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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Mariano Azuela, the first of the "novelists of the Revolution," was born in Lagos de Moreno, Jalisco, Mexico, in 1873. He... read more

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First Sentence edit see section history

"I'm telling you that's no animal. Listen to how Palomo is barking... That must be a man." The woman stared out into the darkness of the Sierra. "Who cares, even if they are Federales?" replied a man, sitting on his haunches in a corner and eating, a small pan in his right hand and three tortillas in the other.

Series & Lists edit see section history

This book is in 1001 Books You Must Read Before You Die. (authoritative list)

Authors & Contributors edit see section history

  1. Mariano Azuela (Author)

Other Contributors:

  1. J. C. Orozco (Illustrator)
  2. Sergio Gabriel Waisman (Translator)
  3. E. Munguia, Jr. (Translator)
  4. Harriet Onis (Foreword)

First Edition edit see section history

Original Language: Spanish
Publisher: El Paso del Norte
Country: Mexico
Publication Date: 1915
ISBN: N/A
Page Count: 149

Classification edit see section history

  • Library of Congress: PQ7297.A9 L613
  • Dewey: 863.62

Links to Supplemental Material edit see section history

  • Wikipedia Article: The Underdogs (Spanish: Los de abajo) is a novel of the Mexican Revolution by Mariano Azuela. It was originally published in serial form in the newspaper El Paso del Norte in 1915. The book tells us the story of peasant Demetrio Macías, who becomes the enemy of a local cacique (leader, or important person) in his town, and so has to abandon his family when the government soldiers (Federales) come looking for him.
  • Book Review: This novel is described in several places as a classic of modern Hispanic literature and it really is a powerful book. Since it's appearance it has been published in more than 27 editions and in several languages. The first edition of this novel, published in installments in El Universal Illustrado, a Mexico City magazine in 1924, bore the subtitle: "Sketches and Scenes of the Mexican Revolution." And it does have an episodic quality, rather than being a long continuous narrative. It doesn't attempt to encompass the entire Revolution but, rather, it concentrates on a handful of meaningful encounters throughout, both in battle and in conversations between the various players in the struggle.

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