by Zoran Zivkovic
An old pro at the circularity that is the single largest distinction of Joyce’s outré masterpiece Finnegans Wake, Živkovic has written much in the spiraling, overlapping form of this book’s four “loops.” Never before, though, has his technical intent been so obvious. The similar incidents and dialectic procedures of each story in a loop essentially displace linear narrative suspense. Not that the pleasures of...
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