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Description edit see section history

Bathsheba Everdene is a strong, confident woman who becomes a powerful farmer. But her emotional life descends into chaos as she becomes involved with three very different men.

Characters/People edit see section history

  • Bathsheba Everdene: The beautiful, independent, and often impulsive young woman at the center of the novel, who must choose among three very different suitors.
  • Gabriel Oak: A farmer, shepherd, and bailiff, marked by his humble and honest ways. Skilled with animals and farming, hard working and very loyal, Oak is one of Bathsheba's suitors.
  • William Boldwood: The owner of a nearby farm, Boldwood is reserved and dignified.
  • Sergeant Francis 'Frank' Troy: The handsome, vain, young, and irresponsible antagonist, Troy is often considered a less responsible male equivalent of Bathsheba.
  • Fanny Robin: A young orphaned servant girl at the farm.
  • Liddy Smallbury: Servant to Bathsheba.
  • Cainy Ball: A young boy who works as Gabriel Oak's assistant shepherd on the Everdene farm.
  • Jan Coggan: Farm laborer and friend to Gabriel Oak
  • Pennyways: The bailiff on Bathsheba's farm.
  • Joseph Poorgrass: A shy, timid farm laborer who blushes easily and has a fondness for drink.
  • Laban Tall: A farm laborer and friend to Gabriel Oak. Quiet and unassuming, it is mentioned that about town he is known as "Susan Tall's husband."
  • Susan Tall: Wife of Laban Tall.
  • Henery Fray: Another of the workmen at Little Weatherbury Farm, a "more than middle-aged" man "with eyebrows high on his forehead" who is somewhat of a pessimist.
  • Charlotte: First wife of Jan Coggan, who was dairymaid to Farmer Everdene (Bathsheba's late father).
  • Jacob Smallbury: The son of the old maltster. A man "about sixty-five, with a semi-bald head and one tooth in the left centre of his upper jaw, which made much of itself by standing prominent, like a milestone in a bank." Father of William (Billy) Smallbury.
  • William ("Billy") Smallbury: Son of Jacob Smallbury. A man of about forty, "who manifested the peculiarity of possessing a cheerful soul in a gloomy body, and whose whiskers were assuming a chinchilla shade here and there."
  • Maryann Money: One of Bathsheba's farm laborers.
  • Matthew Moon: One of the laborers at the Everdene farm, a humble man described as "a singular framework of clothes with nothing of any consequence inside them."
  • Warren Smallbury: The "ancient maltster," proprietor of the malt house, father to Jacob Smallbury and grandfather to William Smallbury.
  • Temperance Miller: One of Bathsheba's farm laborers.
  • George: Gabriel Oak's trustworthy old shepherd dog.
Show all 21 characters
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Quotes edit see section history

  • “To persons standing alone on a hill during a clear midnight such as this – the roll of the world eastward is almost a palpable movement. The sensation may be caused by the panoramic glide of the stars past earthly objects, which is perceptible in a few minutes of stillness; or by a fancy that the better outlook upon space afforded by a hill emphasizes terrestrial revolution; or by the wind; or by the solitude; but whatever be its origin the impression of riding along is vivid and abiding.”
  • “Being a man not without a frequent consciousness that there was some beauty in this life he led, he stood still after looking at the sky as a useful instrument, and regarded it in an appreciative spirit, as a work of art superlatively beautiful.”
  • “Love is a possible strength in an actual weakness.”
  • ““…I shouldn’t mind being a bride at a wedding if I could be one without having a husband.””
  • “It may have been observed that there is no regular path for getting out of love as there is for getting in.”
  • “…a resolution to avoid an evil is seldom framed till the evil is so far advanced as to make avoidance impossible.”
  • “Marriage transforms a distraction into a support, the power of which should be, and happily often is, in direct proportion to the degree of imbecility it supplants.”
  • “Like Guildenstern, Oak was happy in that he was not too happy. He had no wish to converse with her. That his bright lady and himself formed one group exclusively their own, and containing no others in the world, was enough. So the chatter was all on her side. There is a loquacity that tells nothing: which was Bathsheba's. And there is a silence which says much, that was Gabriel's.”
    Narrator

First Sentence edit see section history

When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun.

