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Faces and Masks

by Eduardo Galeano

Realizing the Impossible: Art Against Authority

This Bridge Called My Back

by Gloria Anzaldúa, Cherríe Moraga

The Power of Their Ideas: Lessons for America from a Small School in Harlem

by Deborah Meier

The Brief Wondrous Life of Oscar Wao

by Junot Díaz

The Last Report on the Miracles at Little No Horse

by Louise Erdrich

Custer Died for Your Sins

by Vine Deloria, Jr.

Parable of the Sower

by Octavia E. Butler

A Taste of Power

by Elaine Brown

Conquest: Sexual Violence and American Indian Genocide

by Andrea Smith

So Far from God

by Ana Castillo

T.A.Z.: The Temporary Autonomous Zone

by Hakim Bey

39 Microlectures: In Proximity of Performance

by Matthew Goulish

Please Kill Me

by Legs McNeil, Gillian McCain

Rated 5 stars

Chicana Art: The Politics of Spiritual and Aesthetic Altarities (Objects/Histories)

by Laura Elisa Pe?rez

The Simulation of Surveillance: Hypercontrol in Telematic Societies (Cambridge Cultural Social Studies)

by William Bogard

Liveness

by Philip Auslander

Just Another Poster?/Solo UN Cartel Mas?: Chicano Graphic Arts in California/Artes Graficas Chicanas En California

I Am AztlÃ¡n: The Personal Essay In Chicano Studies

English Is Broken Here: Notes on Cultural Fusion in the Americas

by Coco Fusco

Corpus Delecti: Performance Art of the Americas

Mimesis and Alterity: A Particular History of the Senses

by Michael T. Taussig

Cities of the Dead

by Joseph R. Roach

Postborder City: Cultural Spaces of Bajalta California

Jimmie Durham (Contemporary Artists)

by Laura Mulvey

The Age of Dissent: Art and Visual Culture in Mexico, 1968-1997

by Cuauhtemoc Medina, Alvaro Vazquez Mantecon

Mexico City Tourist Map in English by Guia Roji

by Guia Roji

The Interventionists: Users' Manual for the Creative Disruption of Everyday Life

by Gregor Sholette

Strange New World

by Rachel Teagle

Barrio-Logos: Space and Place in Urban Chicano Literature and Culture (CMAS History, Culture, and Society Series)

by Rau?l Villa

The Many-Headed Hydra

by Peter Linebaugh




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