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Description edit
This second book in Moshe Barasch's series on art theory surveys the development of the field from the early eighteenth to the mid-nineteenth centuries. During this period theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of... read more
Ridiculously Simplified Synopsis edit
Characters/People edit
- Leonardo Da Vinci: Add a description of this character.
- Alberti
- Lomazzo
- Michelangelo
- Raphael
- Roger De Piles
- Vasari
- Poussin
- E. Panofsky
- Zuccari
- Le Brun
- Cennini
- Pino
- Dolce
- Phidias
- Diirer
- Rubens
- Brunelleschi
- Giotto
- Danti
- Perrault
- Bellori
- Cesare Ripa
- J. Von Schlosser
- Armenini
- Die Kunstliteratur
- Fontaine
- Piero Della Francesca
- Pomponius Gauricus
- Augustine
- Roskill
- Philippe De Champaigne
- Ghiberti
- Dodwell
- Kristeller
- Theophilus
- Bari
- Mcmahon
- Polyclitus
- Trattato
- Heraclius
- Suger
- Raffaello Borghini
Setting & Locations edit
- Florence
- New York
- Italy
- Rome
- Venice
- Middle Ages
- London
- Paris
- Titian
- Europe
- Boccaccio
- Princeton
- Idea
- High Renaissance
- Barocchi
- Tatarkiewicz
- Germany
- Zilsel
- Cambridge
- Vienna
- Garden City
- Berlin
- Wmckelmann
- Leipzig
- Bologna
- Cinquecento
- Greece
- Spain
- Sicyon
- Canon
- Giorgione
- St. John Of Damascus
- Born
- St. Thomas
First Sentence edit
In the following chapters I attempt to describe the major stages in the development of European art theory.
Authors & Contributors edit
- Moshe Barasch (Author)
Classification edit
- Library of Congress: Add the Library of Congress Classification.
- Dewey: 701
Subjects edit
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