Table of Contents edit see section history

Biography
Acknowledgements
Introduction by John Bayley
Map of Hardy's Wessex
Preface
Chapter 1 - Description of Farmer Oak - an incident
Chapter 2 - Night - the Flock - an interior - another interior
Chapter 3 - A girl on horseback - conversation
Chapter 4 - Gabriel's resolve - the visit - the mistake
Chapter 5 - Departure of Bathsheba - a pastoral tragedy
Chapter 6 - The Fair - the journey -the fire
Chapter 7 - Recognition - a timid girl
Chapter 8 - The Malthouse - the chat - news
Chapter 9 - The homestead - a visitor - half-confidences
Chapter 10 - Mistress and men
Chapter 11 - Outside the barracks - snow - a meeting
Chapter 12 - Farmers - a rule - an exception
Chapter 13 - Sortes sanctorum - the valentine
Chapter 14 - Effect of the letter - sunrise
Chapter 15 - A morning meeting - the letter again
Chapter 16 - All Saint's' and All Souls'
Chapter 17 - In the marketplace
Chapter 18 - Boldwood in meditation - regret
Chapter 19 - The sheep-washing - the offer
Chapter 20 - Perplexity - grinding the shears - a quarrel
Chapter 21 - Troubles in the fold - a message
Chapter 22 - The great barn and the Sheep-shearers
Chapter 23 - Eventide - a second declaration
Chapter 24 - The same night - the fir plantation
Chapter 25 - The new acquaintance described
Chapter 26 - Scene on the verge of the Hay-mead
Chapter 27 - Hiving the bees
Chapter 28 - The Hollow amid the ferns
Chapter 29 - Particulars of a twilight walk
Chapter 30 - Hot cheeks and tearful eyes
Chapter 31 - Blame - fury
Chapter 32 - Night - horses tramping
Chapter 33 - In the sun- a harbinger
Chapter 34 - Home again - a trickster
Chapter 35 - At an upper window
Chapter 36 - Wealth in jeopardy - the revel
Chapter 37 - The storm - the two together
Chapter 38 - Rain - one solitary meets another
Chapter 39 - Coming home - a cry
Chapter 40 - On Casterbridge highway
Chapter 41 - Suspicion - fanny is sent for
Chapter 42 - Joseph and his burden - Buck's head
Chapter43 - Fanny's revenge
Chapter 44 - Under a tree - reaction
Chapter 45 - Troy's romanticism
Chapter 46 - The Gurgoyle: its doings
Chapter 47 - Adventures by the shore
Chapter 48 - Doubts arise - doubts linger
Chapter 49 - Oak's advancement - a great hope
Chapter 50 - The Sheep Fair - troy touches his wife's hand
Chapter 51 - Bathsheba talks with her outrider
Chapter 52 - Converging courses
Chapter 53 - Concurritur - Horae momento
Chapter 54 - After the shock
Chapter 55 - The March following - 'Bathsheba Boldwood'
Chapter 56 - Beauty in loneliness - after all
Chapter 57 - A foggy night and morning - Conclusion
Notes
Note on the text
Hardy's general preface to the wessex edition of 1912
Glossary of place-names

Themes & Symbolism edit see section history

  • Women in Society: This novel is often considered an early piece of feminist literature, as its main character is an independent woman with the courage to defy convention by running a farm herself. By making Bathsheba's character a woman with an independent income, Hardy is able to illustrate the various ways a woman's position in society is often dependent upon her marriage and how marriage can often be disadvantageous to a woman with her own wealth. Other characters illustrate the often sad fate of women who do not have their own incomes and who are not cared for by society.
  • Love and Relationships: A major theme is the danger and destruction inherent in romantic love and marriage; Hardy exposes the inconsistencies, irrationalities, and betrayals that often plague romantic relationships. Bathsheba begins the novel as an independent woman, but by falling in love with Troy, she nearly destroys her life and those of several people around her. Hardy also shows us examples of couples in which one partner is more in love than the other, showing what disastrous events often result from this unequal situation. Hardy makes clear that a love borne of passion only is far insuperior to a love that grows between two people who work together, respect each other, get to know each other and allow their relationship to grow over time.

Series & Lists edit see section history

This is book 48 of 196 in BBC 'Big Read' Top 200 Novels, 2003. (authoritative list)

Preceded by A Christmas Carol, and followed by Good Night, Mr. Tom.

This is book 47 of 95 in Telegraph Top 100 Books, 2008. (authoritative list)

Preceded by Anne of Green Gables, and followed by The Handmaid's Tale.

This book is in Guardian 1000 Novels Everyone Must Read. (authoritative list)
This is book 846 of 1272 in 1001 Books You Must Read Before You Die. (authoritative list)

Preceded by The Temptation of Saint Anthony, and followed by The Enchanted Wanderer.

Authors & Contributors edit see section history

  1. Thomas Hardy (Author)

Other Contributors:

  1. Margaret Drabble
  2. Tony Buzan

First Edition edit see section history

Original Language: English
Publisher: Cornhill Magazine
Country: England
Publication Date: 1874
ISBN: Add the ISBN.
Page Count: 480

Awards edit see section history

Classification edit see section history

Links to Supplemental Material edit see section history

  • Wikipedia: Far from the Madding Crowd at Wikipedia
  • Community Walk: Locations in the 1874 novel Far From the Madding Crowd by Thomas Hardy (1840-1928).

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