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Heart of Darkness
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Heart of Darkness (1902) (edit title/settings)

by Joseph Conrad (Author) (edit contributors)

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Description edit see section history

Joseph Conrad’s Heart of Darkness was first published in 1899 in serial form in London’s Blackwood’s Magazine. Loosely based on Conrad’s firsthand experience of rescuing a company agent from a remote station in the heart of the Congo, the novel is considered a literary bridge between the... read more

Summary edit see section history

Freed from the constraints of European morality, a man confronts the underlying nature of humanity. Madness ensues.

Characters/People edit see section history

  • Charlie Marlow: Marlow is the main protagonist and first-person narrator. He sails on a steamboat up the Congo river to a remote trading outpost. The journey up the Congo is to find himself; he seeks to find his own reality. As he narrates his tale it's apparent the discomfort that this journey to the heart of darkness causes him.
  • Mistah Kurtz: Legendary chief of the Inner Station, target of Marlow's quest, and the symbol of the darkness residing in every human. Kurtz means short in German. Marlow says of him "I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror--of an intense and hopeless despair."
  • General Manager: Self-serving, persevering bureaucrat. He is chief of the Central Station.
  • Helmsman: Naive pilot of the steamboat that takes Marlow to Kurtz.
  • Narrator: The narrator whose identity is never stated is listening to Marlow tell his story of finding Kurtz.
  • Kurtz: The 'Agent' par excellence
  • The Russian: The seaman that was the only company of Kurtz in his last months in the station.
  • The Brickmaker: The guy who was supposed to make bricks in the Central Station, however had no real raw materials to start with, so practically did only an administrative, superfluous work there.
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Quotes edit see section history

  • “I think the knowledge came to him at last — only at the very last. But the wilderness had found him out early, and had taken on him a terrible vengeance for the fantastic invasion. I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude — and the whisper had proved irresistibly fascinating.”
  • “In some inland post feel the savagery, the utter savagery, had closed round him—all that mysterious life of the wilderness that stirs in the forest, in the jungles, in the hearts of wild men. There's no initiation either into such mysteries. He has to live in the midst of the incomprehensible, which is also detestable. And it has a fascination, too, that goes to work upon him. The fascination of the abomination—you know, imagine the growing regrets, the longing to escape, the powerless disgust, the hate.”
    Charlie Marlow
  • “Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn’t touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of somber pride, of ruthless power, of craven terror — of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision, — he cried out twice, a cry that was no more than a breath — ‘The horror! The horror!’”
  • “The earth seemed unearthly. We are accustomed to look upon the shackled form of a conquered monster, but there — there you could look at a thing monstrous and free. It was unearthly, and the men were, — No, they were not inhuman. Well, you know, that was the worst of it — this suspicion of their not being inhuman. It would come slowly to one. They howled, and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity — like yours — the thought of your remote kinship with this wild and passionate uproar.”
  • “Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you — you so remote from the night of first ages — could comprehend.And why not? The mind of man is capable of anything — because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valour, rage — who can tell? — but truth — truth stripped of its cloak of time. Let the fool gape and shudder — the man knows, and can look on without a wink. But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff — with his own inborn strength. Principles? Principles won’t do. Acquisitions, clothes, pretty rags — rags that would fly off at the first good shake. No; you want a deliberate belief.”
  • ““I was within a hair’s-breadth of the last opportunity for pronouncement, and I found with humiliation that probably I would have nothing to say. This is the reason why I affirm that Kurtz was a remarkable man. He had something to say. He said it. . . . He had summed up—he had judged. ‘The horror!’ He was a remarkable man.””
    At the beginning of the final section of Part III, Marlow has just recovered from his near-fatal illness.
  • ““The brown current ran swiftly out of the heart of darkness, bearing us down towards the sea with twice the speed of our upward progress; and Kurtz’s life was running swiftly, too, ebbing, ebbing out of his heart into the sea of inexorable time. . . . I saw the time approaching when I would be left alone of the party of ‘unsound method.’””
    This quote, which comes as the steamer begins its voyage back from the Inner Station in the third section of Part III,
  • ““In a few days the Eldorado Expedition went into the patient wilderness, that closed upon it as the sea closes over a diver. Long afterwards the news came that all the donkeys were dead. I know nothing as to the fate of the less valuable animals. They, no doubt, like the rest of us, found what they deserved. I did not inquire.””
    During the first section of Part II, Marlow watches the Eldorado Exploring Expedition, a band of freelance bandits, reequip and then depart from the Central Station.
  • ““The word ‘ivory’ rang in the air, was whispered, was sighed. You would think they were praying to it. A taint of imbecile rapacity blew through it all, like a whiff from some corpse. By Jove! I’ve never seen anything so unreal in my life. And outside, the silent wilderness surrounding this cleared speck on the earth struck me as something great and invincible, like evil or truth, waiting patiently for the passing away of this fantastic invasion.””
    This quote, from the fourth section of Part I, offers Marlow’s initial impression of the Central Station.
  • “Droll thing life is – that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself – that comes too late – a crop of inextinguishable regrets”
  • “No, I don't like work. I had rather laze about and think of all the fine things that can be done. I don't like work, - no man does - but I like what is in the work, - the chance to find yourself. Your own reality - for yourself, not for others - what no other man can ever know. They can only see the mere show, and never can tell what it really means.”
  • “I take it, no fool ever made a bargain for his soul with the devil: the fool is too much of a fool, or the devil too much of a devil - I don't know which.”
  • “Land in a swamp, march through the woods, and in some inland post feel the savagery, the utter savagery, had closed round him, - all that mysterious life of the wilderness that stirs in the forest, in the jungles, in the hearts of wild men.”
  • “I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable grayness, with nothing underfoot, with nothing around, without spectators, without clamour, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmosphere of tepid scepticism, without much belief in your own right, and still less in that of your adversary. If such is the form of ultimate wisdom, then life is a greater riddle than some of us think it to be.”
    Charlie Marlow
  • “You can't understand. How could you?—with solid pavement under your feet, surrounded by kind neighbours ready to cheer you or to fall on you, stepping delicately between the butcher and the policeman, in the holy terror of scandal and gallows and lunatic asylums—how can you imagine what particular region of the first ages a man's untrammelled feet may take him into by the way of solitude—utter solitude without a policeman—by the way of silence—utter silence, where no warning voice of a kind neighbor can be heard whispering of public opinion? These little things make all the great difference.”
    Charlie Marlow
  • “Mistah Kurtz, he dead”
Show all 16 quotes from this book

