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Picture a charming home in the South. Into this peaceful scene put the prosperous, despotic Hubbard family—Ben, possessive and scheming; Oscar, cruel and arrogant; Ben's dupe, Leo, weak and unprincipled; Regina wickedly clever—each trying to outwit the other. In contrast, meet lonely... read more

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Act One

The Little Foxes takes place in the living room of the Giddens house, in a small town in the deep South in 1900. At curtain rise, the black maid Addie is tidying up and Cal, the black porter, is setting out a bottle of the best port. Birdie Hubbard, a... read more (warning: may contain spoilers)

from Answers.com...

Act One

The Little Foxes takes place in the living room of the Giddens house, in a small town in the deep South in 1900. At curtain rise, the black maid Addie is tidying up and Cal, the black porter, is setting out a bottle of the best port. Birdie Hubbard, a wellbred but faded woman enters from the dinner party offstage, obviously tipsy. Her husband Oscar follows, scolding her for boring their special guest. His sister Regina Giddens and brother Ben enter with Mr. William Marshall of Chicago, enjoying light-hearted banter after closing a deal to build a new cotton mill that will make all of them wealthy. Marshall is pleased by the Hubbards’s promise to prevent labor problems, a “certain benefit” of the southern locale. One family member who stands to gain from the transaction is missing — Horace Giddens, Regina’s husband, a banker. He is in Baltimore under the care of specialists for a heart condition. Leo, Oscar’s toady son, has been “keeping an eye on things” at his bank. Mr. Marshall and Regina flirt openly, and she promises to visit him in Chicago. Apparently her brothers approve of this potential affair, as it cements the business deal.

After Mr. Marshall leaves, the Hubbard family members speculate about how they will spend their millions. Birdie wants two things: to restore to its pre-Civil War elegance her family plantation Lionnet, now under the ownership of her husband and for Oscar to stop shooting the game their black neighbors need for sustenance. Oscar scornfully hushes her. Regina’s grand plan is to move to Chicago and become a member of high society. Ben interrupts the wish-making to suggest they assume a fifty-one percent controlling interest, with an investment of $225,000. Ben and Oscar pressure Regina to get her third of the investment money from Horace, who has not responded to Regina’s letters. Regina shrewdly manages to turn their skepticism to her benefit by fabricating that Horace is holding out for a larger share. The brothers grant their sister this coup just to keep the deal in the family; the difference will come out of Oscar’s share. In return Oscar wants Regina’s daughter Alexandra (Zan) to marry his son. Regina promises only to think about it.

Birdie promises Alexandra that she will not allow the family force her to marry Leo, and this earns her a slap on the face from her husband, which Birdie conceals from Zan. Regina announces that Alexandra is to leave the next morning to bring her father home. The curtain closes on Alexandra looking puzzled and frightened.

Act Two

One week later, the family nervously awaits Horace’s arrival. Cal makes an offhand remark about the meat Oscar is wasting, but Oscar cuts him off with an ominous threat. Leo and Oscar concoct a scheme to “borrow” $88,000 worth of Union Pacific bonds from Horace’s safe deposit box, giving them two-thirds of the investment, thus turning the tables on Ben. They would replace the bonds before Horace discovers them missing. Ben arrives and the siblings discuss Horace’s delay over breakfast offstage.

Addie rushes hopefully to the door at the sound of voices; it is Horace, looking completely exhausted, and Alexandra, covered in soot from the trip. Alexandra asks not for her mother, but for Aunt Birdie. Addie and Horace happily reminisce for a moment, then Horace asks her why he has been called home. She tells him about the plan to become “high-tone rich” and to marry Zan to Leo, muttering “over my dead body.” Sobered, Horace is announced. The family rushes to him, Regina greeting him with a warm kiss. It isn’t long, however, before the problems between Horace and Regina emerge again. Regina wonders if his “fancy women” caused his bad heart. She then forces a discussion of the investment, in spite of his obvious fatigue. Horace discovers that the Hubbards have promised Marshall low wages and no strikes; he dryly observes that Ben will certainly accomplish this by playing the workers off against each other. Horace intends to obstruct the Hubbards: by not allowing Leo to marry Zan and not giving Regina his money. Regina pursues him as he retires upstairs, even though Ben urges her to wait, to use “softness and a smile.” With their angry voices audible, Oscar puts forth his plan to circumvent Horace and Regina by “borrowing” $88,000 from “a friend” of Leo’s. Ben, guessing the friend’s identity, encourages them to proceed but refuses to shake Leo’s hand good-bye. Regina returns downstairs unsuccessful and barely acknowledges Alexandra’s plea to stop causing stress to her father. Regina turns instead to Ben, who shocks her with the news that everything is settled and that Oscar is going to Chicago. When Horace comes downstairs to relish the Hubbards’s dispute, Regina cruelly accuses him of wishing her ill because of his own impending death. Horace responds that he refuses to help the Hubbards “wreck the town and live on it.”

