The hardcover version of the most indispensable writing resource! Features a new Glossary of grammatical terms Includes a new Foreword by Roger Angell Retains the classic principles of English style You know the authors' names. You recognize the title. You've probably used... read more
The Elements of Style is the most widely used English style manual. It's the must-have reference for anyone who is interested in writing.
“Omit needless words!”
“Chapter II, Rule 12, A sonnet is built on a fourteen-line frame, each line containing five feet. Hence, sonneteers knows exactly where they are headed, although they may not know how to get there. Most forms of composition are less clearly defined, more flexible, but all have skeletons to which the writer will bring the flesh and blood. The more clearly the writer perceives the shape, the better are the chances of success.”
“Chapter V, Reminder 1, A careful and honest writer does not need to worry about style. As you become proficient in the use of language, your style will emerge, because you yourself will emerge, and when this happens you will find it increasingly easy to break through the barriers that separate you from other minds, other hearts—which is, of course, the purpose of writing, as well as its principal reward.”
“Chapter V, Reminder 1, Fortunately, the act of composition, or creation, disciplines the mind; writing is one way to go about thinking, and the practice and habit of writing not only drain the mind but supply it, too.”
“The approach to style is by way of plainness, simplicity, orderliness, sincerity.”
“Writing is, for most, laborious and slow.”
“Chapter V, Reminder 5, Remember, it is no sign of weakness or defeat that your manuscript ends up in need of major surgery. This is a common occurrence in all writing, and among the best writers.”
“Chapter V, Reminder 6, It is always a good idea to reread your writing later and ruthlessly delete the excess.”
“Chapter V, Reminder 16, Clarity is not the prize in writing, nor is it always the principal mark of good style. There are occasions when obscurity serves a literary yearning, if not a literary purpose, and there are writers whose mien is more overcast than clear. But since writing is communication, clarity can only be a virtue.”
Place a comma before and or but introducing an independent clause.Highlighted by 22 Kindle customers
If a parenthetic expression is preceded by a conjunction, place the first comma before the conjunction, not after it.Highlighted by 22 Kindle customers
Restrictive relative clauses are not set off by commas.Highlighted by 19 Kindle customers
and, is the least specific of connectives. Used between independent clauses, it indicates only that a relation exists between them without defining that relation.Highlighted by 16 Kindle customers
If two or more clauses, grammatically complete and not joined by a conjunction, are to form a single compound sentence, the proper mark of punctuation is a semicolon.Highlighted by 16 Kindle customers
If the interruption to the flow of the sentence is but slight, the writer may safely omit the commas. But whether the interruption be slight or considerable, he must never omit one comma and leave the other.Highlighted by 15 Kindle customers
The abbreviations etc. and jr. are always preceded by a comma, and except at the end of a sentence, followed by one.Highlighted by 12 Kindle customers
Make the paragraph the unit of composition: one paragraph to each topic.Highlighted by 12 Kindle customers
Do not join independent clauses by a comma.Highlighted by 8 Kindle customers
I. Elementary Rules of Usage
II. Elementary Principles of Composition
III. A Few Matters of Form
IV. Words and Expressions Commonly Misused
V. An Approach to Style
Preceded by The Autobiography of Alice B. Toklas, and followed by An American Dilemma: The Negro Problem and Modern Democracy (Black and African-American Studies) Volume 2.
Preceded by Democracy and Leadership, and followed by The Machiavellians: Defenders of Freedom.
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