An ex-convict struggles for redemption in the punishing world of post-Napoleonic France. Described as the bible of the poor, downtrodden, heartbroken, convicted, and oppressed.
“You look at a star for two reasons, because it is luminous and because it is impenetrable”
“An unworthy thought can no more spring up in it than a nettle on a glacier”
“The soul helps the body, and at certain moments uplifts it. It is the only bird which sustains its cage.”
“To owe life to a malefactor . . . to be, in spite of himself, on a level with a fugitive from justice . . . to betray society in order to be true to his own conscience; that all these absurdities . . . should accumulate on himself—this is what prostrated him.”
“She worked to live; then, also to live, for the heart too has its hunger, she loved.”
“There is one spectacle grander than the sea, that is the sky; there is one spectacle grander than the sky, this is the interior of the soul.”
“Diamonds are found only in the dark places of the earth; truths are found only in the depths of thought.”
“Children at once accept joy and happiness with quick familiarity, being themselves naturally all happiness and joy.”
“Laughter is sunshine; it chases winter from the human face.”
“The delight we inspire in others has this enchanting peculiarity that, far from being diminished like every other reflection, it returns to us more radiant than ever.”
“I declare I am confused!”Cosette
““Here, I am going to write something to show you.”. . . <S>he wrote on a sheet of blank paper . . . “The cops are here.””This snippet describes Eponine’s excitement in Book Eight of “Marius” as she tries to impress Marius at the Gorbeau House.
“<Valjean> had fallen back, the light from the candlesticks fell across him; his white face looked up toward heaven, he let Cosette and Marius cover his hands with kisses; he was dead.”This passage, from Book Nine of “Jean Valjean” brings Valjean’s personal journey full circle and compares him to his inspiration, Myriel, the bishop of Digne.
“<T>he poor little despairing thing could not help crying: “Oh my God! Oh God!”At that moment she suddenly felt that the weight of the bucket was gone. A hand, which seemed enormous to her, had just caught the handle, and was carrying it easily. . . .. . . The child was not afraid.”This passage occurs in Book Three of “Cosette,” after Mme. Thénardier orders Cosette to fetch a pail of water from the forest. Hugo uses especially melodramatic language and imagery to underscore the nightmarish quality of Cosette’s life with the Thénardiers and the almost divine appearance of Valjean.
“<Valjean> strained his eyes in the distance and called out . . . “Petit Gervais! . . .” His cries died away into the mist, without even awaking an echo. . . . <H>is knees suddenly bent under him, as if an invisible power suddenly overwhelmed him with the weight of his bad conscience; he fell exhausted . . . and cried out, “I’m such a miserable man!””Valjean’s encounter with Petit Gervais in Book Two of “Fantine” is the first interaction Valjean has after he leaves Myriel’s house in Digne.
“So long as ignorance and misery remain on earth, books like this cannot be useless.”Victor Hugo
“Books are cold but sure friends.”Victor Hugo
FREE Audio Book Download: Volume 1[http://librivox.org/les-miserables-vol-1-by-victor-hugo/]Highlighted by 5 Kindle customers
The guillotine is the concretion of the law; it is called vindicte; it is not neutral, and it does not permit you to remain neutral. He who sees it shivers with the most mysterious of shivers. All social problems erect their interrogation point around this chopping-knife. The scaffold is a vision. The scaffold is not a piece of carpentry; the scaffold is not a machine; the scaffold is not an inert bit of mechanism constructed of wood, iron and cords.Highlighted by 3 Kindle customers
PART ONE: FANTINE
Book 1: An Upright Man
Book 2: The Fall
Book 3: the Year 1817
Book 4: To Trust is Sometimes to Surrender
Book 5: The Descent
Book 6: Javert
Book 7: The Champmathieu Affair
Book 8: Counter-Stroke
PART TWO: COSETTE
Book 1: Waterloo
Book 2: The Ship Orion
Book 3: Fulfillment of the Promise made to the Departed
Book 4: The Old Gorbeau House
Book 5: A Dark Chase Requires a Silent Hound
Book 6: Petit-Picpus
Book 7: A Parenthesis
Book 8: Cemeteries Take What is Given Them
PART THREE: MARIUS
Book 1: Paris Atomized
Book 2: The Grand Bourgeois
Book 3: The Grandfather and Grandson
Book 4: The Friends of the ABC
Book 5: The Excellence of Misfortune
Book 6: The Conjunction of Two Stars
Book 7: Patron-Minette
Book 8: The Noxious Poor
PART FOUR: SAINT-DENIS
Book 1: A Few Pages of History
Book 2: Eponine
Book 3: The House of the Rue Plumet
Book 4: Aid From Below or From Above
Book 5: An End Unlike the Beginning
Book 6: Little Gavroche
Book 7: Argot
Book 8: Enchantments and Desolations
Book 9: Where Are They Going?
Book 10: June 5, 1832
Book 11: The Atom Fraternizes with the Hurricane
Book 12: Corinth
Book 13: Marius Enters the Shadow
Book 14: The Grandeur of Despair
Book 15: The Rue de l' Homme-Arme'
PART FIVE: JEAN VALJEAN
Book 1: War Between Four Walls
Book 2: The Intestine of Leviathan
Book 3: Mire, but Soul
Book 4: Javert Off the Track
Book 5: Grandson and Grandfather
Book 6: The White Night
Book 7: The Last Drop in the Chalice
Book 8: The Twilight Wane
Book 9: Supreme Shadow, Supreme Dawn
Preceded by Charlie and the Chocolate Factory.
Preceded by The Cruel Sea, and followed by The Mayor of Casterbridge.
Preceded by Uncle Tom's Cabin, and followed by On the Road.
Preceded by The Water-Babies, and followed by Fathers and Sons.
While there is very limited coarse language, the sheer bulk and topics covered would only be recommended for 13+. Unrequited love, the rebellions in France, the thieving and French underworld... all very well covered topics, but quite dense.
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