Alexandre Dumas, père (edit name/settings)

  Alexandre Dumas, pere (French for "father", akin to 'Senior' in English), born Dumas Davy de la Pailleterie was a French writer, best known for his numerous historical novels of high adventure which have made him one of the most widely read French authors in the world. Many of his novels, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After, and The Vicomte de Bragelonne were serialized. He also wrote plays and magazine articles and was a prolific correspondent.

Alexandre Dumas' paternal grandparents were Marquis Alexandre-Antoine Davy de la Pailleterie, a French nobleman and Général commissaire in the Artillery in the colony of Saint Domingue (now Haiti), and Marie-Cesette Dumas, an Afro-Caribbean former slave. Their son, Thomas-Alexandre Dumas, married Marie-Louise Élisabeth Labouret, the daughter of an innkeeper. Thomas-Alexandre was a general in Napoleon's army who fell into disfavor, rendering his family impoverished.
By the time young Dumas was born his family had lost all pretensions to wealth, and his widowed mother struggled to give him a decent education. General Dumas died in 1806 when Alexandre was three and half years old. Although Marie-Louise was unable to provide her son with much in the way of education, it did not hinder young Alexandre's love of books, and he read everything he could get his hands on. While he was growing up, his mother's stories of his father's brave military acts during the glory years of Napoleon I of France spawned Alexandre's vivid imagination for adventure and heroes. Although poor, the family still had the father's distinguished reputation and aristocratic connections, and after the restoration of the monarchy, twenty-year-old Alexandre Dumas moved to Paris where he obtained employment at the Palais Royal in the office of the powerful duc d'Orléans.
Literary career: While working in Paris, Dumas began to write articles for magazines as well as plays for the theatre. In 1829 his first solo play, Henry III and his Court, was produced, meeting with great public acclaim. The following year his second play, Christine, proved equally popular, and as a result, he was financially able to work full time at writing. In 1830, he participated in the revolution that ousted King Charles X and replaced him on the throne with Dumas's former employer, the duc d'Orléans, who would rule as Louis-Philippe, the Citizen King. Until the mid-1830s, life in France remained unsettled with sporadic riots by disgruntled Republicans and impoverished urban workers seeking change. As life slowly returned to normal, the nation began to industrialize and, with an improving economy combined with the end of press censorship, the times turned out to be very rewarding for the skills of Alexandre Dumas. After writing more successful plays, he turned his efforts to novels. Although attracted to an extravagant lifestyle, and always spending more than he earned, Dumas proved to be a very astute business marketer. With high demand from newspapers for serial novels, in 1838, he simply rewrote one of his plays to create his first serial novel. Titled Le Capitaine Paul, it led to his forming a production studio that turned out hundreds of stories, all subject to his personal input and direction. From 1839 to 1841, Dumas, with the assistance of several friends, compiled Celebrated Crimes, an eight-volume collection of essays on famous criminals and crimes from European history, including essays on Beatrice Cenci, Martin Guerre, Cesare and Lucrezia Borgia and more recent incidents including the cases of executed alleged murderers Karl Ludwig Sand and Antoine François Desrues. Dumas also collaborated with his fencing master Augustin Grisier in his 1840 novel The Fencing Master. The story is written to be Grisier's narrated account of how he came to be witness to events in the Decembrist revolt in Russia. This novel was eventually banned in Russia by Czar Nicholas I of Russia, causing Dumas to be forbidden to visit Russia until the Czar's death. Grisier is also mentioned with great respect in both The Count of Monte Cristo and The Corsican Brothers as well as Dumas's memoirs. On 1 February 1840, he married an actress, Ida Ferrier, born Marguerite-Joséphine Ferrand (1811—1859) but continued with his numerous liaisons with other women, fathering at least four illegitimate children. One of those children, a son named after him, whose mother was Marie-Laure-Catherine Labay (1794—1868), a dressmaker, would follow in his footsteps, also becoming a successful novelist and playwright. Because of their same name and occupation, to distinguish them, one is referred to as Alexandre Dumas, père, the other as Alexandre Dumas, fils. His three other children were Marie-Alexandrine Dumas (5 March 1831—1878, who later married Pierre Petel and daughter of Belle Krelsamer (1803—1875), Micaëlla-Clélie-Josepha-Élisabeth Cordier, born in 1860 and daughter of Emélie Cordier, and Henry Bauer, born of an unknown mother. Dumas made extensive use of the aid of numerous assistants and collaborators, of which Auguste Maquet was the best known. It was Maquet who outlined the plot of The Count of Monte Cristo and made substantial contributions to The Three Musketeers and its sequels, as well as several of Dumas's other novels. When working together, Maquet proposed plots and wrote drafts, while Dumas added the details, dialogues, and the final chapters. His writing earned him a great deal of money, but Dumas was frequently broke or in debt as a result of spending lavishly on women and high living. The large and costly Château de Monte-Cristo that he built was often filled with strangers and acquaintances who took advantage of his generosity. When King Louis-Philippe was ousted in a revolt, Dumas was not looked upon favorably by the newly elected President, Charles Louis Napoleon Bonaparte. In 1851 Dumas fled to Brussels, Belgium, to escape his creditors, and from there he traveled to Russia where French was the second language and his writings were enormously popular. Dumas spent two years in Russia before moving on to seek adventure and fodder for more stories. In March of 1861, the kingdom of Italy was proclaimed, with Victor Emmanuel II as its king. For the next three years, Alexandre Dumas would be involved in the fight for a united Italy, founding and leading a newspaper named Indipendente and returning to Paris in 1864. Despite Alexandre Dumas' success and aristocratic connections, his being of mixed-race would affect him all his life. In 1843, he wrote a short novel, Georges, that addressed some of the issues of race and the effects of colonialism. Nevertheless, racist attitudes affected his rightful position in France's history long after his death at Puys on December 5, 1870, at the age of 68. It is attributed to him a personal quote to someone who insulted him about his mixed-race background: "It is true. My father was a mulatto, my grandmother was a negress, and my great-grandparents were monkeys. In short, sir, my pedigree begins where yours ends." In June 2005, Dumas's recently-discovered last novel The Knight of Sainte-Hermine went on sale in France. Within the story, Dumas describes the Battle of Trafalgar in which the death of Lord Nelson is explained. The novel was being published serially and was almost complete by the time of his death. A final two-and-a-half chapters were written by modern-day Dumas scholar Claude Schopp who based himself on Dumas' pre-writing notes.

