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Description edit see section history

Psychiatrist Andrew Marlow, devoted to his profession and the painting hobby he loves, has a solitary but ordered life. When renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient, Marlow finds that order destroyed. Desperate to understand the... read more

Summary edit see section history

Outside the village there is a fire ring, blackening the thawing snow. Next to the fire ring is a basket that has sat there for months and is beginning to weather to the color of ash. There are benches where the old men huddle to warm their hands--too cold even for that now, too close to... read more (warning: may contain spoilers)

Outside the village there is a fire ring, blackening the thawing snow. Next to the fire ring is a basket that has sat there for months and is beginning to weather to the color of ash. There are benches where the old men huddle to warm their hands--too cold even for that now, too close to twilight, too dreary. This is not Paris. The Air smells of smoke and night sky; there is a hopeless amber sinking beyond the woods, almost a sunset. The dark is coming down so quickly that someone has already lit a lantern or February, or perhaps a grim March, 1895--the year will be marked in rough black numbers against the shadows in one corner. the roofs of the village are slate, stained with melting snow, which slides off them in heaps. some of the lanes are walled, others open the fields and muddy gardens. the doors to the houses are closed, the scent of cooking rising above the chimneys.

Characters/People edit see section history

  • Robert Oliver: A talented painter arrested for trying to stab a painting hanging in the National Museum of Art in Washington DC. He is institutionalized and refuses to speak to anyone about his reasons for attacking the painting.
  • Henri Robinson: Art critic and collector who was Arde de Clerval's (Beatrice's daughter) lover until she died. He is the owner of Beatrice's greatest painting, The Swan Thieves and a collection of letters between Beatrice and Olivier Vignot.
  • Yves de Clerval: Beatrice's husband
  • Cyril Marlow: Dr. Andrew Marlow's father
  • Mary Bertison: Robert's lover and fellow painter.
  • Olivier Vignot: An alleged uncle in 1870's France who corresponds with Beatrice, both who are painters.
  • Arnold Liddle: Robert's colleague at Greenhill College's Dept of Art
  • Beatrice de Clerval: Add a description of this character.
  • Kate Oliver: Robert's estranged wife.
  • Andrew Marlow: Psychiatrist who receives Robert Oliver at the private psychiatric residential center, Goldengrove, where he has been employed for twelve years.
  • John Garcia: Psychiatrist for one of Washington's biggest hospital who first encounters Robert Oliver.
Show all 11 characters
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Quotes edit see section history

  • “We don't know exactly when we get stuck, or lose energy to work for change, but we do.”
    Marlow
  • “But later, when she sits alone on her sunporch, trying to make everything simple, the kiss returns, fills the air around her. It floods the high windows, the carpet, the folds of her dress, the pages of her book. 'Please understand that I respect and love you.' She cannot make the kiss disappear. By the next morning she no longer wants it to. She means no harm-- she will do no harm-- but she wants to keep that moment with her as long as she can.”
    Beatrice
  • “Doesn't every love express itself this way, with the seeds of both its flowering and its ruin in the very first words, the first breath, the first thought?”
    Mary
  • “She is one in a line of loves, but she is the only one at this momnt, and she will be the last. The unforgettable, the one he takes with him to the end.”
    Beatrice
  • “And I felt that familiar pleasure of being someone's grown child.”
    Dr. Marlow
  • Popular Highlights from Kindle Customers
  • It was not illness to let another person—or a belief, or a place—take over your heart. But if you gave away your mind to one of those things, relinquished your ability to make decisions, it would, in the end, render you sick—that is, if your doing that wasn’t already a sign of your condition.
    Highlighted by 90 Kindle customers
  • “I told him that we couldn’t be sure of anything except the power of love,” he said, “and that he was under no requirement to believe in a particular source of that love, as long as he could keep giving and receiving some in his own life.”
    Highlighted by 63 Kindle customers
  • People whose marriages haven’t collapsed, or whose spouses die instead of leaving, don’t know that marriages that end seldom have a single ending. Marriages are like certain books, a story where you turn the last page and you think it’s over, and then there’s an epilogue, and after that you’re inclined to go on wondering about the characters or imagining that their lives continue without you, dear reader. Until you forget most of that book, you’re stuck puzzling over what happened to them after you closed it.
    Highlighted by 55 Kindle customers
  • ‘But if the while I think on thee, dear friend, / All losses are restor’d, and sorrows end.’ ”
    Highlighted by 50 Kindle customers
  • “The problem is simply finding the right person. Ask Plato. Just make sure she finishes your thoughts and you finish hers. That’s all you need.”
    Highlighted by 50 Kindle customers
  • In those days, I still thoroughly enjoyed the romance I called “by myself”; I didn’t know yet how it gets lonely, picks up a sharp edge later on that ruins a day now and then—ruins more than that, if you’re not careful.
    Highlighted by 48 Kindle customers
  • Doesn’t every love express itself this way, with the seeds of both its flowering and its ruin in the very first words, the first breath, the first thought?
    Highlighted by 48 Kindle customers
  • “Faith is simply whatever is real to us,” he always told me in response, and then he’d quote Saint Augustine or a Sufi mystic and slice a pear for me, or set up the chessboard.
    Highlighted by 26 Kindle customers
  • numinously painted against the reality of that grass; it was too pale, translucent, like the sprout of a plant that has grown under a log. I thought at once of Manet’s Le déjeuner sur l’herbe, although the figure of Leda was full of struggle, startled and epic—not calmly
    Highlighted by 23 Kindle customers
  • We are never really alert to our destinies, are we? That’s how my father would put it, in his study in Connecticut.
    Highlighted by 12 Kindle customers
Show all 15 quotes from this book

