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Description edit see section history

In Kristin Lavransdatter (1920-1922), Sigrid Undset interweaves political, social, and religious history with the daily aspects of family life to create a colorful, richly detailed tapestry of Norway during the fourteenth-century. The trilogy, however, is more than a journey into the past.... read more

Characters edit see section history

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Quotes edit see section history

  • “Far out in the darkness a band of white mist floated above the murmur of the river. The mountains stood around coal-black against the star-sprinkled sky.”
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  • “It’s good when you don’t dare do something that doesn’t seem right,” said Fru Aashild with a little laugh. “But it’s not so good if you think something isn’t right because you don’t dare do it.”
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  • lingering at the table in the evening, carrying on useless conversation. But you do not look as if you were that kind. Yet you can learn a great deal from this year that will benefit you both here and in that other home.”
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  • But I didn’t realize then that the consequence of sin is that you have to trample on other
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  • she did not love God and His Mother and the saints in that way. She would never love them in that way. She loved the world and longed for the world.
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Setting & Locations edit see section history

  • Gudbrandsdal: A valley in central Norway.
  • Jørundgaard: A farm in the Gudbrandsdal valley, owned by Lavrans.
  • Nidaros: Also called Trondheim; a coastal city in central Norway. Also refers to Nidaros cathedral.

Organizations edit see section history

  • Birchlegs: (Norwegian birkebeiner) A political group consisting of the supporters of Sverre during the conflict over the rightful successor to the throne. They were named the "Birchlegs" because at one point they were so poor and desperate that they sometimes literally wore birch bark to cover their legs.

First Sentence edit see section history

When the earthly goods of Ivar Gjesling the Younger of Sundbu were divided up in the year 1306, his property at Sil was given to his daughter Ragnfrid and her husband Lavrans Bjørgulfsøn.

Table of Contents edit see section history

Translator's Acknowledgments
Introduction
Suggestions for Further Reading
A Note on the Translation
Map: Kristin's Norway
Map: The Medieval North

Part I: Jørundgaard
Part II: The Wreath
Part III: Lavrans Bjorgulfsøn

Explanatory Notes
List of Holy Days

Themes & Symbolism edit see section history

  • Wreath: A wreath in this context is a crown of foliage. The wreath of the elf-maiden at the beginning of the story is symbolic of the wild; the wreath of the nunnery, a symbol of piety; and the wreath of the virgin, a symbol of maidenhood. A wreath of God symbolizes belonging to God alone; that is, entering a convent. The bridal crown Kristin wears to her wedding bed is symbolic of marriage and the bride's giving of her maidenhood to her husband. In medieval times, the symbolic object most associated with the bride was the wreath. Denoting triumph and festivity, it was also linked with her virginity. The bride would present the groom with a wreath; during the procession to the church she wore her hair loose or uncovered, save for the bridal wreath or crown. Her peer group of unmarried women distributed wreaths to all the guests.

Series & Lists edit see section history

This is book 1 of 3 in Kristin Lavransdatter. (standard series)

Followed by The Wife.

This is book 8 of 11 in The Bibliophile Club - Selected Reads of 2010. (community list)
This is book 201009 of 31 in The Bibliophile Club - Monthly Selected Reads. (community list)

Authors & Contributors edit see section history

  1. Sigrid Undset (Author)

Other Contributors:

  1. Tiina Nunnally (Translator)

First Edition edit see section history

Original Language: Norwegian
Publisher: Aschehoug
Country: Norway
Publication Date: 1920
ISBN: N/A
Page Count: 283

Awards edit see section history

Classification edit see section history

Movie Connections edit see section history


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