Books
 

Members with This Book

  • ivy rlndz
  • Matt Meacham
  • Rebecca M
  • pillsbur
  • tomo
See all 7 members with this book on their shelves »

Most Helpful Reviews

see all reviews

Liked It

Rebecca M
  • Rated 4 stars

I took a chance and used this book as a course text for an American music course for non-majors. Crawford's writing is engaging and geared toward a more general audience, but informed by top-notch scholarship. His three-sphere model of American music (cultivated, vernacular and traditional...

see full review » see other reviews »
 

Newest Reviews

see all reviews
  • Rebecca M
      • Rated 4 stars

    I took a chance and used this book as a course text for an American music course for non-majors. Crawford's writing is engaging and geared toward a more general audience, but informed by top-notch scholarship. His three-sphere model of American music (cultivated, vernacular and traditional spheres) made a useful and multi-dimensional lens through which to trace the development of musical styles and genres. I appreciated the performer-based approach rather than the standard "a history of dead white men" approach so prevalent in the literature. He substantiates this model for American music history in his introduction.

    Some of my students, accustomed to "textbooks" may have found the book too verbose for test preparation purposes, I hope that the prose engaged them enough to look beyond the grades and into the rich and diverse musical landscape cultivated in this country.

    Rebecca M wrote this review Monday, December 8 2008. ( reply | permalink ) Was this review helpful? Yes | No
    Post Cancel
displaying 1-1 of 1
Advertisement