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The bestselling horror author of all time, Stephen King, knows better than anyone else in the world what scares you, and why. Now, in his most unusual masterpiece, he takes you on his personal tour of the dark ballroom of horror. Come. Take his arm. Let the dance begin... (from the back... read more

Summary edit see section history

Great overview of American horror novels, stories and cinema. Serious focus -- as serious as possible, let's say -- on "le bad."

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Quotes edit see section history

  • “I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I'll go for the gross-out. I'm not proud.”
    Stephen King
  • “I am no apologist for bad filmmaking, but once you've spent twenty years or so going to horror movies, searching for diamonds (or diamond-chips) in the dreck of the B-pics, you realize that if you don't keep your sense of humor, you're done for.”
    Stephen King
  • “The novelist is, after all, God's liar, and if he does his job well, keeps his head and his courage, he can sometimes find the truth that lives at the center of the lie.”
    Stephen King
  • Popular Highlights from Kindle Customers
  • Horror, terror, fear, panic: these are the emotions which drive wedges between us, split us off from the crowd, and make us alone.
    Highlighted by 4 Kindle customers
  • The late John Wyndham, perhaps the best writer of science fiction that England has ever produced,
    Highlighted by 3 Kindle customers
  • Horror in real life is an emotion that one grapples with—as I grappled with the realization that the Russians had beaten us into space—all alone. It is a combat waged in the secret recesses of the heart.
    Highlighted by 3 Kindle customers
  • “I don’t read fantasy or go to any of those movies; none of it’s real,” I feel a kind of sympathy. They simply can’t lift the weight of fantasy. The muscles of the imagination have grown too weak.
    Highlighted by 3 Kindle customers
  • If you write for an hour and a half a day for ten years, you’re gonna turn into a good writer.
    Highlighted by 3 Kindle customers
  • not really interesting unless those involved in the discussion are drunk or graduate students—two states of roughly similar incompetence.
    Highlighted by 3 Kindle customers
  • not the physical or mental aberration in itself which horrifies us, but rather the lack of order which these aberrations seem to imply.
    Highlighted by 3 Kindle customers
  • All tales of horror can be divided into two groups: those in which the horror results from an act of free and conscious will—a conscious decision to do evil—and those in which the horror is predestinate, coming from outside like a stroke of lightning.
    Highlighted by 3 Kindle customers
  • Lovecraft’s vaginal creation, Great Cthulhu. After viewing this many-tentacled, slimy, gelid creature through Lovecraft’s eyes, do we need to wonder why Lovecraft manifested “little interest” in sex?
    Highlighted by 3 Kindle customers
  • Talent is a dull knife that will cut nothing unless it is wielded with great force—a force so great that the knife is not really cutting at all but bludgeoning and breaking (and after two or three of these gargantuan swipes it may succeed in breaking itself
    Highlighted by 3 Kindle customers
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Setting & Locations edit see section history

  • New York: The unlikely hiding place of Satanists in ROSEMARY'S BABY
  • 'Salem's Lot: Just another small Maine town beset with problems in Stephen King's literary universe
  • Hill House: The archetypal Bad Place in American horror fiction
  • Jonestown: The events of 1979 were seemingly foretold in THE FOG, a novel James Herbert published just 3 years before
  • Black Lagoon: A pocket of water in the Amazon basin where the keeler catfish are only the beginning of the problems you'll face
  • Santa Mira, California: The place where the Body Snatchers first appeared

First Sentence edit see section history

FOR ME, the terror -- the real terror, as opposed to whatever demons and boogeys which might have been living in my own mind -- began on an afternoon in October of 1957.

Table of Contents edit see section history

FORENOTE

I -- October 4, 1957, and an Invitation to Dance

II -- Tales of the Hook

III -- Tales of the Tarot

IV -- An Annoying Autobiographical Pause

V -- Radio and the Set of Reality

VI -- The Modern American Horror Movie -- Text and Subtext

VII -- The Horror Movie as Junk Food

VIII -- The Glass Teat, or, This Monster Was Brought to You by Gainesburgers

IX -- Horror Fiction

X -- The Last Waltz -- Horror and Morality, Horror and Magic

AFTERWORD

APPENDIX 1. THE FILMS
APPENDIX 2. THE BOOKS
INDEX

Errata edit see section history

King states that LOVERS LIVING, LOVERS DEAD was written by Richard Lutz. In fact it was Richard Lortz. He also states that Bela Lugosi died shortly after the completion of his last movie, PLAN 9 FROM OUTER SPACE, and may have been replaced by a stand-in rather than appearing; in fact he died while they were still filming, and the last scenes did use a stand-in who looked nothing like Lugosi.

Authors & Contributors edit see section history

  1. Stephen King (Author)

First Edition edit see section history

Original Language: English
Publisher: Berkley Books
Country: USA
Publication Date: 1982
ISBN: 0425053458
Page Count: 480

Classification edit see section history

  • Library of Congress: P96.H65 K5 1981
  • Dewey: 700.4164

Notes for Parents edit see section history

Reading Level: Young Adults

There is some strong language, and King talk about how radio, TV, the print media and film deal with sexual content in horror, but overall suitable for most teenagers.

More Books Like This edit see section history

   
  • Psychotronic Encyclopedia of Film
  • Reel Shame
  • Horror : die Lust am Grauen
  • Mushroom Clouds and Mushroom Men
  • Classics of the Horror Film
  • Reel Terror: The Scary, Bloody, Gory, Hundred-Year History of Classic Horror Films
  • Universal Studios Monsters: A Legacy of Horror
  • SCIENCE-FICTION & FANTASY CINEMA: Classic Films of Horror, Sci-Fi & the Supernatural
  • Poverty Row Horrors!: Monogram, Prc and Republic Horror Films of the Forties (McFarland Classics)
  • Universal Horrors: The Studio's Classic Films, 1931-1946
  • Monsters in the Movies

Books That Cite This Book edit see section history

   
  • Men, Women, and Chain Saws
  • The Monster Show
  • Horrorshows
  • Nightmare USA
  • The Gospel of Filth: A Bible of Decadence & Darkness
  • Shock Value
  • Cat People

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