When a mulatto general from Napoleon's army retired to the small northeastern town of Villers-Cotterets, France, little did the natives know that their town was now destined to become the birthplace of the great Alexandre Dumas. On July 24, 1802 the forty-four year old General learned that he had fathered a son. A statue in the town now commemorates one of the most prolific and loved writers of the 19th century. Alexandre Dumas was to excel at both the dramatic genre and the romantic novel. His works involve adventuresome plots, which depict the heroic triumph of human strength and endurance.

Dumas' plots were inspired by his father's wild adventures. Beginning early in life Dumas learned of the wartime triumphs and hardships the General had experienced. Unfortunately for the young boy, these proved insuperable for his father's aging body. The General had suffered from poisoning and imprisonment. Dumas' father thus died only four years after his son's birth. Dumas then led an isolated childhood. His protective mother could not part with her boy though his education was at stake. Thus, Alexandre did not attend college. Only once that his mother's monetary funds had been exhausted did she concede to the prospect of his voyage to the big city, Paris.

Once in Paris, Dumas tried to kindle relations with his father's old friends. This however proved to be anything but fruitful. Luckily, General Foy, who represented Dumas' town district in the Chamber of Deputies, was also friendly with the Duc D'Orleans. As a result of this connection Dumas obtained a clerkship with the Duc. Dumas possessed the fine penmanship necessary for the post. Dumas, however, already had higher goals in mind. He is reported to have commented to Foy, "General, I am going to live by my handwriting, but I promise you that I shall someday live by my pen."

It did not take long for the spirited Dumas to start working towards this dream. Shortly thereafter, he was inspired to write a drama, Henri III, et sa Cour. This was performed in February 1829.

Next, Dumas became temporarily distracted with political ambitions. He became a captain in the artillery of the National Guard. These duties did not hinder his literary output for long, however. Five Dumas dramas were performed in Paris in 1831. It was not until 1844 and 1845 that his most celebrated works The Count of Monte Cristo and The Three Musketeers were written.

The explosion of Dumas' career as a romance novelist was controversial. Assistants and secretaries with whom he collaborated wrote in his style before he then reviewed what they had written. To their work he added his inventive touch and the finished product was published under his name. Dumas was criticized and even brought to trial for this collaboration. Despite this, the public loved his work. Dumas held his readers captive. Pieces of his narratives were published daily in journals. Each day the readers were left with the phrase, to be cont? They anxiously wondered what would happen next.

Dumas' economic success was hindered by a lavish wild lifestyle. He was always in financial trouble. He once left Paris to live in Brussels because his creditors allowed him no peace. Fortunately, Dumas was brought back to Paris once a friend had regulated his accounts.

In 1860, Dumas' whimsical nature brought him to Naples where the political insurgent Giuseppe Garibaldi had requested his presence. Here Dumas became involved with politics and also served as superintendent for an art museum. 1864 brought him back to Paris where he was watched over by his son. His son was also a writer who had amassed a glory of his own, as well as the fortune his father never could. His son tended to his father's financial needs until Dumas' death in 1870. Alexandre Dumas died on his son's estate on December 5, 1870.

