The Floating Opera and The End of the Road are John Barth's first two novels. Both concern strange, consuming love triangles and the destructive effect of an overactive intellect on human emotions. Separately they give two very different views of a universal human drama.
“That will-o'-the wisp, the law: where shall I begin to speak of it?...I think I'm not interested in what the law is.”
“My prose is a plodding, graceless thing, and I've no comprehension of stylistic tricks.”
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