Surprisingly good
Reviewed by
an Amazon user,
September 13, 2006
A few years back, Taylor Reid used to work as a secretary for movie producer Jackson Santorini. Back then, Jackson had been very attracted to her, but since he was married and an all-around decent guy, he considered her off limits.
Fast-forward a few years, and Jackson is now a widower with a bad reputation for cruelty, since his late wife killed herself and the tabloids had a field day accusing him of driving her to it. He's also got a weight on his conscience: his wife was pregnant when she committed suicide.
As for Taylor, she's got problems of her own. She's got guardianship of her younger brother, but his good-for-nothing father has began making noises about suing for custody.
When Jackson rans into Taylor while she's waiting for the bus under the rain, she drives her home and soon the truth about her problems comes out. To which Jackson has a very simple solution: they can get married. Taylor's former stepfather won't dare to bother such a powerful man and Jackson will get the child he longs for.
The only problem is, Taylor fears men, due to some bad experiences in her past, and she's not at all confident she can give Jackson the child he expects
The back cover copy sounds very Harlequin Presents-ish, and while this is a Desire, not an HP (I actually had to check back a couple of times as I was reading, just to make sure), I guess the storyline is very reminiscent of HP, too. We've got:
- the virginal heroine (only this particular heroine has a good reason to still be a virgin)
- the hero who's been hurt by his bitch of a former wife (only this particular hero hasn't let this turn him into a cruel, mysoginist bastard. Jackson is always perfectly kind to Taylor and never demeans her in any way)
- the Italian hero (only this particular Italian doesn't use his heritage as an excuse to behave like a sexist pig. Not that real Italian men do... I'm refering to Italians as they're almost always depicted in the Presents line)
- the boss-secretary romance (only here they were boss and secretary in the past, but aren't any more)
- the marriage of convenience (only the reasons for this particular m-o-c do make sense)
Are you getting the picture of why this book worked for me? Every single element that could have been groan-worthy was either perfectly justified or had something that offset whatever was objectionable about it.
Most of all, the worst element that comes to mind when I think HP isn't here at all. I'm refering to total and unreasonable miscommunication. If I think back to the old HP books I used to read, it feels as if in 99% of them, whatever the conflict was between the hero and heroine, it could have been resolved with a 5-minute (in some cases, 5-second) conversation.
Awaken to Pleasure is nothing like that. I started this one because I'd heard great stuff about another Singh category title, Secrets in the Marriage Bed, and what most appealed to me about it was that people were saying that the hero and heroine actually talked about their problems and dealt with them maturely. It was exactly like that here, too. Taylor soon shares with Jackson that she has a certain fear of men and the reasons why she does... and they work on that. Jackson soon shares with Taylor what his late wife did... and they work on Jackson's issues, too. However younger than Jackson Taylor was, they were both mature adults, and behaved as such. It was so refreshing! :-D
Some things didn't work so well for me, like the dynamics of Taylor and Jackson's relationship (the whole breadwinner / hostess thing, basically), which wasn't anything at all like what I aspire to in a relationship. However, even if their HEA looked nothing like what would be a HEA for me, I have to admit it worked for them, so this was a very minor objection.
On the whole, this wa
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Don't Judge this Book by its Cover
Reviewed by
an Amazon user,
September 16, 2004
This book was so pedantic, it was a wonder it got published, let alone that i finished it. Classic 1970's era romance where the woman is the "constant victim" and "wanted by every man that's ever looked at her". At the start of the book, she had been molested/groped/hurt by men on three occasions.
Were there any other cliches? Of course! The virginal mother figure to her young brother, orphaned by her birth mother, an abusive step father, and a string of mom's boy friend's who couldnt seem to keep their hands or eyes off of mama's little girl. Than, of course, there's the "marriage of convenience" to the rich Italian man, who just happens to have connections to organized crime, although he makes his money in the legitimate area of the film industry.
This book was just bad. The characters were unemotional,the plot stale with too many cliches and no originality. We are told too much, and shown too little. Over and over again Singh TELLS us how devoted Taylor is to her brother and yet there is hardly any scenes so we can SEE their closeness. Over and over again Singh TELLS us how unsure of himself Jackson is but there are no scenes where we see him acting unsure.
The only reason I purchased it was i thought the blurb and the cover art were interesting. Unless Singh matures as an author, this will certainly be my last book of hers that i'll read.
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