Setting & Locations edit see section history

First Sentence edit see section history

Outside the village there is a fire ring, blackening the thawing snow.

Table of Contents edit see section history

Chapter 1 Marlow
Ch. 2 Marlow
Ch. 3 Marlow
Ch. 4 Marlow
Ch. 5 Marlow
Ch. 6 Marlow
Ch. 7 Marlow
Ch. 8 Marlow
Ch. 9 Marlow
Ch. 10 Marlow
Ch. 11 Marlow
Chapter 12 Kate
Ch. 13 Kate
Ch. 14 Kate
Ch. 15 Kate
Chapter 16 Marlow
Ch. 17 Marlow
Ch. 18 Marlow
Chapter 19 Kate
Ch. 20 Kate
Chapter 21 Marlow
Chapter 22 Kate
Ch. 23 Kate
Ch. 24 Kate
Chapter 25 Marlow
Chapter 26 Kate
Chapter 27 Marlow
Chapter 28 Kate
Chapter 29 1878
Chapter 30 Kate
Ch. 31 Kate
Chapter 32 1878
Chapter 33 Kate
Ch. 34 Kate
Chapter 35 1878
Chapter 36 Kate
Ch. 37 Kate
Chapter 38 Marlow
Ch. 39 Marlow
Ch. 40 Marlow
Chapter 41 1878
Chapter 42 Marlow
Ch. 43 Marlow
Ch. 44 Marlow
Chapter 45 Mary
Ch. 46 Mary
Ch. 47 Mary
Ch. 48 Mary
Ch. 49 Mary
Ch. 50 Mary
Chapter 51 Marlow
Chapter 52 Mary
Chapter 53 Marlow
Chapter 54 Marlow
Chapter 55 Marlow
Chapter 56 1879
Chapter 57 Marlow
Chapter 58 Mary
Ch. 59 Mary
Chapter 60 Marlow
Chapter 61 Mary
Ch. 62 Mary
Chapter 63 1879
Chapter 64 Mary
Chapter 65 1879
Chapter 66 Mary
Chapter 67 1879
Chapter 68 Mary
Ch. 69 Mary
Chapter 70 1879
Chapter 71 Mary
Chapter 72 1879
Chapter 73 Mary
Ch. 74 Mary
Ch. 75 Mary
Ch. 76 Mary
Chapter 77 1879
Chapter 78 Mary
Chapter 79 Marlow
Chapter 80 1879
Chapter 81 Marlow
Chapter 82 1879
Chapter 83 Marlow
Chapter 84 1879
Chapter 85 Marlow
Chapter 86 1879
Chapter 87 Marlow
Chapter 88 1879
Chapter 89 Marlow
Ch. 90 Marlow
Chapter 91 1879
Chapter 92 Marlow
Chapter 93 1879
Chapter 94 Marlow
Ch. 95 Marlow
Ch. 96 Marlow
Ch. 97 Marlow
Ch. 98 Marlow
Ch. 99 Marlow
Chapter 100
Chapter 101 Marlow
Ch. 102 Marlow
Ch. 103 Marlow
Ch. 104 Marlow
Ch. 105 Marlow

Themes & Symbolism edit see section history

  • Swan: Symbolic of Robert and Beatrice. Beatrice was beautifully creative, so was Robert. But the both had their creativity/minds stolen - thus the tite: Swan Thieves.

Authors & Contributors edit see section history

  1. Elizabeth Kostova (Author)

First Edition edit see section history

Original Language: English
Publisher: Little Brown & Company
Country: united States
Publication Date: January, 2010
ISBN: 0316065781
Page Count: 564

Classification edit see section history

  • Library of Congress: PS3611.O74927 S93
  • Dewey: 813.6

Links to Supplemental Material edit see section history


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