Dumas is best remembered for his historical novels such as Monte Cristo. Here, history forms the backdrop to the fantastic fictional inventions of a wild mind. Dumas' output also contains romances such as the Valois romances and D'Artagnan. These works involve real historic characters and events to teach the French people their national history. Explanations of events are, however, a fabrication of Dumas' imagination.

Never ceasing creativity is the heart of Dumas' genius. His action filled dramas and novels capture the true essence of human spirit. Dumas' sense of adventure lives on through the pages of his works.



Fiction: Alexandre Dumas, père wrote stories and historical chronicles of high adventure that captured the imagination of the French public who eagerly waited to purchase the continuing sagas.
A few of these works are: The Women's War
? When Pierrot Was Young by Alexandre Dumas-French 1975
? Charles VII at the Homes of His Great Vassals (Charles VII chez ses grands vassaux), drama, adapted for the opera The Saracen by Russian composer César Cui
? The Fencing Master (Le maître d'armes, 1840)
? The Nutcracker (1844): a revision of Hoffmann's story, later adapted by Tchaikovsky as a ballet
? the D'Artagnan Romances:
? The Three Musketeers (Les Trois Mousquetaires, 1844)
Twenty Years After (Vingt Ans Après, 1845)
? The Vicomte de Bragelonne (Le Vicomte de Bragelonne, ou Dix ans plus tard, 1847): When published in English it was usually split into three parts: The Vicomte de Bragelonne, Louise de la Valliere, and The Man in the Iron Mask, of which the last part is the best known. (A third sequel, The Son of Porthos (1883) (a.k.a. The Death of Aramis) was published under the pen-name of Alexandre Dumas; however, most scholars believe the author to be Paul Mahalin.)
? The Count of Monte Cristo (Le Comte de Monte-Cristo, 1845–1846)
? The Regent's Daughter (1845)
? The Two Dianas (1846)
? the Valois romances
Queen Margot (1845)
? La Dame de Monsoreau (1846) (a.k.a. Chicot the Jester)
? The Forty-Five Guardsmen (1847)
? the Marie Antoinette romances:
? Le Chevalier de Maison-Rouge (1845) (a.k.a. The Knight of the Red House, or The Knight of Maison-Rouge)
? Joseph Balsamo (1846–1848) (a.k.a. Memoirs of a Physician, Cagliostro, Madame Dubarry, The Countess Dubarry, or The Elixir of Life)
? The Queen's Necklace (1849–1850)
? Ange Pitou (1853) (a.k.a. Storming the Bastille or Six Years Later)
? The Countess de Charny (1853–1855) (a.k.a. Andrée de Taverney or The Mesmerist's Victim)
? The Black Tulip (La Tulipe Noire, 1850)
? The Wolf-Leader (Le Meneur de Loups, 1857)
? The Gold Thieves (after 1857): a play that was lost but rediscovered by the Canadian Reginald Hamel researcher in the Bibliothèque nationale de France in 2004
? The Companions of Jehu (Les Compagnons de Jehu, 1857)
? The Whites and the Blues (Les Blancs et Les Bleus, 1867)
? The Knight of Sainte-Hermine (Le Chevalier de Sainte-Hermine, 1869): This nearly completed novel was his last major work and was lost until its rediscovery by Claude Schopp in 1988 and subsequent release in 2005.
Drama: Though best known now as a novelist, Dumas earned his first fame as a dramatist. His Henri III et sa cour (1829) was the first of the great Romantic historical dramas produced on the Paris stage, preceding Victor Hugo's more famous Hernani (1830). Produced at the Comédie-Française and starring the famous Mademoiselle Mars, Dumas's play was an enormous success, launching him on his career. It had fifty performances over the next year, extraordinary at the time. Other hits followed. For example, Antony (1831), a drama with a contemporary Byronic hero, is considered the first non-historical Romantic drama. It starred Mars's great rival Marie Dorval. There were also La Tour de Nesle (1832), another historical melodrama; and Kean (1836), based on the life of the great, and recently deceased, English actor Edmund Kean, played in turn by the great French actor Frédérick Lemaître. Dumas wrote many more plays and dramatized several of his own novels.
Non-fiction: Dumas was also a prolific writer of non-fiction. He wrote journal articles on politics and culture, and books on French history. His massive Grand dictionnaire de cuisine (Great Dictionary of Cuisine) was published posthumously in 1873. It is a combination of encyclopedia and cookbook. Dumas was both a gourmet and an expert cook. An abridged version, the Petit dictionnaire de cuisine (Small Dictionary of Cuisine), was published in 1882. He was also a well-known travel writer, writing such books as
? Impressions de voyage: En Suisse (Travel Impressions: In Switzerland , 1834)
? Une Année à Florence (A Year in Florence , 1841)
? De Paris à Cadix (From Paris to Cadiz , 1847)
? Le Caucase (The Caucasus, 1859)
? Impressions de voyage: En Russie (Travel Impressions: In Russia , 1860).

