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Raúl Hernández Olea

Raúl Hernández Olea

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Raúl Hernández Olea
Learn about me by my Author's Unbound Page (click the link at the right)

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  • Santiago (Las Condes), Chile
  • member since July 13, 2009

Reviews

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  • The Sailor Who Fell From Grace with the Sea
    • Rated 5 stars

    The original title in Japanese is “Gogo No Eiko” but my owned book is in Spanish (El marino que perdió la gracia del mar), translated –I think in a mastery way– by Jesús Zulaika Goicoetxea, published by Alianza Editorial, Madrid, 2003, ISBN: 84-206-5515-5. The description already found in Shelfari for the English version seems the common –rather esoteric or abstruse– interpretation stated by critics, but I guess Mishima did not make such a thick philosophy and simply expressed the effect of Eros, obsession, disappointment and jealousy on human conduct, finishing in the weird way shown in his book. The seaman protagonist Ryuji Tsukasaki finds his fate personified in Noboru, the evil son of his lover, the sophisticated entrepreneur Lady Fusako. Simple plot for a mastery literary work. The book was translated from Japanese into English with the title “The Sailor Who Fell From Grace With The Sea”. A nice and rewarded film was made on it with the same title. Eerie, offbeat adaptation of Yukio Mishima's story about an affair that a young widow has with an itinerant seaman, which disturbs her lonely son with tragic results. [Cast & Crew: Sarah Miles, Kris Kristofferson, Jonathan Kanh, Margo Cunningham, Earl Rhodes. Directed by Lewis John Carlino]. Obsession and fate collide in one of the most controversial and provocative films ever made. English widow Anne Osborne (Ryan's Daughter's Sarah Miles) lives by the sea with her young son, Jonathan. The arrival of a rugged American sailor, Jim (Blade's Kris Kristofferson), brings Anne the joy and sensual fulfillment she thought had gone forever, but her son is disturbed by this new intruder and joins a perverse group of fellow students led by the charismatic Chief. With its disturbing shock ending and frank love scenes, this stylish adaptation of the novel by legendary writer Yukio Mishima has become a timeless classic.

    Raúl Hernández Olea wrote this review Sunday, September 6, 2009. ( reply | permalink )
  • The Prince
    • Rated 5 stars

    Niccolò Machiavelli stated in The Prince immanent truths, still valid for all those involved in political power.

    Raúl Hernández Olea wrote this review Friday, August 14, 2009. ( reply | permalink )
  • An Introduction to Philosophical Analysis, Fourth Edition
    • Rated 5 stars

    This book provides an in-depth, problem-oriented introduction to philosophical analysis using an extremely clear, readable approach. The Fourth Edition does not only update coverage throughout the book, but also restores the introductory chapter— Words and the World —the most distinguished, widely acclaimed feature of the first two editions.

    Raúl Hernández Olea wrote this review Thursday, August 13, 2009. ( reply | permalink )
  • Memories, Dreams, Reflections
    • Rated 5 stars

    Spiritual realities steer the lives of certain persons, whose immutable world prevails over the mutable one, qualifying this late and determining it in last instance. Carl G. Jung refers to it as a relevant feature of conscience. Those persons have the privilege of knowing and feeling more acutely and profoundly, reaching truths that remain unrevealed for others. For this sort of individuals the external reality courses as foreign and irrelevant for their fundamental decisions and definitions. Every person is a psychic process, which cannot dominate, or only does it partially; due to that the person is unable to judge her/him self or hers/his own life. In the bottom one never knows. The history of a person has a beginning at any point that one remembers, but already it is something very complicated to explain, or to be fully understood. From the point of view of conscience, in strict sense, we cannot talk about a real beginning. Maybe other people related to us could tell data about us, but inside us it is very different story. The categories do not correspond with the vision of the witnesses, being ours the only that matters. Nonetheless most people believe that what matters remains in the witnesses (family, society, profession, job, environment, etc.), not in themselves. Inner events in the childhood can be more lucid, important, definitive and transcendental than the rest of a lifetime interacting with the exterior world (the witnesses). I believe our inner reality is the crucial subject. Recounting has not strictly temporal progression. The sequence of external factors is marginal to the timeline. Let us say it is purely conceptual.

    Raúl Hernández Olea wrote this review Wednesday, August 12, 2009. ( reply | permalink )