershed of language and longing. It deserves to be rescued from the cult to brave the flow of the mainstream.

    A new translation, by Gregory Rabassa, was supposed to be in the works(?). But a republication of the old translation will be welcome rain.

    Rise wrote this review 3 weeks ago. ( reply | permalink )
  • A Civil Action (Vintage Books) (Vintage)
    • Rated 5 stars

    One of my best nonfiction is A Civil Action by Jonathan Harr. This book presents a real life courtroom drama pitting one aspiring lawyer against a coterie of company lawyers. The case is about the accountability of two large companies who dumped toxic wastes that contaminated the water source of the nearby community. It led to the deaths of children who became sick with cancer after exposure to said pollution.

    The ensuing protracted legal battle was very frustrating, nail-biting, dramatic, suspenseful, and engaging. It’s like a Grisham only with a better material, superior characterization, and moral grit. I cannot fully describe the book’s impact on me at the time I read it. I just remember that it made me both angry and hopeful. Angry about the extent to which powerful people will do everything to get around environmental laws, hopeful that there are decent people who will dedicate their lives to pursue environmental justice at all cost.

    Perhaps you have seen the movie starring John Travolta? Avoid it.

    Rise wrote this review 3 weeks ago. ( reply | permalink )
  • Perfume
    • Rated 5 stars

    Jean-Baptiste Grenouille, the man who can smell his way into the world, was born in the most auspicious of places – in a wet market among the guts and scales of fishes. From then on, his life has been determined by the persistent call of his nose and he finds himself in situations that bring him closer to his goal: the extracting and packaging of the most fragrant perfume of all.

    Grenouille is like an autistic savant. He has a gift: a hypersensitive sense of smell, more powerful than Wolverine's, so much so that he can break down a perfume into its basic components, and even recreate it given all the scent-ingredients. The genius in him can identify not only the components of a smell but also the exact proportions of each component, the exact formula to a perfume. Yet like an autist, Grenouille has the problem of connecting emotionally with people. He is an introvert, emotionally detached from the world, and his singular purpose is what keeps him plunging ahead in life.

    In Perfume, translated from the German by John E. Woods, Patrick Süskind gives a portrait of the perfumer as an artist. He does so in the style of an inverted German fairy tale, a twisted strain of the tales of the Brothers Grimm. And as a Bildungsroman, eschewing the tradition of James Joyce and Thomas Mann, the epiphanies arrive and they come in the form of scents, of odors, and of concentrated essences.

    Full review at:
    http://booktrek.blogspot.com/2009/09/perfume-patrick-suskind.html

    Rise wrote this review Monday, November 16 2009. ( reply | permalink )
    • Rated 5 stars

    Palawan at the Crossroads (published in 1996 by Ateneo de Manila University Press) is divided into four parts: Introduction, The Setting, Change and the Indigenous People, and Change and the Environment. The editors, Eder and Fernandez, introduce the book, laying down the anthropocentric framework that guided the selection of the case studies from American, European, and Filipino academic specialists. The paradigm centers on the Malthusian perspective of burgeoning population and its attendant limiting effect on the carrying capacity of ecosystems. The editors hint at the increasing politicization in the last frontier: “Many of the issues that confront Palawan specialists today have significant political or emotional overtones that make it difficult for any observer to be fully ‘objective’ about Palawan.”

    Full review at:
    http://booktrek.blogspot.com/2009/09/palawan-at-crossroads-development-and.html

    Rise wrote this review Monday, November 16 2009. ( reply | permalink )
  • Trese: Murder on Balete Drive
    • Rated 5 stars

    The weird world of Trese, as written by Budjette Tan and illustrated by Kajo Baldisimo, is a universe rife with mysterious happenings and references. The Philippine mythos and legends are the references. The referents are the unusual suspects: the white lady, the tikbalang, the nuno sa punso, the Santelmo (St. Elmo's fire), and the superhero. All these figments appear in a new light. Tan and Baldisimo have successfully reinvigorated the mythos with new meanings and they have provided new ways of looking at their indigenous source materials. It is a great credit to them that they have given a deep interpretation of Pinoy mythos in the modern setting. They have commanded deep respect to their material and sources.

    The first four cases told in the first volume of Trese herald a new appreciation of the tradition of Philippine comics. Their creators' handling of the reference code is done with glee and panache. The art work, black and white grit, illustrates a city that is full of seething passions and black motives. There has never been a unique case where the arid landscape of the supernatural and monsters is being resurrected with a nudge to the impossible.

    My full review is at:
    http://booktrek.blogspot.com/2009/11/trese-murder-on-balete-drive-budjette.html

    Rise wrote this review Monday, November 16 2009. ( reply | permalink )
  • Six Easy Pieces
    • Rated 5 stars

    Subtitled “Essentials of Physics Explained by Its Most Brilliant Teacher”, the six easy pieces are drawn from Richard P. Feynman's The Feynman Lectures on Physics (1963, originally prepared for publication by Robert B. Leighton and Matthew Sands). That Lectures book is chosen by Discover magazine as one of the top 25 science books of all time.

    The lecture-pieces are collected with a view of compiling the six easiest chapters in the Lectures. Reading them is like attending an introductory course to physics. It is definitely a painless approach to the subject considering that the entire Lectures edition (definitive and extended) runs in three volumes and weighs 10.8 pounds! Pieces is to laymen as Lectures is to physicists.

