"I loved David Gilmour's sleek, potent little memoir, The Film Club. It's so, so wise in the ways of fathers and sons, of movies and movie-goers, of love and loss." --- Richard Russo, Pulitzer Prize winning author of Empire Falls "If all sons had dads like David Gilmour, then... read more
“He outgrew the film club and in a certain way, he outgrew me, outgrew being a child to his father.”
“- You need to know about some _other_ books before you read him <Malcolm Lowry>, I said.--Which ones?-That's what you go to college for, I said.--But can't you read them anyway?-You can. But people don't. Some books you only read if you're forced to. That's the beauty of a formal education. It makes you read a lot of stuff you'd normally never bother with.”
that the second time you see something is really the first time. You need to know how it ends before you can appreciate how beautifully it’s put together from the beginning.Highlighted by 15 Kindle customers
Volcano: An Inquiry into the Life and Death of Malcolm Lowry (1976).Highlighted by 13 Kindle customers
we sometimes calibrate our moral positions, what’s right, what’s wrong, depending on what we need at that particular moment.Highlighted by 7 Kindle customers
I slipped Michael Mann’s Thief (1981) into theHighlighted by 6 Kindle customers
“There are a couple of inviolate principles in the universe,” I said, suddenly chatty (I was delighted to be where we were). “One is that you never get anything worth getting from an asshole. Two is when a stranger comes toward you with his hand extended, he doesn’t want to be your friend.Highlighted by 5 Kindle customers
“Don’t be fooled. Teenage boys need as much attention as newborns. Except they need it from their fathers.”Highlighted by 5 Kindle customers
It is an example of what films can do, how they can slip past your defenses and really break your heart.Highlighted by 5 Kindle customers
“Love affairs that start in blood tend to end up in blood.”Highlighted by 4 Kindle customers
Mean Streets (1973), a movie that Martin Scorsese made at the very beginning of his career. It’s about growing up in New York’s violent, macho Little Italy. There’s a sequence near the beginning I’ve never forgotten. With the dramatic chords of the Rolling Stones’ “Tell Me” in the background, the camera follows Harvey Keitel in his passage through a red-lit bar. Anyone who has gone into a favorite bar on a Friday night knows that moment.Highlighted by 3 Kindle customers
Who’s Afraid of Virginia Woolf? (1966); Plenty (1985) with Meryl Streep. Graham Greene’s The Third Man (1949).Highlighted by 3 Kindle customers
We’re hiding the errata, movie connections, books that influenced this book, books influenced by this book, books that cite this book and books cited by this book sections. If you would like to add content to them, you must first make them visible.