Since its publication in 1990, Gender Trouble has become one of the key works of contemporary feminist theory, and an essential work for anyone interested in the study of gender, queer theory, or the politics of sexuality in culture. This is the text where Judith Butler began to advance the... read more
“How must we rethink the ideal morphological constraints upon the human such that those who fail to approximate the norm are not condemned to a death within life?”
gender is not always constituted coherently or consistently in different historical contexts, and because gender intersects with racial, class, ethnic, sexual, and regional modalities of discursively constituted identities. As a result, it becomes impossible to separate out 'gender' from the political and cultural intersections in which it is invariably produced and maintained.Highlighted by 47 Kindle customers
The view that gender is performative sought to show that what we take to be an internal essence of gender is manufactured through a sustained set of acts, posited through the gendered stylization of the body. In this way, it showed that what we take to be an 'internal' feature of ourselves is one that we anticipate and produce through certain bodily acts, at an extreme, an hallucinatory effect of naturalized gestures.Highlighted by 47 Kindle customers
performativity is not a singular act, but a repetition and a ritual, which achieves its effects through its naturalization in the context of a body, understood, in part, as a culturally sustained temporal duration.'Highlighted by 42 Kindle customers
Instead, the text asks, how do non-normative sexual practices call into question the stability of gender as a category of analysis? How do certain sexual practices compel the question: what is a woman, what is a man? If gender is no longer to be understood as consolidated through normative sexuality, then is there a crisis of gender that is specific to queer contexts?Highlighted by 42 Kindle customers
There is no gender identity behind the expressions of gender; that identity is performatively constituted by the very 'expressions' that are said to be its results.Highlighted by 42 Kindle customers
When the constructed status of gender is theorized as radically independent of sex, gender itself becomes a free-floating artifice, with the consequence that man and masculine might just as easily signify a female body as a male one, and woman and feminine a male body as easily as a female one.Highlighted by 42 Kindle customers
It was and remains my view that any feminist theory that restricts the meaning of gender in the presuppositions of its own practice sets up exclusionary gender norms within feminism, often with homophobic consequences.Highlighted by 34 Kindle customers
It is not enough to inquire into how women might become more fully represented in language and politics. Feminist critique ought also to understand how the category of 'women,' the subject of feminism, is produced and restrained by the very structures of power through which emancipation is sought.Highlighted by 30 Kindle customers
Gender is the repeated stylization of the body, a set of repeated acts within a highly rigid regulatory frame that congeal over time to produce the appearance of substance, of a natural sort of being.Highlighted by 29 Kindle customers
Certainly, I do not mean to claim that forms of sexual practice produce certain genders, but only that under conditions of normative heterosexuality, policing gender is sometimes used as a way of securing heterosexuality.Highlighted by 29 Kindle customers
Preface (1999)
Preface (1990)
ONE: SUBJECTS OF SEX/GENDER/DESIRE
I. "Women" as the Subject of Feminism
II. The Compulsory Order of Sex/Gender/Desire
III. Gender: The Circular Ruins of Contemporary Debate
IV. Theorizing the Binary, the Unitary, and Beyond
V. Identity, Sex, and the Metaphysics of Substance
VI. Language, Power, and the Strategies of Displacement
TWO: PROHIBITION, PSYCHOANALYSIS, AND THE PRODUCTION OF THE HETEROSEXUAL MATRIX
I. Structuralism's Critical Exchange
II. Lacan, Riviere, and the Strategies of Masquerade
III. Freud and the Melancholia of Gender
IV. Gender Complexity and the Limits of Identification
V. Reformulating Prohibition as Power
THREE: SUBVERSIVE BODILY ACTS
I. The Body Politics of Julia Kristeva
II. Foucault, Herculine, and the Politics of Sexual Discontinuity
III. Monique Wittig: Bodily Disintegration and Fictive Sex
IV. Bodily Inscription, Performative Subversions
CONCLUSION: FROM PARODY TO POLITICS
Notes
Index
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