Katharine Hepburn (edit name/settings)

Taken from the actress's IMDB.com bio page, and edited slightly:


Born May 12, 1907 in Hartford, Connecticut, she was the daughter of a doctor and a suffragette, both of whom always encouraged her to speak her mind, develop it fully, and exercise her body to its full potential.  An athletic tomboy as a child, she was also very close to her brother, Tom, and was devastated at age 14 to find him dead, the apparent result of accidentally hanging himself while practicing a hanging trick their father had taught them.   The thought that Tom killed himself was not something that Katharine could every truely understand, and in her autobiography she taks about his death still being surrounded in mystery.   For many years after this, Katharine used his birthdate, November 8, as her own.  She then became very shy around girls her age, and was largely schooled at home.  She did attend Bryn Mawr College, however, and it was here that she decided to become an actress, appearing in many of their productions.   After graduating from Bryn Mawr she briefly moved to Baltimore, before heading to New York to study acting professionally.

After moving to New York, she began getting small roles in plays on Broadway and elsewhere. She always attracted attention in these parts, especially for her role in "Art and Mrs. Bottle" (1931); then, she finally broke into stardom when she took the starring role of the Amazon princess Antiope in "A Warrior's Husband" (1932). The inevitable film offers followed, and after making a few screen tests, she was cast in A Bill of Divorcement (1932), opposite John Barrymore. The film was a hit, and after agreeing to her salary demands, RKO signed her to a contract. She made five films between 1932 and 1934. For her third, Morning Glory (1933) she won her first Academy Award. Her fourth, Little Women (1933) was the most successful picture of its day.

But stories were beginning to leak out of her haughty behavior off- screen and her refusal to play the Hollywood Game, always wearing slacks and no makeup, never posing for pictures or giving interviews. Audiences were shocked at her unconventional behavior instead of applauding it, and so when she returned to Broadway in 1934 to star in "The Lake", the critics panned her and the audiences, who at first bought up tickets, soon deserted her.   In her autobiography, Hepburn calls this period her poisoned period.  She knew that she was letting the director push her around yet she did not stop him or make him realize that it would be her job to sell the film to audience. 

When she returned to Hollywood, things didn't get much better. From the period 1935-1938, she had only two hits: Alice Adams (1935), which brought her her second Oscar nomination, and Stage Door (1937); the many flops included Break of Hearts (1935), Sylvia Scarlett (1935), Mary of Scotland (1936), Quality Street (1937) and the now- classic Bringing Up Baby (1938).

With so many flops, she labeled this her "box-office poison" period.  She decided to go back to Broadway to star in "The Philadelphia Story" (1938), and was rewarded with a smash.  She quickly bought the film rights, and so was able to negotiate her way back to Hollywood on her own terms, including her choice of director and co-stars.  The film version of The Philadelphia Story (1940), was a box-office hit, and Hepburn, who won her third Oscar nomination for the film, was bankable again.  For her next film, Woman of the Year (1942), she was paired with Spencer Tracy, and the chemistry between them lasted for eight more films, spanning the course of 25 years, and a romance that lasted that long off-screen. (She received her fourth Oscar nomination for the film.)  Their films included the very successful Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957).

With The African Queen (1951), Hepburn moved into middle-aged roles, receiving her fifth Oscar nomination for the film.  She played more of these types of roles throughout the 50s, and won more Oscar nominations for many of them, including her roles in Summertime (1955), The Rainmaker (1956) and Suddenly, Last Summer (1959).  Her film roles became fewer and farther between in the 60s, as she devoted her time to her ailing partner Spencer Tracy.  For one of her film appearances in this decade, in Long Day's Journey Into Night (1962), she received her ninth Oscar nomination.  After a five-year absence from films, she then made Guess Who's Coming to Dinner (1967), her last film with Tracy and the last film Tracy ever made; he died just weeks after finishing it.  It garnered Hepburn her tenth Oscar nomination and her second win.  The next year, she did The Lion in Winter (1968), which brought her her eleventh Oscar nomination and third win.

In the 70s, she turned to making made-for-TV films, with The Glass Menagerie (1973) (TV), Love Among the Ruins (1975) (TV) and The Corn Is Green (1979) (TV).  She still continued to make an occasional appearance in feature films, such as Rooster Cogburn (1975), with John Wayne, and On Golden Pond (1981), with Henry Fonda.  This last brought her her twelfth Oscar nomination and fourth win - the latter currently still a record for an actress.

She made more TV-films in the 80s, and wrote her autobiography, 'Me', in 1991.  Her last feature film was Love Affair (1994), with Warren Beatty and Annette Bening, and her last TV- film was One Christmas (1994) (TV).  With her health declining she retired from public life in the mid-nineties.  She died at the age of 96 at her home in Old Saybrook, Connecticut.