Cleverly written, clevery plotted, light, funny delight
Reviewed by
an Amazon user,
August 30, 2006
I have previously tried a couple of Jennifer Crusie novels, and while I have found them moderately enjoyable they have not really lived up to the praise she has received. But Faking It is, it would seem, everything Jennifer Crusie's fans have claimed. Its most distinguising feature is an easy, fluent, constant flow of clever, limber, comedic prose. Line by line the book is not necessarily laugh out loud funny but entertaining and imaginative and sharp.
The story concerns Matilda (Tilda) Goodnight, about 35 years old, a painter of imitation impressionist murals for people's walls. Her family runs a somewhat down at heels gallery in Columbus, Ohio. This family includes her mother Gwen, her sister Eve, Eve's daughter Nadine, Nadine's father Andrew, who divorced Eve when he realized he was gay, but stayed friends, and Andrew's lover, the family lawyer, Jeff. The family is in debt, partly because of Gwen's feckless, and dead, husband Tony. One thing Tony did was to have Matilda forge a series of paintings supposedly by Scarlet Hodge, the fictional daughter of Homer Hodge, who had done some American primitive paintings that he had actually been able to sell for good money. But now there is a problem -- one of the Scarlet Hodge paintings has been sold by mistake -- a painting that could easily be identified as a fake, which would possibly lead to lawsuits involving the other Scarlets. So Matilda tries to steal the painting back from Clea Lewis, the woman who has bought it.
Clea is a rather nasty 40ish woman who is trying to reel in rich Mason Phipps as her new husband, after the previous two died in suspicious ways. Clea also stole $3,000,000 dollars from a former lover, Davy Dempsey, a con man trying to go straight. Davy wants the money back, so he has abandoned his straight ways to try to steal the money from Clea -- but he runs into Tilda in the process. Standard meet cute -- and quickly they are kissing. But Tilda has basically sworn off men. And she still needs that painting.
So the story continues. Tilda makes Davy promise to get her the painting back. Mason Phipps, meanwhile, is after the Goodnight Gallery, and Gwen. Davy is after Tilda, who is attracted but can't admit it. Davy's friend Simon is after Eve, only he doesn't know it, because he only know's Eve's fake uninhibited personality, Louise. Clea seems to have hired a hit man to kill Davy, but Gwen finds herself unaccountably attracted to the hit man. Tilda realizes she needs Davy to steal or otherwise acquire all the other Scarlet Hodge paintings. Davy has ideas for revitalizing the gallery. Davy's unreconstructed conman father shows up. And so on ... A lot goes on, all quite interesting, all cleverly told, nicely plotted, and as I said very well put together prosodically. The title is nicely reiterated thematically -- fake paintings, fake identities, fake orgasms are all central ... A very light novel, to be sure, but a consistent delight.
|