Act Three

On a rainy afternoon two weeks later, Birdie and Alexandra contentedly play a piano duet while Horace is nearby. Abruptly, Horace tells Cal to run to the bank with a puzzling message meant for Leo’s ears — that he has received the safe deposit box and now wants the manager to bring an attorney over that evening. Birdie’s indulgence in elderberry wine causes her to reminisce about the happy days when Horace used to play the fiddle. In her inebriated gaiety, Birdie relates that her mother would never associate with the Hubbards. She explains that she married Oscar because Ben wanted the Lionnet cotton, so Oscar “married it.” Birdie hopes Zan will not turn out like herself, unhappily trailing after the power holders. Addie’s remark sums up the play’s moral: “Well, there are people who eat the earth and eat all the people on it. . . . Then there are people who stand around and watch them eat it.”

When Regina comes in, Horace announces that they have, after all, invested in the cotton mill. At first she thinks that Horace has decided to join her and she feels triumphant, but she has misunderstood. Horace will let the brother keep the stolen money, her only legacy in the new will he is about to write. In retaliation, she tells him that she has never loved him, that his impending death pleases her. This shocks Horace enough that he reaches for his heart medicine, but he drops the bottle and it breaks. He cannot even call to Addie for another bottle, and Regina makes no move to help him. He falls and is carried upstairs. When the brothers and Leo arrive, Regina divulges that she knows of their crime, and Ben and Oscar let Leo take the blame. Now she and Ben seem almost to relish fencing for the upper hand. If Horace lives, Ben and Oscar will “win,” but if he dies, Regina will triumph and send her brothers to jail. Betting that Horace will die, Regina blackmails them for a seventy-five percent share. Ben and Oscar are ready to give it to her to save themselves when Zan comes downstairs. Her posture indicates that Horace is dead; Regina has won. Regina reminds them of her sway over Mr. Marshall, who will abort the deal rather than risk a scandal — the brothers had better behave. Ben and Regina make amends, being cut of the same cloth. Only after Oscar departs does Ben deal his final blow: he shares Zan’s suspicions about Horace’s death. After Ben leaves, Regina commands Zan to accompany her to Chicago, then relents, not wanting to force her. She almost timidly inquires if Zan would like to sleep in her room. Zan, seeing a new side of her mother, asks,“Are you afraid, Mama?” Addie comforts Zan as the curtain falls.

