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José de Sousa Saramago, GColSE (Portuguese pronunciation: <ʒuˈzɛ sɐɾɐˈmaɣu>; (16 November 1922 – 18 June 2010) was a Nobel-laureate Portuguese novelist, poet, playwright and journalist. His works, some of which can be seen as allegories, commonly present subversive perspectives on historic events, emphasizing the human factor. Harold Bloom has described Saramago as "a permanent part of the Western canon".<2>
Saramago was awarded the Nobel Prize for Literature in 1998.<3> More than two million copies of his books have been sold in Portugal alone and his work has been translated into 25 languages.<4><5> He founded the National Front for the Defence of Culture (Lisbon, 1992) with Freitas-Magalhães and others. In 1992, the Portuguese government, under Prime Minister Aníbal Cavaco Silva, ordered the removal of The Gospel According to Jesus Christ from the European Literary Prize's shortlist, claiming the work was religiously offensive. Saramago complained about censorship<6> and moved to Lanzarote in the Canary Islands, Spain, where he resided until his death.<7><8>
A proponent of libertarian communism,<9> Saramago came into conflict with some groups, such as the Catholic Church. Saramago was an atheist who defended love as an instrument to improve the human condition.
At the time of his death, Saramago was married to Spanish journalist Pilar del Rio, and had a daughter from a previous marriage.<8> The European Writers’ Parliament came from a proposal by Saramago and Orhan Pamuk; Saramago was expected to speak as the guest of honour at its opening ceremony in 2010 but he had died.<10>
Bibliography
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(2010)
Naked Heat
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(2010)
Democracia y universidad
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(2009)
Cain
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(2008)
The Elephant's Journey
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(2006)
Seeing
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José de Sousa Saramago (born 16 November 1922) is a Nobel-laureate Portuguese novelist, playwright and journalist.
Saramago's experimental style often features long sentences, at times more than a page long. He uses periods sparingly, choosing instead a loose flow of clauses joined by commas. Many of his paragraphs extend for pages without pausing for dialog, which Saramago chooses not to delimit by quotation marks; when the speaker changes, Saramago capitalizes the first letter of the new speaker's clause. In his novel Blindness, Saramago completely abandons the use of proper nouns instead choosing to refer to characters simply by some unique characteristic, an example of his use of style to enhance the recurring themes of identity and meaning found throughout his work. (Wikipedia)
In his Nobel lecture, delivered December 7, 1998, Saramago spoke on the creation of characters, and by extension the creation of the author, saying:
Saramago's experimental style often features long sentences, at times more than a page long. He uses periods sparingly, choosing instead a loose flow of clauses joined by commas. Many of his paragraphs extend for pages without pausing for dialog, which Saramago chooses not to delimit by quotation marks; when the speaker changes, Saramago capitalizes the first letter of the new speaker's clause. In his novel Blindness, Saramago completely abandons the use of proper nouns instead choosing to refer to characters simply by some unique characteristic, an example of his use of style to enhance the recurring themes of identity and meaning found throughout his work. (Wikipedia)
In his Nobel lecture, delivered December 7, 1998, Saramago spoke on the creation of characters, and by extension the creation of the author, saying:
"In one sense it could even be said that, letter-by-letter, word-by-word, page-by-page, book after book, I have been successively implanting in the man I was the characters I created. I believe that without them I wouldn't be the person I am today; without them maybe my life wouldn't have succeeded in becoming more than an inexact sketch, a promise that like so many others remained only a promise, the existence of someone who maybe might have been but in the end could not manage to be." (source)
