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Bridge of Sighs

by Richard Russo

Six years after the best-selling, Pulitzer Prize–winning Empire Falls, Richard Russo returns with a novel that expands even further his widely heralded achievement.

Louis Charles (“Lucy”) Lynch has spent all his sixty years in upstate Thomaston, New York, married to the same woman, Sarah, for forty of them, their son now a grown man. Like his late, beloved father, Lucy is an optimist,... (more)

Top tags: fictionfamilysmall towncoming of agecontemporary fiction (all tags)

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Liked It

4 of 4 members found this review helpful.
Sarah J
  • Rated 5 stars

This book has grown on me even after I've finished it, because it keeps coming up in my thoughts. Richard Russo's writing is amazing, with his characters, I think, being his greatest strength. His books always take me a while to read - they're not edge-of-the seat reading - but it's only because they require time to absorb. For me it was a page-turner but I turned the pages slowly...

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Didn’t Like It

Denise M
  • Rated 2 stars

Although I admire Russo's craft, his prose is just not my favorite. I did finish the whole book, though. One reader said it "collapses in a tangle." I agree.

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Community:
  • Rated 3.742857 stars
Amazon:
  • Rated 3.5 stars
 

Newest Comments

  • Inkberry

    inkberry said:

    I actually was in Venice last Christmas and walked over the Bridge of Sighs. Prison was pretty frightening...they allowed us to roam through it.

    posted Sunday, August 24 2008
  • jereco

    jereco said:

    This is definitely the least of his novels. The alternating view-points worked well for me until the abrupt shift to a third perspective at the end of the novel. It was like some sort of emotional blackmail - a total cheat and cop-out. (and the melodramatic situation it described was from some other world entirely - like a bad Hallmark Hall of Fame special). Fortunately his prose is as engaging as always, and his career will withstand this mis-fire - and I'll still be one of the first in line for his next effort.

    posted Sunday, January 20 2008
  • Blue Cypress Books

    blue cypress books said:

    Russo's writing never fails to be moving and memorable. However, this book could have used a good editor.

    posted Sunday, January 20 2008
  • mark c

    mark c said:

    Unreliable Narrator?

    Do you believe Lucy was unreliable in his telling of his youth? Sarah mentioned a few items where he was unreliable. Do you think he told his story differently that how it really happened? Which parts were most changed (Bobby's friendship)?

    posted Tuesday, January 8 2008
  • smartelle

    smartelle said:

    I agree with Tippy Toes. I've enjoyed most of Russo's work but this novel seems to collapse in a tangle, as though he was unsure where to take his characters. Usually with Russo your patience in the early pages is paid off in the ending pages, but not so here. For me the novel just seemed to sputter when it should have begun roaring. And without revealing key plot details, the places he takes his characters, particularly Sarah, just weren't that believable.

    In the end his characters seem to be prisoners of their own past, destined to repeat in many ways portions of their parents' lives. I haven't seen any critics pick up on this, but one has to wonder whether his choice of a name for the town was intentional. It is set in New York, but Thomaston is also the town near where Russo lives in Maine that was home to the state prison for nearly two centuries (closed in 2002). I wonder if his point is that we're all prisoners of our pasts -- even the painter (character) Noonan, who escapes Thomaston but find his best work weighted by his life. Not a very original observation by Russo, and in the end not very compellingly drawn. Though his dissections of small-town life are, once again, spot on, with its close clashes of class and racial differences.

    posted Sunday, October 28 2007

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