Posthumous recognition
Buried in the place where he had been born, Alexandre Dumas remained in the cemetery at Villers-Cotterêts until November 30, 2002. Under orders of the French President, Jacques Chirac, his body was exhumed, and in a televised ceremony, his new coffin, draped in a blue-velvet cloth and flanked by four Republican Guards costumed as the Musketeers - Athos, Porthos, Aramis, and D'Artagnan - was transported in a solemn procession to the Panthéon of Paris, the great mausoleum where French luminaries are interred. In his speech, President Chirac said: "With you, we were D'Artagnan, Monte Cristo, or Balsamo, riding along the roads of France, touring battlefields, visiting palaces and castles—with you, we dream." In an interview following the ceremony, President Chirac acknowledged the racism that had existed, saying that a wrong had now been righted with Alexandre Dumas enshrined alongside fellow authors Victor Hugo and Voltaire. The honor recognized that although France has produced many great writers, none have been as widely read as Alexandre Dumas. His stories have been translated into almost a hundred languages, and have inspired more than 200 motion pictures. Alexandre Dumas's home outside of Paris, the Château Monte Cristo, has been restored and is open to the public. A metro station in Paris was renamed in his honou in 1970.
Gorman, Herbert (1929). The Incredible Marquis, Alexandre Dumas. New York: Farrar & Rinehart. OCLC 1370481.
Hemmings, F.W.J. (1979). Alexandre Dumas, the king of romance. New York: Charles Scribner's Sons. ISBN 0684163918.
Lucas-Dubreton, Jean (1928). The Fourth Musketeer (html), trans. by Maida Castelhun Darnton, New York: Coward-McCann. OCLC 230139.
Maurois, André (1957). The Titans, a three-generation biography of the Dumas, trans. by Gerard Hopkins, New York: Harper & Brothers Publishers. OCLC 260126.
Reed, F.W. (Frank Wild) (1933). A Bibliography of Alexandre Dumas père. Pinner Hill, Middlesex: J.A. Neuhuys. OCLC 1420223.
Ross, Michael (1981). Alexandre Dumas. Newton Abbot, London, North Pomfret (Vt): David & Charles. ISBN 0715377582.
Schopp, Claude (1988). Alexandre Dumas, Genius of Life, trans. by A. J. Koch, New York, Toronto: Franklin Watts. ISBN 0531150933. Spurr, H.A. (1929, 1973). The Life and Writings of Alexandre Dumas. New York: Haskell House Publishers. ISBN 0838315496. http://www.dumaspere.com/pages/vie/biographie.html
http://marianne2.fr/-Le-metissage-rentre-au-Pantheon-_a40493.html

Bibliography
* Charles VII at the Homes of His Great Vassals (Charles VII chez ses grands vassaux), drama, adapted for the opera The Saracen by Russian composer Cesar Cui

* the D'Artagnan Romances:
- The Three Musketeers (Les Trois Mousquetaires, 1844)
- Twenty Years After (Vingt Ans Apres, 1845)
- The Vicomte de Bragelonne (Le Vicomte de Bragelonne, ou Dix ans plus tard, 1847): when published in English it was usually split into three parts "The Vicomte de Bragelonne", "Louise de la Valliere" and "The Man in the Iron Mask" , of which the last part is the most known.

* The Count of Monte Cristo (1845-1846)
* The Fencing Master (Le maitre d'armes, 1840)
* The Regent's Daughter (1845)
* The Two Dianas (1846)

* the Valois romances
- Queen Margot (1845)
- La Dame de Monsoreau (1846)
- The Forty-Five Guardsmen (1847)

* the Marie Antoinette romances:
- Joseph Balsamo (1846-1848) (aka "Memoirs of a Physician", "Cagliostro", "Madame Dubarry", "The Countess Dubarry", or "The Elixir of Life")
- The Queen's Necklace (1849-1850)
- Ange Pitou (1853) (aka "Storming the Bastille", or "Six Years Later")
- The Countess de Charny (1853-1855) (Andree de Taverney", or "The Mesmerist's Victim")
- The Knight of the Red House (1845)

* The Black Tulip (1850)
* The Nutcracker (1844): a revision of Hoffmann's story, later adapted by Tchaikovsky as a ballet
* The Gold Thieves (after 1857): a play that was lost, and rediscovered by the Canadian Reginald Hamel researcher in the Bibliotheque nationale de France in 2004
* The Knight of Sainte-Hermine (Le Chevalier de Sainte-Hermine, 1869): the novel was his last major work and was lost until its rediscovery by Claude Schopp was announced in 2005.