Shelfari edited the themes of The English Patient Monday, October 11, 2010.
- Edited the description of Nationality and Identity: Nationality and identity are interconnected in The English Patient, functioning together to create a web of inescapable structures that tie the characters to certain places and times despite their best efforts to evade such confinement. Almásy desperately tries to elude the force of nationality, living in the desert where he creates for himself an alternate identity, one in which family and nation are irrelevant. Almásy forges this identity through his character, his work, and his interactions with others. Importantly, he chooses this identity rather than inheriting it. Certain environments in the novel lend credence to the idea that national identity can be erased. The desert and the isolated Italian villa function as such places where national identity is unimportant to one's connection with others. Kip, who becomes enmeshed in the idea of Western society and the welcoming community of the villa's inhabitants, even dismisses his hyperawareness of his own racial identity for a
time.Ultimately,however, the characters cannot escape from the outside reality that, in wartime, national identity is prized above all else. This reality invades Almásy's life in the desert and Kip's life in the Italian villa. Desperate for help, Almásy is locked up merely because his name sounds foreign. His identity follows him even after he is burned beyond recognition, as Caravaggio realizes that the "English" patient is not even English. For Kip, news of the atomic bomb reminds him that, outside the isolated world of the villa, western aggression still exists, crushing Asian people as Kip's brother had warned. National identity is, then, an inescapable part of each of the characters, a larger force over which they have no control.