Kafka on the Shore
 

Kafka on the Shore (Vintage International)

by Haruki Murakami

The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen--it's page thirteen in Kafka On The Shore--the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
... (read more)

Top tags: fictionjapanesejapanmagical realismcontemporary fiction (all tags)

 

Member Reviews

  • scheruvi
    3 of 3 members found this review helpful.
    • Rated 5 stars

    It’s hard to write reviews for good books without sounding like a paid-off jacket cover reviewer. Haruki Murakami’s Kafka on the Shore is one such book, that was a joy to read. I generally dislike reading translations and I don’t particularly like coming-of-age, voyage genres. But despite being both, Kafka on the Shore surpassed all my expectations and has become one of the most intriguing books I have read this year.

    There's a scene somewhat early on that for me tipped the book from interesting to completely fascinating. Each subsequent scene was as gloriously strange, as unpredicatable as the fish that fall from the sky.
    The scene involves cats, a dark and villianous Johnny Walker and the eating of the former by a grostequely snarky Walker. He eats their hearts to make a flute out of their souls which can be used to entrap larger, human souls. The passage is described with such clear-eyed bluntness that if it wasn't so skin-crawling, it would be really funny.

    Set in Japan, the story follows two characters—a teenage boy named Kafka Tamura who is running away from home and an elderly, mentally impaired man called Nakata who is inexplicably following Kafka’s path. Kafka is running away to escape a hideous, Oedipal prophecy foreseen by his father—he will kill his own father, and sleep with his mother and sister. Eventually Kafka arrives in a small town where he befriends the local librarian who allows him to live in the library in exchange for work.

    In a lot of ways, this book reminded me of Phil Robinson's 1989 movie Field of Dreams. Like the movie, Kafka on the Shore asks both his readers and the characters that populate the novel, to accept and trust the quirky mythology of Murakami’s world, without knowing any of the whys, whos and hows. And Murakami isn't too interested in making sure he answers all your questions either. Any second leeches could fall out of the sky, Colonel Sanders could tap you on your shoulders and lead you to your destiny (and a prostitute). And the woman you are in love with might be your mother...or your sister. Or not. You are compelled to keep reading if only to find out what the hell is going on.

    Cleverly and with fascinating results, Murakami describes a world in which memories are tangible valuables that carry enormous powers. A body’s spirit can flit across our arbitrary notions of time, and sexuality is as potent and powerful a force as any on this earth. All of this makes this an understandably kooky book to read, while being completely endearing. After Kafka tells his librarian friend his secret fear that he might sleep with his mother, he replies,

    "For a fifteen-yr-old who doesn't even shave yet, you're sure carrying a lot of baggage around."

    It's as if Murakami knows what you might be thinking, and he writes it up as dialogue instead of explaining. Similarly, there's a point when the librarian asks Kafka why he chose the infamous author's name as his pseudonym. There's a discussion about Franz Kafka's story, The Penal Colony, and an explanation given for his name. This happens often, where characters will somewhat abruptly have a seemingly tangential discussion about art, history, music and particularly Greek mythology. It adds an oddly informative, even worldly, feel to the book that is unusual and engrossing. It also exemplifies how nicely Murakami draws parallels and connections between wildly disjointed ideas and philosophies and creates his own reality and his own rules. Reading Murakami has that wonderful feeling that I sorely miss of stepping into a brand new world that is wholly unexpected in every way, each turn of events anticipated with delight.

    scheruvi wrote this review Thursday, October 4 2007. ( reply | permalink )
  • wcallison
    2 of 2 members found this review helpful.
    • Rated 4 stars

    What a bizarre but entertaining book. I went into this book with no preconceptions and enjoyed it. There are some characters in this book that I think about still. I enjoyed it and would recommend it to anyone who likes a bit of a surreal rollercoaster.

    wcallison wrote this review Friday, September 21 2007. ( reply | permalink )
  • JudithAnn
    1 of 1 members found this review helpful.
    • Rated 4 stars

    A typical Murakami story with surrealistic, "other world" elements.

    Kafka Tamura is a 15-year old who runs away from home. His home consists of a artist father who does not spend much time with his son, while his mother and sister walked out when he was four years old. He ends up in a private library where he reads books all day and befriends the receptionist.

    Meanwhile, Mr. Nakata is a cat finder: he finds cats back for people in the neighbourhood. He's quite stupid, due to a strange accident when he was very young.

    Of course, these people are connected in some way, some weird, Murakami way!

    A fun book, very pleasant read.


    JudithAnn wrote this review Sunday, July 27 2008. ( reply | permalink )
  • Monique
    1 of 1 members found this review helpful.
    • Rated 4 stars

    This is the story of the young boy Kafka, who runs away from home to escape from a curse and the old man Nakata who can talk to cats and looks for a special stone. It's a fantastic story: a novel, but also fantasy. I love Murakami's style of writing. Once you read something from him, you're addicted.

