Lynda Barry (born January 2, 1956) is an American cartoonist and author. One of the most successful non-mainstream American cartoonists, Barry is perhaps best known for her weekly comic strip Ernie Pook's Comeek. Barry's cartoons often view family life from the perspective of pre-teen girls from the wrong side of the tracks – Arna (the sensitive, freckled observer) and the cousins with whom she lives; pig-tailed Marlys (gifted, exuberant, snarky, and spastic); and the older Maybonne (concerned with social justice, music, makeup, hairdos and boys) and Freddie (gay, sweet, bullied, fascinated with bugs and monsters); but she often ventures far afield from this, such as in her strips featuring a Beat Poet poodle named Fred Milton. She has also produced novels. She garnered attention with her book The Good Times are Killing Me about an interracial friendship between two young girls. The book was made into a play. Her novel "Cruddy" (2000) was well received. "One Hundred Demons" (2002) a graphic novel she terms "Autobifictionalography" uses collage and a Zen Ink painting exercise to address personal and social topics that have been demonized. "What it is" (2008) is a graphic novel that is part memoir, part collage and part workbook in which Barry instructs her readers in methods to open up their own creativity.
Born in Richland Center, Wisconsin, Barry moved as a child to Washington. She went to the same high school as artist Charles Burns. At The Evergreen State College in Olympia, Washington she met fellow cartoonist Matt Groening, who first published "Ernie Pook's Comeek" in the school paper without her knowledge. After graduating Evergreen she moved to Seattle, and when she was 23 the Chicago Reader picked up her comic strip, enabling her to make a living from her comics alone. She later moved to Chicago, Illinois.
For a time, she dated public radio personality Ira Glass who moved to Chicago in 1989 to be with her.
She currently lives near Footville, Wisconsin. She is one quarter-Filipina<citation needed>.
She is married to Kevin Kawula, a prairie restoration expert. They met each other while she was an artist-in-residence at the Ragdale Foundation and he was land manager of the Lake Forest Open Lands project in Lake Forest, Illinois.
While Barry's work is humorous, the undertones are usually serious. It depicts life as harsh but occasionally joyful. Another way to say this is that it is realistic. Her work addresses themes of intolerance and psychic pain, and at times includes some starkly left-wing political commentary.
Some would say her comics do not strive to depict beauty or demonstrate artistic virtuosity – in that sense being similar to her peers Matt Groening (like her, a graduate of The Evergreen State College), Lloyd Dangle, and Mark Alan Stamaty – but for all their grubbiness are extremely expressive and evocative.
The visual aspect of her work follows the verbal. She has an extreme facility in reproducing the voices of children and adolescents. While some comics purists complain that her young characters lack elbows,<6> the psychological depth and humanity of those characters calls the reader to take a second look at Barry's drawings. While unconventionally rendered, they carry an undeniable psychic charge legible in the context of her writing.
Barry's early work was rendered with pen and had a distinctly New Wave, '80s look, but she told The Comics Journal that she was forced to give up the pen because it was hurting her wrist, turning to a brush which gave her work a much looser, child-like quality.
Her graphic work in comics recalls the work of Basquiat in the fine arts and can be better understood by that comparison.
In her latest books, "One! Hundred! Demons!" and "What It Is," she works with color and collage. These works possess a vitality and visual beauty few would deny. Opening with tens of pages that innovatively combine collage with the thesis of the book,"What It Is" expands the genre of the graphic novel, bringing its bounds closer on one side to painting and on another to the picture book.
Barry's books include The Good Times are Killing Me (ISBN 1-57061-105-X, also a musical play that appeared off-Broadway), The Greatest of Marlys, The Freddie Stories, Cruddy: An Illustrated Novel, One! Hundred! Demons!, a collection of the series published in venues such as Salon.com and, most recently, What It Is.
Her backlist includes Everything in the World, The Fun House, It's So Magic, Naked Ladies Naked Ladies Naked Ladies, Shake a Tail Feather, Down the Street, Big Ideas, Come Over Come Over, Girls and Boys and My Perfect Life.
The book ONE! HUNDRED! DEMONS! first appeared as a serialized comic on Salon.com, then as a hardcover book from Sasquatch Books. According to the book's own introduction, it was produced in emulation of on an old Zen painting exercise called "one hundred demons." In this exercise the practitioner awaits the arrival of demons and then paints them as they arise in the mind. This is done, one supposes, as a form of exorcism. The demons Barry wrestles with in this book are, among others, regret, abusive relationships, self consciousness, the prohibition against feeling hate, and her response to the results of the 2000 U.S. presidential elections. The book contains an instructional section that encourages readers to take up the brush and follow her example.
Barry offers a workshop titled "Writing the Unthinkable" through the Omega Institute in Rhinebeck, New York, and The Crossings in Austin, Texas, in which she teaches the process she uses to create all of her work.
She credits her teacher, Marilyn Frasca, at The Evergreen State College, with teaching her these techniques.
Barry is also a big fan of Mary Parker Follett's Creative Experience.
Many of these techniques appear in her book What It Is.
Lynda Barry's spoken-word CD The Lynda Barry Experience (1993, ISBN 1-882543-17-3) contains a variety of her semi-autobiographical stories, such as "I Got an Accordion", "Good Grief, It's the Aswang", "The Lesbo Story", and "I Remember Mike". It also contains a variety of home-made answering machine outgoing messages.
