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While appraising the estate of a New Hampshire family descended from a North Dakota Indian agent, Faye Travers is startled to discover a rare moose skin and cedar drum fashioned long ago by an Ojibwe artisan. And so begins an illuminating journey both backward and forward in time, following... read more

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  • “Life will break you. Nobody can protect you from that, and living alone won’t either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself you tasted as many as you could.”
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  • Life will break you. Nobody can protect you from that, and living alone won’t either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself that you tasted as many as you could.
    Highlighted by 26 Kindle customers
  • All we crave is a simple order. One day and then the next day and the next after that, if we’re lucky, to be the same. Grief is chaos. Death or illness throw the world out of whack. The drum’s order is the world’s order. To proceed with and keep that order is a gesture of desperate hope. Protect us. Save us. Let our minds remain clear of sorrow so that we can simply praise the world.
    Highlighted by 13 Kindle customers
  • She must be responsible for our psychic weaknesses the rest of her life. It is all right to feel kinship with your father, to forgive. We all know that. But your mother is held to a standard so exacting that it has no principles. She simply must be to blame.
    Highlighted by 13 Kindle customers
  • In the woods, there is no right way to go, of course, no trail to follow but the law of growth. You must leave behind the notion that things are right. Just look around you. Here is the way things are. Twisted, fallen, split at the root. What grows best does so at the expense of what’s beneath.
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  • The body of a drum is a container for the spirit, just as if it were flesh and bone. And although love between a man and woman can change and fail, overreach itself, fall prey to suspicions, yet the drum lives on. The drum waits with the patience of unliving things and yet it heals with life itself.
    Highlighted by 12 Kindle customers
  • The drum is the universe. The people who take their place at each side represent the spirits who sit at the four directions. A painted drum, especially, is considered a living thing and must be fed as the spirits are fed, with tobacco and a glass of water set nearby, sometimes a plate of food. A drum is never to be placed on the ground, or left alone, and it is always to be covered with a blanket or quilt.
    Highlighted by 11 Kindle customers
  • what I’m telling you is you wear down these sorrows using what you have, what comes to hand. You talk them over, you live them through, you don’t let them sit inside. See, that’s what the drum was good for. Letting those sorrows out, into the open, where those songs could bear them away.”
    Highlighted by 8 Kindle customers
  • Schadenfreude, the joy that rises as one witnesses the pain of others.
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  • For it seems that my sorrow is deep in my bones and I’d have to break every single one to let it out.
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  • What’s the difference between smart and self-protective? They are the same, I think. Only when you are secure enough not to fear immediate survival can you display creative intelligence in anything you do.
    Highlighted by 5 Kindle customers
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First Sentence edit see section history

Leaving the child cemetery with its plain hand-lettered sign and stones carved into the weathered shapes of lambs and angels, I am lost in my thoughts and pause too long where the cemetery road meets the two-lane highway.

Authors & Contributors edit see section history

  1. Louise Erdrich (Author)

First Edition edit see section history

Original Language: English
Publisher: HarperCollins Publishers Canada
Country: Canada
Publication Date: 2005
ISBN: 0060515104
Page Count: 288

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