The Unbearable Lightness of Being: Twentieth Anniversary Edition
 

The Unbearable Lightness of Being: Twentieth Anniversary Edition

by Milan Kundera


When The Unbearable Lightness of Being was first published in English, it was hailed as "a work of the boldest mastery, originality, and richness" by critic Elizabeth Hardwick and named one of the best books of 1984 by the New York Times Book Review. It went on to win the Los Angeles Times Book Prize for Fiction and quickly became an international bestseller. Twenty years later, the novel... (read more)

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Most Helpful Reviews

Liked It

2 of 2 members found this review helpful.
Jackie D
  • Rated 5 stars

When I first bought this book, the woman at the bookstore told me she was jealous and when I asked her why, she said, "Because you are reading this for the first time." If you love it, you really love it! What I love about this book is how Kundera has more to say in the first two pages than many authors can manage in a whole book. I also love the way that Kundera weaves fantasy around history, and it comes out like real life, with all of it's desparation, desire, and concessions.

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Didn’t Like It

cherie
  • Rated 1 stars

everyone seems to love this book but...how should i put it? we didn't click.it's a frustrating book - and kundera's writing style, reminding you that this is merely a work of fiction spoiled all the magic this novel had for me...but while the magic was there, it was ok. to me, this just another book you read on the subway.

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Community:
  • Rated 4.197387 stars
Amazon:
  • Rated 0 stars
 

Newest Comments

  • talal

    talal said:

    I somehow feel guilty because alot or my friends love him espacially this novel but i couldn't understand Milan - his books he goes from one step to another why? i don't know what he means in no mixture between his topics.

    posted Friday, May 16 2008
  • Mahi A

    mahi a said:

    One general criticism on Kundera's novels is that he uses unnecessary and unappetizing sexual imagery. This was true in this novel and bothered me too. As for the main characters, Tomas and Tereza defines love in fundamentally different ways, and neither is able to explain his/her point of view to the other. "A Short Dictionary of Misunderstood Words" was a particularly apt chapter.

    I haven't watched to the movie (maybe that was a good thing), but this is quite possible the most fabulous book I've read in a long long time.

    posted Thursday, May 8 2008
  • Lilbrownkit

    lilbrownkit said:

    I always feel a little guilty if I didn't like something that so many people seem to value, but since variety is the spice of life -- certainly the lead character in this novel would agree -- I will post my brief, negative response to this book. I liked the Kundera's use of language, which really ran an energy of lightness and liveliness and emptiness over serious human suffering. I was interested in the philosophical question the narrator poses regarding how much meaning does life have if it is repeated only once versus if one is doomed to repeat the same things over and over again. However, I lost interest and stopped reading after his main mistress hid his sock. I just didn't care about the characters. The man's emotional immaturity combined with his sexual appetite and the suffering of his jealous beloved, even with his empathy (to a degree) with her suffering, was not compelling to me. Perhaps if I had not seen the movie and also disliked that years ago and did not know the basic plot and ending, I might have been intrigued enough to finish the book. But who can say?

    posted Tuesday, May 6 2008
  • Christine Z

    christine z said:

    I read this book a long time ago and liked it very much. I now recall mostly his perfect phrases, one in particular, how time and history keep revising and being revised; he compared it to the effervescence of shifting colors of light over chiffon -- it was so apt and beautiful it stayed all this time.

    posted Wednesday, April 2 2008
  • Lisa C

    lisa c said:

    Well written but it was too depressing... you almost want to go speak to the characters... the women were what made me mad... they were doormats!

    posted Saturday, February 2 2008
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