    Monique wrote this review Sunday, February 3 2008. ( reply | permalink )
  • tom f
    1 of 1 members found this review helpful.
    • Rated 0 stars

    After reading this book I find it very difficult to drink Johnny Walker. What a sick fuck.

    Murakami is a great addition to the magical realist section of your library.

    tom f wrote this review Tuesday, November 6 2007. ( reply | permalink )
  • justinianclevo
    1 of 1 members found this review helpful.
    • Rated 4 stars

    I'm still digesting this one. Wandering between dream and reality, back and forth through time. Superbly written. The author recommends repeat readings: riddles abound. I'd like to hole up at a mountain cabin, uninterrupted, to unwrap them.

    justinianclevo wrote this review Sunday, September 23 2007. ( reply | permalink )
  • pdevoss
    1 of 1 members found this review helpful.
    • Rated 5 stars

    One of Murakami's most understandable novels about an adolescent's journey to find himself

    pdevoss wrote this review Saturday, September 22 2007. ( reply | permalink )
  • saloni
    1 of 1 members found this review helpful.
    • Rated 5 stars

    wow!! this is what made me fall in love with murakami...a great read, awesome narrative, completely surreal...the characters are so real and in a strange way, also completely fantastic! :) n if that sounds paradoxical, blame it on the fact that i'm completely smitten! :D n definitely a special mention of the translator...never felt like the text was negotiating alien territory

    saloni wrote this review Wednesday, September 19 2007. ( reply | permalink )
  • mamabrico
    1 of 1 members found this review helpful.
    • Rated 0 stars

    Summer is reading time, isn't it? Bookstores put out entire tables devoted
    exclusively to items deemed somehow appropriate for the season. And we, we readers, anticipate long evenings, the sun happy to oblige with light until
    late into the night. I've always loved hot, sultry evenings filled with books; I remember the hours when, as a child, I’d climb the red-bud tree in our front yard, big heart-shaped leaves hiding me from the neighborhood kids playing kick-the-can in the street, a book clutched in my hand as I scrambled up, bare feet and single handedly. Sometimes I'd get called away, lured, perhaps, into the antics of the games in the street, and I'd forget and leave my book up there. I'd find it, the next morning, folded open where I'd stopped the night before, pages slightly soggy with the hint of damp from its night outdoors. I'd find it still there in the morning; I read hundreds of books each summer in that
    tree.

    I no longer average hundreds of books per summer, but I'm still committed to
    reading. The highlight this summer was Haruki Murakami's Kafka on the Shore. Murakami, a contemporary Japanese writer, gives us a wild surrealist novel which focuses primarily on a young protagonist, Kafka Tamura, a thoughtful and prepossessing high schooler who’s run away from home both to get away from a mysterious danger, and to search for a mother and sister who disappeared years ago. The chapters alternate between Kafka’s wanderings and those of Nakata, a gentle misfit gifted with the ability to chat with local cats. These two make their way across an apparently random landscape despite obstacles that constantly threaten their peace. Each has a lovely knack for befriending powerful,protective personalities. Though they never actually meet, their paths constantly intersect, impacting each other as
    well as the broader world. And oddly, the coherence of the region in which
    each moves seems to depend on the way one behaves in relation to the other.
    As in dreams, their actions affect each other and their intimate surroundings. In the same way Nakata raises his umbrella just in time to protect himself from sardines raining from the sky, Kafka manages to help a tragic, unhappy woman find her way to the country of the dead, a mysterious place she's been seeking for 30 years of a long, obsessive life.

    Murakami seamlessly stitches together bits & pieces of Japanese culture,
    American pop, Asian and western philosophy, jazz, the spirit world, and much
    more. In Kafka on the Shore. we meet an astonishing cast of characters,
    including Colonel Sanders, a savvy and fast-talking pimp claiming he's
    "neither god nor Buddha" but rather "a concept," and the deeply sinister
    Johnnie Walker who stalks Tokyo's cats, collecting their souls for his own
    dark purposes. If this novel sounds like a dizzying ride on a surrealist
    rollercoaster, it's also an astonishingly enjoyable trip! Murakami is such
    a master storyteller that, despite the book’s apparently scrambled,
    haphazard details, the whole hangs together superbly.This is an unfailingly
    readable though never overwhelming page- turner.

    mamabrico wrote this review Saturday, September 8 2007. ( reply | permalink )
  • Kathleen D
    • Rated 3 stars

    Murakami is a genius. I have read and love all his books. This one is not my favorite of his, but it's definitely worth reading unless you are a cat lover. I'm allergic so I'm pretty detached from feelings about cats in general.

    Kathleen D wrote this review 2 weeks ago. ( reply | permalink )
Displaying 1-10 of 175 reviews
© 2008 Tastemakers, Inc. | Portions of Shelfari.com are Copyright © 1996-2008 Amazon.com, Inc. or its affiliates. Terms & Conditions | Privacy Policy | Copyright Policy