    My full review is at:
    http://booktrek.blogspot.com/2009/08/six-easy-pieces-richard-p-feynman.html

    Rise wrote this review Monday, November 16 2009. ( reply | permalink )
  • Chronicle of a Death Foretold
    • Rated 5 stars

    The novella centers on a courtship, a wedding, and a murder. There’s no magic realism in these pages. There is fatal realism, for sure. It concerns mass guilt and a stab at the culture of machismo that has so pervaded the decisions of an entire village to condone a murder. Throughout the narrative, a sustained voice of inevitability permeates the telling that it is impossible not to turn your eyes away from the pages, even if the outcome is already foretold.

    The man whose death is chronicled is Santiago Nasar. The motive is clear: he is accused of an unforgiveable crime of tarnishing the honor of a just-married woman, Angela Vicario. Only in the man’s death will the woman’s honor be regained. A crime is then set in motion – a murder that has every chance of being thwarted and yet every indication of being a foregone conclusion.

    My complete review is here:
    http://booktrek.blogspot.com/2009/08/chronicle-of-death-foretold-gabriel.html

    Rise wrote this review Monday, November 16 2009. ( reply | permalink )
  • Five Moral Pieces
    • Rated 5 stars

    In his introduction, Umberto Eco writes that the five essays in this book are occasional pieces and ethical pieces. Their occasional nature arises from their being speeches given in some conferences or articles commissioned for publication. Their ethical nature is what makes them moral pieces: “they treat of what we ought to do, what we ought not to do, and what we must not do at any cost.”

    What we ought to do, or what fans of Eco ought to, is read this short book – a mere 111 pages. These are only slight pieces – meaning they are short and minor essays, yet with big themes. And I hasten to add, they are highly readable pieces, even if they are structured to be knotty moral-philosophical arguments.

    The essays are not of uniform quality. Some strikes me as well thought out, others are just plain fillers. “Reflections on War” (1991), the first essay, was written at the start of the Gulf War but its relevance surpasses its time. The principles in this polemical essay are prescient as they apply to modern warfare in general. Eco discusses on technology's role in modern war and why this outdates and revises the art of war given by Clausewitz.

    Eco’s reflections in all the essays are not really too focused or too tight. Yet his conclusions and assertions, even if predictable in parts, are nonetheless powerful and explored creatively. This is because he arrived at them obliquely. Eco has this unique style of circling around ideas playfully before confronting the issues full frontal.

    The essay that I consider the weakest, and which I find too theoretical, is “Ur-Fascism.” The essay typifies several hybrids of fascism and Nazism and differentiates between and among these types. It is the sort of essay that is limited by its geographic experience and scope (Europe) though not by its subjects (racism and intolerance).

    My full review here:
    http://booktrek.blogspot.com/2009/07/five-moral-pieces-umberto-eco.html

    Rise wrote this review Thursday, July 30 2009. ( reply | permalink )
  • Baltasar and Blimunda
    • Rated 4 stars

    Memorial do Convento (the novel’s title in original Portuguese) is the Portuguese counterpart to Gabriel García Márquez's Cien Años de Soledad. José Saramago's realism is not merely magical; it is sumptuous, eventful, character-driven, atmospheric, assuming, lyrical, witty, philosophical, parodic, and elemental. The central love story is set in 18th century, during the Inquisition Period. A major plotline is the construction of the Passarola, a flying time machine, the mere idea of which is heresy at that time. True to form, Saramago takes jibes against the spread of doctrines of faith. It anticipates the author's version of Jesus' gospel.

    Rise wrote this review Friday, July 17 2009. ( reply | permalink )
  • Rashomon and Seventeen Other Stories: (Penguin Classics Deluxe Edition) (Penguin Classics Deluxe Editio)
    • Rated 5 stars

    Akutagawa Ryūnosuke is a Japanese master of the form. In his hands, a short story is a short story. That is to say, it is quick. His words are efficient, without sacrificing the complexity of a plot. His tales are suffused with nuance and concrete details. His themes are large themes. His main concerns are basic. He is interested in the ambiguities of human choice, the uncontrollable passions suddenly flaring, the travails of the outcast, and the futility of moral justifications.

    “In a Grove” is the first story in the book Rashōmon and Other Stories. My copy is a reprint of the second edition of the book first published by Charles E. Tuttle Company in 1952. It contains six pieces, all translated by Takashi Kojima, and with an introduction by Tanizaki’s translator Howard Hibbett.

    In the book's preface, Takashi Kojima said that the six stories are selected with the aim of collecting the “finest and most representative writings” of Akutagawa. For a prolific writer such as Akutagawa, a mere representation of his best works in six servings, out of the more than a hundred stories he completed, appears to be non-representative at all. But there can be no doubt that the six pieces – six master pieces – are among his finest. Any collection that contains the first two in this book, “In a Grove” and “Rashōmon,” is a book to be treasured. Though it does not contain his other famous stories (“Hell-Screen” and “The Nose”), the book is a perfect sampler of Akutagawa’s literary output.

    In the first story, the characters are consumed by the need to explain or justify their behavior before the High Police Commissioner, to bear witness to something they have “seen.” The reader "acts" as the Commissioner who listens to all the versions of the story. Each version is tailored in such a way that it casts its teller in the role of the underdog or the wronged.

    My complete review can be found here: http://booktrek.blogspot.com/2009/07/rashomon-and-other-stories-akutagawa_15.html

    Rise wrote this review Wednesday, July 15 2009. ( reply | permalink )
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