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Vast and crowded, rich in irony and suspense, Middlemarch is richer still in character, with two of the era's most enduring characters, Dorothea Brooke, trapped in a loveless marriage, and Lydgate, an ambitious young doctor.
Dorothea Brooke is an idealistic, well-to-do young woman, engaged in schemes to help the lot of the local poor. She is seemingly set for a comfortable, idle life as the wife of neighbouring landowner Sir James Chettam, but to the dismay of her sister Celia (who later marries Chettam) and of... read more (warning: may contain spoilers)
“What do we live for, if it is not to make life less difficult to each other?”
“One must be poor to know the luxury of giving!”
“If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence.”
“There is a sort of jealousy which needs very little fire: it is hardly a passion, but a blight bred in the cloudy, damp despondency of uneasy egoism.”
“But what we call our despair is often only the painful eagerness of unfed hope.”
“She was always trying to be what her husband wished, and never able to repose on his delight in what she was.”
“But Duty has a trick of behaving unexpectedly--something like a heavy friend whom we have amiably asked to visit us, and who breaks his leg within our gates.”
“With memory set smarting like a reopened wound, a man's past is not simply a dead history, an outworn preparation of the present: it is not a repented error shaken loose from the life: it is a still quivering part of himself, bringing shudders and bitter flavors and the tinglings of a merited shame.”
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