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A. N. Wilson in his biography of Belloc wrote: “If I created a character in a novel as Hilaire Belloc, people would not believe it.” Belloc was a paradox: a lyrical poet who never read any contemporary poetry; a rhymester whose high jinks still charm children; an artilleryman on bivouac at Toul who smelled the Revolution as “France went by”; an aging monarchist who savored the last charge of Charles I at Naseby; the most versatile and certainly the finest English prose stylist in this and possibly any century, who grumbled from the liberty of his battered old boat, the Nona, “dear reader, read less and sail more” even as he lusted for bigger and better-paying audiences; the perpetual wanderer tramping Europe, burning for adventures even as he sang the praises of a rooted peasantry and a hearth steeped in seasonable traditions that “halted the cruelty of time”; the enemy of the rich and of capitalist greed, who once asked for a bucket of money as a birthday gift; the passionate advocate of Truth, who once groused, however, “that the truth always limps”; the drummer boy of an English-speaking Catholicism he helped make proud of itself.
- Frederick D. Willhelmsen