Setting & Locations edit see section history

  • Central Station: The Company headquarters in the Congo
  • Thames Estuary: The novella opens on a small ship in the Thames Estuary as night falls.
  • Congo Free State: The name by which modern day Congo (Kinshasha), previously called Zaire, was known at the time of the novel. A personal fiefdom of the Belgian king, Leopold II, it was a by word for brutality among the colonial powers although it had been set up to curb the illegal slave trade.
  • Brussels, Belgium): The head office of "the Company" which exploits the resources of the Belgian Free State and employs Marlowe to captain its riverboat.
  • Europe

Organizations edit see section history

  • Company: The trading firm for which Kurtz, Marlow, Manager, Brickmaker etc. work, in order to bring valuable goods to Europe, as much as possible, sometimes by dubious means.
  • Eldorado Exploring Expedition: Basically a group of plunderers, that came "To tear treasure out of the bowels of the land...with no more moral purpose at the back of it than there is in burglars breaking into a safe."

First Sentence edit see section history

The Nellie, a cruising yawl, swung her anchor without a flutter of the sails, and was at rest.

Table of Contents edit see section history

I
II
III

Glossary edit see section history

Show all 64 glossary entries

Themes & Symbolism edit see section history

Series & Lists edit see section history

This book is in The Rory Gilmore Reading Challenge. (community list)
This is book 67 of 93 in Modern Library's 100 Best Novels: The Board's List. (authoritative list)
This is book 85 of 101 in Penguin English Library. (publisher series)
This book is in Guardian 1000 Novels Everyone Must Read. (authoritative list)
This is book 28 of 100 in 20th Century's Greatest Hits: 100 English-Language Books of Fiction. (authoritative list)
This book is in Penguin's Top 100 Classics. (authoritative list)
This is book 75 of 93 in Newsweek's Top 100 Books: The Meta-List. (authoritative list)
This is book 43 of 98 in Modern Library's 100 Best Novels: Reader's List. (authoritative list)
This is book 158 of 200 in BBC 'Big Read' Top 200 Novels, 2003. (authoritative list)
This is book 52 of 113 in Book Smart Reading List. (community list)
This is book 38 of 97 in Waterstone's Top 100 Books of the 20th Century. (authoritative list)
This is book 91 of 95 in Telegraph Top 100 Books, 2008. (authoritative list)
This is book 23 of 199 in Newman and Jones 200 Best Horror Novels. (community list)
This is book 780 of 1286 in 1001 Books You Must Read Before You Die. (authoritative list)
This is book 8 of 29 in Biblioteka XX. stoljeće (Jutarnji list). (publisher edition list)
This book is in Penguin Great Books of the 20th Century. (publisher edition list)
This is book 52 of 213 in Best English-Language Fiction of the 20th Century. (authoritative list)

Authors & Contributors edit see section history

  1. Joseph Conrad (Author)

Other Contributors:

  1. Juan Rey (Foreword)
  2. Clara Iturero Herrero (Translator)

First Edition edit see section history

Original Language: English
Publisher: W. Blackwood & Sons
Country: United Kingdom
Publication Date: 1902
ISBN: N/A
Page Count: 120

Awards edit see section history

Classification edit see section history

  • Copyright Status: Public Domain
  • Library of Congress: PR6005.O4 H4 2010
  • Dewey: 823.912

Notes for Parents edit see section history

Reading Level: Adults

Adults or mature teens

Links to Supplemental Material edit see section history

Movie Connections edit see section history

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