Characters edit see section history

  • Addie: Addie is the Hubbards’s black maid and Alexandra Hubbard’s nanny; she has a keen sense of justice and she tries to protect Alexandra from the rapacity of the Hubbard family. She considers Ben, Oscar, Regina, and Leo a scourge on humanity, “eaters of the earth,” and she scorns those who are too feeble or too uncommitted to stand up to them. She herself lacks the social status to fight them effectively. Her comments serve as a moral compass for the audience. Appearance-wise, she is a tall, nice-looking women of about 55.
  • Cal: Cal is a slightly bumbling and mild-mannered, middle-aged black servant who very indirectly protests Oscar’s monopolization of the area’s hunting rights by offhandedly mentioning how his friends would “give anything for a little piece of that meat.”
  • Birdie Hubbard: Birdie Hubbard is a timid, well-bred, nervous and flighty woman of about 40 abused and completely dominated by her bullying husband Oscar. She once innocently enjoyed coming-out parties at her parents’ plantation, Lionnet, but now she has not had a day of happiness in twenty-two years. A weak woman, she has not prevented her son Leo from becoming even worse than his father, and she drowns her misery in a “secret” drinking habit that the family cloaks under the euphemism of “her headaches.” Her only salvation is music and her relationship with her niece, who, she hopes, will avoid her fate.
  • Oscar Hubbard: (late 40's) Oscar Hubbard is the sharp-tempered, mean-spirited brother of Regina and Ben who kowtows to his older and more powerful brother, bullies his wife Birdie, and goes hunting daily, only to throw out the precious game he kills, despite the fact that the Negroes do not get enough food and could really use the meat. He is clever enough to develop a scheme to steal Horace’s money but he slavishly hands it over to Ben without realizing that Ben will not let himself be implicated. Although he presumably wants to make millions for his son’s sake, he and Ben let Leo take the blame when the theft is discovered. He treats his cultivated wife, Birdie, with disdain, having married her solely to help Ben take over her family’s cotton plantation. He advises his son: “It’s every man’s duty to think of himself.”
  • Leo Hubbard: Leo is the 20-yaer-old son of Birdie and Oscar Hubbard. He works at the bank but often skips work out of laziness. He has a sort of the greed and deceitfulness of his father and none of his mother’s cultural refinement, but having “a weak kind of good looks.” His own mother detests him. His father wants him to marry Alexandra (even though they are first cousins), although Leo expresses no particular interest. He foolishly reveals to his father that he has taken an illicit look into his uncle Horace’s safe deposit box and tries to blame it on others, but his intimate knowledge of the box’s contents and the whereabouts of the keys give away his culpability. Ben can barely conceal his contempt for Leo and makes him take the full blame for the theft when it is discovered. Leo is apparently too stupid to save himself.
  • Regina Giddens: Regina Giddens (40) , born Regina Hubbard, handsome sister to Ben and Oscar, wife to Horace, and mother of Alexandra, is the central character in The Little Foxes.Regina’s flirtation with Mr. Marshall is done as much to seal a business deal as it is to secure a stepping stone into the high society of Chicago she wants to join. She is sexually cold, having scornfully banned her husband from her bed for the last ten years. Money and power are her loves, and she goes to extreme methods to get it.
  • William Marshall: William Marshall, a 45-year-old, self-possessed Chicago businessman, wants to invest in the industrialization of the New South by building a cotton mill but needs local partners to manage the mill and keep the workers in hand. Although married, he flirts openly with Regina during the one scene in which he appears.
  • Benjamin "Ben" Hubbard: Ben Hubbard, 55-year-old brother to Regina and Oscar, is the soft-spoken but callous ringleader of the Hubbard family and one of the predatory capitalists of the New South. Unmarried, he shows no interest in human relations beyond the use he makes of them to achieve financial domination of the “small unnamed town in the south” where he was born. He has built his local empire by cheating and overcharging black customers in his drygoods store and he can guarantee Chicago investor Mr. Marshall low wages and no strikes in their new cotton mill because he knows how to play his workers against each other. Ben vies for power with the cool precision of a chess player who holds grudging respect and good-humor for his primary opponent, Regina.
  • Alexandra "Zan" Giddens: Seventeen-year-old Alexandra Giddens, or Zan, adores her father Horace Giddens and her Aunt Birdie but mistrusts her mother Regina. Addie has protected Zan from her family, allowing youthful idealism to carry Zan along, but Horace wants her to “learn to hate and fear” — the Hubbard way of life — so that she will get away from them.
  • Horace Guldens: Horace is a tall man of about 45. He has been good-looking but is now very sick and walks with difficulty or rides a wheelchair; husband of Regina; has stayed at a hospital in Baltimore for five months; disproves of Oscar and Ben's investment plans and stalls lending them the 75 thousand dollars they need.
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Quotes edit see section history

  • “Well, there are people who eat the earth and eat all the people on it. . . . Then there are people who stand around and watch them eat it. . . . Sometimes I think it ain’t right to stand and watch them do it.”
    Addie

Setting & Locations edit see section history

  • Act I: The living-room of the Giddens house, a small town in the deep South, the spring of 1900. Upstage is a staircase leading to the second story. U.R. are double doors to the dining-room. When these doors are open we see a section of the dining room and the furniture. U.L. is an entreance hall with a coat-rack and umbrella stand. There are large lace-curtained windows on the L. wall. The room is lit by a center gas chandelier and painted china oil lamps on the tables. Against the wall is a large piano. D.R. is a high couch, a large table, several chairs. Near the window there is a smaller couch and tables. The room is good-looking, the furniture expensice, but it reflects no particular taste. Everything is of the best, and that is all.
  • Act II: Same as Act I. A week later, morning. AT RISE: The light comes from the open shutter of R. window, the other shutters are tightly closed. ADDIE is standing at window, looking out. Near dining-room doors are brooms, mops, rags, etc.
  • Act III: Same as Act I. Two weeks later. It is late afternoon and it is raining. AT RISE: Horace is sitting near the window in a wheel chair. On the table next to him is a safe deposit box, and one small bottle of medicine and spoon. On the chair R. of table U. C. is a large sewing basket.

First Sentence edit see section history

ADDIE: (Pointing to bottle.) You gone stark out of your head?

Table of Contents edit see section history

Three acts

Glossary edit see section history

  • Pantomime: to act out without words but with gestures and bodily movements only like a mime.
  • Jovially: jollity: feeling jolly/ jovial/ full of good humor/ gay
  • Feebly: in a faint and feeble manner
  • Settee: a type of couch
  • Valises: A piece of hand luggage such as a suitcase or travelling bag

Series & Lists edit see section history

This is book 1 of 3 in The Little Foxes. (standard series)

Followed by Another Part of the Forest.

Authors & Contributors edit see section history

  1. Lillian Hellman (Author)

Classification edit see section history

  • Library of Congress: PS3515.E343 L5 1939a
  • Dewey: 812/.52

Links to Supplemental Material edit see section history

Movie Connections edit see section history


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