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Description
On almost every Saturday of the first half of the twentieth century, Gertrude Stein would open her door to the likes of Picasso and Matisse, Hemingway and Fitzgerald, Cocteau and Apollinaire, welcoming them into a salon alive with vivid avant-garde paintings and sparkling intellectual... read more
First Sentence
A visitor to the studio at 27, rue de Fleurus in the early years of the twentieth century might well have believed he had been admitted to an entirely new form of institution-a ministry of propaganda for modern art.
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